from 𝙝𝙮𝙥𝙚𝙧𝙚𝙢𝙥𝙖𝙩𝙝𝙮 

available at www.savile.cc/album/hyperempathy

hyperempathy

hyperempahty

mind is mind ('from here you go anywhere' mix)

Thoughts

Kiss me underneath the missile silO

Just a freestyle practice run. Nothing planned, just feeling out the flow and letting the tracks guide me. Documenting the journey one mix at a time. 🎧
#PracticeSession #FreestyleMix #DnB #DrumAndBass #SoundCloudDJs #LearningInPublic #UndergroundDnB #RawEnergy

Practice Session 083125 · Freestyle DnB

Mexicali-based producer Siete Catorce causes disruption on Athens imprint Hypermedium, making his label debut with deadly futurist EP, Agnosia. Hear cut ‘Canto’ now. 

Read more:  https://hyponik.com/features/first-listen-siete-catorce-cantohypermedium/

@sietecatorce 
@hypermedium

Agnosia

First Listen: Siete Catorce - 'Canto'(Hypermedium)

Rupert Clervaux - After Masterpieces LP
Release Date - 24th May 2019
Buy - https://whities.bandcamp.com/album/after-masterpieces

On May 24th, experimental musician Rupert Clervaux releases his debut solo album ‘After Masterpieces’ on Whities. 
The record features guest performances from saxophonist and trumpet player Eben Bull, singer Sian Ahern, and renowned experimental artist Anna Homler (aka Breadwoman) whose inimitable voice ushers us into the record’s opening prelude, and out of its redemptive final piece. 

The design by Alex McCullough and Kia Tasbihgou illustrates a 1:1 scale etched steel plate; the industrially machined casing through which an abstract landscape by the late Brian McMinn is visible. The printed sleeve is a reproduction of this steel ‘breach artefact’, bound with custom produced elastic band denoting the tracklist, strapping in place an accompanying poetry chapbook to it’s outer. 

‘After Masterpieces’ sets six recitals of Rupert’s poetry in unique, unpredictable and expansive musical scenery. The enigmatic and densely compacted texts, reworked and gently honed throughout the album’s slow creation, find an aerial perspective from which a lifetime of reading, listening and thinking is carefully re-mapped. The broad thematic scope takes in aesthetics, ancient mythologies, the origins of language and music, epistemology and ecology––to name just a few––all of which remain tightly intertwined, resistant to abstraction, and imbued with a sense of inquisitive ambiguity which treats all certainty with suspicion: the listener is invited to find their own threads, draw their own conclusions and think their own thoughts––as Anna Homler once aptly said of her own work, “…it’s not didactic, it’s poetic.” 

Initially deriving its impetus from the mood and rhythm of the words, the album’s music utilises a wide-array of performance and production techniques. Clervaux draws on his full range of musical interests, creating long-form pieces that at turns support the recitals and then lead the way for the instrumental swathes within and between them. The sounds of ‘After Masterpieces’ revolve through the melodic ambience of ‘Her Fingers of Pink Light’; the dark electronics and multi-layered samples of ‘In Shadowlands of Like and Likeness’; the tentative interplay of piano and voice on ‘Damper and Drum’; and the riff-like patterned percussion and free improvisation of ‘Make Nature Speak.’ As the LP draws to a close, Homler and Bull join Rupert on ‘L’amore che Muove il Sole’—a sprawling anti-hymn, echoing the structure of ‘The Divine Comedy’, which discovers, in place of Dante’s heavenly paradise, a fragile optimism for positive change in the wreckage of failed grand narratives. 

Additional thanks go to Noel Summerville, James Marrs, Laura Lies In and Ju Canon for all their work on this project.

Rupert Clervaux - After Masterpieces LP - WHYT022

“Well, what you have here is the human input and then the hallucinations. Things are reacting to these inputs, creating a sense of image, creating a sense of reality - out of which a story might seem to appear.” 

Face2Face is created in the style of a ‘film essay’. In the deepfake, knowledge is hollowed-out anew as it evolves and develops into a divergent hallucination of ourselves and trust disintegrates into pure daemonized content. See camdenartcentre.org to listen to Lee Gamble’s new film essay, as presented by Public Knowledge, now.

Face2Face — Lee Gamble

Listen on YT - https://youtu.be/VY9KmF9AvDA

“Névoa” is the latest beguiling mutation from the Brazilian producer Naves Cilíndricas, in which his shape-shifting sound design skills come to the fore as an ever-morphing, hyper-modern feature that never shies away from its highly affective if not androgynous pathos; beneath its multicolored digital simulacrum, one can still find traces of human vocalizations next to fragmented robotic speech. Its ultra-stylized tones and somewhat percussive ghostly presence should perhaps be perceived more as sonically sculpted environments where one can navigate and drift through rather than tracks per se.

At times melancholic and ethereal and by the same token hermetic and noisy, his melodic arrangements composed of digitally generated timbres and hyper-processed vocals simultaneously evoke dystopic images and videos in an attempt to extrapolate the limits between body, sound, and image.

Follow Artist @navescilindricas
Follow Label @dominadomina

Premiere: Naves Cilíndricas - Névoa [DOM14]

Diggy digg aka the story of no style #5 w/ Isi! (22.11.2020)

Drum & bass, ghetto house, an ounce of bass music, without refraining from auto tuned vocals or finely picked Memphis rap tracks - @carin-kelly's sets go further than traditional set-building, for our ears’ delight.

Rinse France Podcast

Download

carin kelly - 28 Décembre 2020

Recorded in Cologne/Dresden by @france_98 & @droneoperator

SPA#14: DRONE OPERATØR & FRANCE '98 for NTS Radio

UK-based online publication offering a finely curated look at electronic music culture via daily news, reviews and features - as well as the bi-weekly Hyp Mix

First Listen: Siete Catorce - 'Canto'(Hypermedium)

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