With this, your brain is constantly looking to recognize some finite simple groups of layered sounds. And goes perpetually In & Out from the baseline. Symmetrical movements, sound design inspired and based on a logic explained by the Sylow theorems. A very smoothly built-in flow. 

Please note: In this remastered version, the emphasis is on uncovering grooves that were obscured by the layered mixing, while also introducing additional warmth with an analogue tube vibe.

Artwork by Alina Kh. Ukraine. "Invasion" series.

Enjoy!

(D) (Remastered) The Highest Order #Soundesign 🎧😵‍💫

05 - FATUO - Fatuo

VIDEO - https://youtu.be/9J3ZFhL9tBE?si=4KHYyWI9YeT8c-UD

Thank you to those that have continued to follow this profile despite the dormant activity for over a year. 
I have deleted some old tracks and now have room for some new material to be posted here. (Which will all be downloadable)
For my complete music output please follow Mood Exhibit -
@r-salchaks-mood-exhibit

Blink Twice -  /dəˈvou(ə)r/

Track included in the LP "Monoliths and Greetings" released on People Can Listen Label (PCLLP024)
@peoplecanlisten

The image for the cover is a painting by the Polish artist Katarzyna Karpowicz, "Monoliths and Greetings", oil on canvas, 110cm X 110cm, 2017.
katarzynakarpowicz.pl/#

Mastering by Optionica: @optionica

Released date: 16/02/2024
peoplecanlisten.bandcamp.com/album/pcll…-greetings

LP on Bandcamp

Kite Comet

When Sven and I stepped into the Verrückt Hoch Zwei recording studio, the place buzzed with creative vibes. Sven was in the control room, fine-tuning the sound levels with great care, while I was lost in my world on the drum kit, crafting rhythms that filled the space with energy.

Every time we were about to add a new layer, Sven would excitedly share his thoughts, his enthusiasm palpable. Once everything was set, we hit the record button, capturing the raw, real-time magic of our collaboration.

As I played my beats, Sven skillfully operated the recording gear, making sure each sound was perfectly captured. The studio came alive with our creativity.

After each session, we assigned different recorded elements to specific pads, turning them into catchy loops that added new dimensions to our track. I remember placing the bass line on the outer edge of the floor tom, breathing new life into our arrangement with a pre-recorded sample.

Time slipped away as we meticulously honed each layer and loop. It was a labor of love; despite the hurdles we faced, we were determined to create something special.

In the end, though our recordings didn’t find their way to an audience, I couldn’t let our work fade into the background. Instead, I chose to release it to the world, allowing it to resonate with listeners everywhere.

Looking back at our time in the studio, I treasure the effort and artistry we poured into our project. It was a memorable experience that deeply impacted us both, and I’m excited to share our music widely.

Behind the track, I played the beat "Rise," while Sven saved it as Storm Drum: Rise. This title reflects our creative journey, serving as a reminder that our music can touch hearts and leave a lasting mark on anyone who hears it.

Storm Drum: Rise

2024-02-19

Relaxation

One Way Or Another

Dialog between a self-generative patch on the Buchla Music Easel and improvised waterphone tones.

Freescape II

experimental/improvisation, processed flute, prepared electric guitar, electronics

flux.1

i  know this isnt techno but mind yr business
[credited to DJ [REDACTED]
if you fw me you wont sample snitch

VLT RADIO

catch 22 (intro)

Demo track - made this in a day for fun ! Work in progress 👁

Hypercube - Code Injection

HYPERCUBE creates a complex soundscape under CPU demands

Please note I've reached the authorised limit and therefore cannot follow you back 👽

Hypercube - Code Injection

Hypercube-audio