Name-your-price DL

vvonn & Butif - Disconnection In A Connected World

Title track from "Fading," a new @ohadpeleg EP set for release 17/06/21 on @sadan_rec.

All proceeds from the EP will be donated to the Palestine Children's Relief Fund. More info here: https://www.pcrf.net/

Artwork: @anis7k
Mixing: @philanxy
Mastering: @sodaplains

Fading - EP

Pre-order

PREMIERE: Ohad Peleg - Fading [SDN006]

FROM CLAM011 | BINEAL PONK

https://clam-pressure.bandcamp.com/album/clam011-bineal-ponk

out 02/02/2022

@eksemusic

@elazy-lite

EKSE & ELAZY - BUNGO BAGGINS

Epilogue

Epilogue: Part 1

MIRA 新伝統 - Xenomating

IM097 - @forces-music - Inertia
Label: Infinite Machine
Release Date: July 1st, 2022
Format: Digital
Mastered by Fausto Mercier

Infinite Machine is happy to welcome interdisciplinary artist, Forces, to the IM family with the release of Inertia, Joonas Siren’s fifth album since he began putting out music in 2018. With previous cosigns from Aphex Twin, Zuli & Daniel Ruane, Forces is known for creating sharp digital textures and ever-surprising rhythmic structures using live coding software such as SuperCollider and TidalCycles. 

With a background in fine art, Forces is never one to shy away from conceptual thinking about his output and this album is no different. Engaging with the work of theorist Franco Berardi (particularly recent book ‘Futurability’), Inertia tries to soundtrack the political malaise of the last few decades and the growing sense of powerlessness and inability to avoid the many crises generated by the structures of capital. 

Forces opens up proceedings with ‘Algorithmic Governance’, where doom-laden bass drones pulse and groan over erratic drum hits which play in alien time signatures, outside of the realm of full, human comprehension. The algorithmic control of the track’s title could refer to Franco Berardi’s interest in social media, a force which simplifies and monetises social communication, or it could refer to his approach to co-creation with his software of choice. With many compositions, Forces sets up rules or parameters in his code but allows elements of randomisation and evolution, inviting SuperCollider’s algorithm to become a co-author alongside him.

‘Morphogenesis’ begins life as a straight-forward, hard techno composition but things are not as simple as they may first seem. Over its 5 minute duration, the stable 4/4 beat seems to collapse in on itself, potentially nodding to the mood of our current socio-economic moment. This is followed up by the formidable ‘Swarm’, a masterclass in algorythmic synthesis that’ll slice your brain in half on first listen. A stuttering of buzz saw-styled synth tones sweep, stretch and pitch bend themselves in ways that would be almost impossible to achieve within a classic DAW. 

Named after the Berardi book that inspired Forces, ‘Futurability’ takes things in a slightly softer direction. Reminiscent of early Tim Hecker releases (with an added cybernetic edge), ‘Futurability’ has a sedative yet uneasy tone to it, as if the song is reflecting the dual sense of concern that things should change in society but our helplessness to actually change them, especially in the ecological or economic arena.

A tale of two halves, ‘Soul at Work’ starts out as a blissfully serene piece of what you could describe as code-based shoegaze which is then chewed up and spat out by algorithmic distortion and disorientating glitches from the midway point onwards. 

Forces ends Inertia on a more hopeful note with the David Graeber-sampling ‘Horizon of Possibility’. Unlike ‘Soul at Work’, the lush drone work is left intact on this arrangement - maybe signaling the potential existence of different structures that are more positive and robust for all.

With Inertia, Forces pushes his singular musical style even further, to more hyperbolic and emotive heights. Embracing the eccentric randomness of the SuperCollider software and working in concepts from contemporary theorists, this album is a mediation on the current moment created alongside technology that also feels hyper-relevant to today.

Inertia

PRE-ORDER

Forces - Spiritual Automata (IM097)

last remix out for @matteocoffetti's embryo furafura album

This one is by @voronhil ~ ªº¬ºª

buy it here: https://pampsychia.bandcamp.com/track/matteo-coffetti-rifrifriphet-voronhil-remix
:)

original track: https://pampsychia.bandcamp.com/track/rifrifriphet

RifRifRiphet (Voronhil Remix)

Perhappiness

Winebathory & Alys - Perhappiness

Cutlass Caprice

Artist: Hyph11e
Title: Vanishing Cinema
Label: SVBKVLT
Cat. No: SBKT017
Release Date: 10th November 2017
Artwork: Wang Newone
Mastering: Raphael Valensi
Format: Digital
Distribution: Cargo UK

In 2016, DJ, producer and member of Genome 6.66MBP Tess Sun, aka Hyph11e, began work on her debut EP.

Living a double life as a composer for TV by day, and DJing around Shanghai by night, the passing of time often stifled and spurred on her production process. After having a dream of a Vanishing Cinema, a place where memories disappear in front of your eyes through the passage of time, Hyph11e quit her day job to focus on her own music full-time. The result is four original, uncompromising tracks that owe as much to vintage noise and industrial music as they do to field recordings and contemporary club music.

On the remixes, Tzusing tweaks and tunes “Black Pepper”, driving it into idiosyncratically ominous territory; M.E.S.H. rebuilds “Unknown Number” from the ground up until it reaches the clouds; while Kid Antoine takes “Escapism”s warning sirens and cuts them into playful, bouncing cascades.

Track list:

01. Black Pepper 炎
02. Unknown Number 未知
03. Escapism 庇
04. Speak To Me 呓语 feat. Sharon Stewart
05. Black Pepper炎 (Tzusing Remix)
06. Unknown Number 未知 (M.E.S.H. Remix)
07. Escapism 庇 (Kid Antoine Remix)

Vanishing Cinema

Hyph11e - Escapism 庇

Welcoming Penelope's fiance in hm fam we share a track made in collaboration with Xyn Cabal. There will be a proper release by him in 2020 and we are calling it now: it's the best thing you will listen to next year.

Artwork by Inhalt
Penelope's fiance: https://soundcloud.com/doesnt-matter-11
Xyn Cabal: https://soundcloud.com/thereexistss

Penelope's fiance - To die hating them (freedom) ft. Xyn Cabal

--ESP
MECHA-03 es la tercera compilación del colectivo TRRUENO.
El lanzamiento es una compilación de 17 temas producidos por los miembros del sello y varios artistas invitados, incluyendo a Ziúr, el performer y poeta Cru Encarnação, Leonello Zambon, MARTTEIN, Golpe Erotico y Gregorio Nash

--ENG
MECHA-03 is the third compilation of the TRRUENO collective.
The release is a compilation of 17 tracks produced by members of the label and various guest artists, including Ziúr, performer artist and poet Cru Encarnação, Leonello Zambon, MARTTEIN, Golpe Erotico & Gregorio Nash

Mastering by Astrosuka & Sofja
Artwork by Emma Pidré
Logo by Pablo Betas

Penelope's fiance - To die hating them (freedom) ft. Xyn Cabal

HYPERMEDIUM

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