ghost in my piano Route_B

@aeoi

A bird's-eye view is a compilation curating by @bewareilive, consisting of some of the people that they have had the pleasure to cross paths with through music. People that they feel they share a creative vision with. A vision of beauty through sound, exploration, memories and pain that manifests throughout this compilation. The name of the compilation points to, and is a wish for seeing things from different perspectives.

Aeoi - Above The Clouds

Your $1 for Ukraine

OO0oϙ0o0o00o — untitled (about to sprout)

Taken from Racine's new album 'Boue' (G&P026), out March 24, 2024

Gin&Platonic are pleased to welcome the Montreal based composer, producer and sound designer Julien Racine to their catalogue. Following up the Genot Centre record with Keru Not Ever as Corporation and the stunning solo albums on Danse Noire, we're now blessed to present his newest longplay 'Boue', simply translated from French as 'mud'.
___

Offshore it's foul weather.

I climbed down the stone steps of my two-storey tower to reach the shore. Anthracite. The steps are slow and precise; those of a new life apprehending itself in its fresh descent. I used to be a composer: 142 pieces of varying length mourn my career. Mostly for string quartet. I tried orchestrating percussion with tuba. To no avail. No albums, but individual pieces, yes, pieces that bled the contradictions of the world through sketches of bronze angels. I tried to compose it as well as I could: every day I'd add a new note, the next day I'd remove it. In this gap, between adding and removing, lay the beauty of the music. This is how I managed to compose the 142 pieces that today resonate in the belly of every betrayed.

Where was my mother when I was presenting these pieces to the world? In the emotion or indifference of the sound meadows? My mother, who bequeathed me her heart defect as an inheritance, all the better to avoid me? The heart I now have, — transplanted from a pig, whose vena cava is slightly smaller in diameter than the human average — leaving me gasping for breath when I climb the surrounding mountains? She sent me just one letter, too short, in which she told me she had gone to hear one of my pieces, the performance of which lasted 4 hours and 13 minutes, in Budapest: “Dear Pascalin, your piece performed at the Bela Bartok National Concert Hall reminds me of the day you were born, when we parted. This made me cry a little. Iˇm not being facetious, it's the truth. Suddenly your life appeared to me, in the music, as a morsel of forgotten evidence. Kisses. Madeleine.”

The rising air is pure.

As I reached the shore, I gave my hatred of music to the seagulls, which squawked at the shrill of my footsteps shuffling across the polished stones. Their music is close to mine, I thought. A great wind of a new day carried their polyphony to the storms of the open sea. Cantatas, arias and requiems, all at once, in the undulating rage of the horizon. This time I’m in is nasty, isn't it? Living with these seagulls that sing for no one. My pig’s heart is beginning to beat faster. This heart inside me that isn’t mine but makes me live. I take a metal chair that had been lying on the shore since last summer, and I sit on it. Look over there, she says. I pick up an abandoned driftwood branch, washed by the sea’s salt, and wave it in the air, signaling the rain’s slow arrival. A morsel of forgotten evidence, I silently think. Lately, good foul weather to compose anew.

Written & produced by Julien Racine
https://julienracine.com/

Mastering & additional production by Jesse Osborne-Lanthier
https://jesseosbornelanthiernoir.bandcamp.com/

Artwork by Jiri Macku
instagram.com/jiri_macku

Words by Justin Leduc-Frenette (Keru Not Ever)
https://justinleducfrenette.com/

G&P026 🪞

Boue

Bandcamp

Racine - Boue V

songwriting, production and mixing by Lo Bise
mastering by Taylor Deupree at 12k Mastering
album art by Lo Bise
Jevels 2024

Six Words To Describe The Ending

The 51st release of katharsis is the album Afterlife by Danish artist Johan Carøe. The album takes shape through a collection of synth vignettes and spectral landscapes, where fragmented strings and ephemeral pads merge into weightless, hyper-lush forms. Created in a period of both new life and impending loss, Afterlife lingers in the space between presence and absence—a fragile transmission of shifting states, quiet relief, and fleeting sonic imprints. It stands as an isolated relic of a time that no longer exists—a collection of echoes, projecting the paradoxical nature of life and death.

Created in solitude on headphones and a MIDI keyboard in a transitional period in life, the album embodies a raw and intimate catharsis—the word in its truest sense. Without the usual studio space, these pieces emerged through line-in synths, VST textures, and fragments of old recordings—saxophone, cello, violin—stitched together like distant memories resurfacing. The absence of microphones and monitors lends the music an eerily virtual quality—a small life in a small box, a stretched-out portrait of a passing moment. It is introspective yet expansive, a meditation on the transient nature of memory, sound, and being.

releases March 31, 2025

mastering by jjjacob
artwork by jjjacob

Afterlife

Early Song

premiere: Johan Carøe - Early Song

Sandstorm Shuffling

Áchim Görgy - I will save my love. I took the first step! This is his joy, I stand up for him!

Droney Mitchell 0004.2

“I saw the end long before it came. They called me mad, not a prophet. Now only silence remains to witness the truth.”

"I stood at the edge of time, watching the lights fade one by one.
Voices whispered my name, but no one was there.
They called me a prophet, yet I bring no salvation –
only the memory of what you could have changed."

„Ich sah das Ende lange, bevor es eintrat.
Sie nannten mich verrückt, nicht einen Propheten.
Jetzt ist nur noch die Stille übrig, um die Wahrheit zu bezeugen.“

„Ich stand am Rand der Zeit und sah, wie die Lichter nacheinander erloschen.
Stimmen flüsterten meinen Namen, doch niemand war dort.
Sie nannten mich Prophet, aber ich bringe keine Erlösung –
nur die Erinnerung an das, was ihr hättet ändern können.“

www.bbs5music.com

Der Prophet

On generative processing webs + the writhing hydra of rhizomatic LFO systems 
The minotaurs flesh has bonded with the labyrinth i am hugging it and petting and playing with it

Soothing resonance flowing in from all who surround you with unyielding virality _rippling over your skin through your shell across invisible roots connected to all past selves _ we experience unified stillness for a moment in tonal harmony 
released from reserve 

❦❧

Haunted Moon Theory

portal to a dream castle

 ✿✿ Ƹ̵̡Ӝ̵̨̄Ʒ ✿✿

run by @fannuze

July 11, 2025 - SYNC DRIP with @mssingno @5-0-0 @fetva @happynewtears @fannuze ((Point Ephémère - Paris)

February 22, 2025 - Hyperlink x @slagwerk with @to-xe, @baby_pantera, @one_legacy, @fannuze, @oti_s (La Station - Paris)

April 27, 2024 - LOVE IS A SPECTRUM with @b3lovedtrink3t (live), @bewareilive b2b @aeoi, @organtapes, @fannuze, @vendredear (Petit Bain - Paris)

February 24, 2024 - ROAD REDLINE @easternmargins with @fitnesss (live), @lvraofficial (live), @6akl6xchitga (live), @fannuze, @tovankao, Lumi (Point Ephémère - Paris)

November 25, 2023 - BROKEN PARABLES @metaphorecollectif with : 0000vn (live) @28082 (live), @fannuze, @griigg, @gloomknightvivi (Méta Zone Libre - Marseille)

October 6, 2023 - AMBERCAST x @clublatemusic : TTristana (live) Tendre Ael (live), Griiigg, Myen, GIL, bela, Spraelle, POL100, ariane kiks, fanny, dj clope, tina tuner (La Station - Paris)

June 8, 2022 - GIRLS DON'T CRY with @obsequies @fetva @fannuze (La Chapelle des Carmélites - Toulouse)

Aeoi - Above The Clouds

HYPERLINK