....I started 1987 with an old  Roland TR 606 and 
Roland SH 101  my Cello  and later with every 
Sequential Cirquits product...
...........to explore the infinite space...............

I am an aural artisan and member of the
"interims-headquarter" collectiv
and member of  the new 
"dialektik" collective from Berlin.

=======[ cultural imprint ] ========

Sequential Cirquits, Roland, William Gibson, Moog, Ableton, IBM, Creamware, Cello, Wagner, Aphex Twin, Stockhausen, Photek, Ligeti, TG, Neumann, M-Audio, Edgar Ellen Poe, Hafler Trio, Skinny Puppy, Hindemith, Kraftwerk, Batman, Basic Channel, Source Direct, Dead can Dance, Berlin, Vangelis, B. Brecht, Sepultura, Front 242, NIN, Amon Tobin, Autechre, Joy Division, Conny Plank, Warp, cycling, Walter Gropius, UR, Kurt Vonnegut, David Bowie, Zoviet France, Biorhythm, Red Planet, SPK, DAF, Metalheadz, Nam June Paik, Bach, Oscar Peterson, Bruce Sterling, Musique concrète, Cabaret Voltaire, Oskar Sala, Bauhaus, The Orb, Clicks, Neu!,  Doepfer, ECM, Wahnfried, Wagner, K. Weill, Bleeps, Hidden Agenda, Industrial, Brian Eno, John Cage, FLA, P.K.Dick, Technics 1210, E2-E4, Neurofunk, CTM, Monolake, Victor Vasarely, The The, Hoodlum Priest, Mare balticum, Click Click, Mies van der Rohe, Tangerine Dream, Bill Laswell, Drones, Berlin, Detroit, Kronos Quartet, Art Of Noise, Tour de france, Shut up and dance, Neurofunk, Philip Glass, Clock DVA, Howard Phillips Lovecraft, Artificial Intelligence, Bauhaus Dessau, Basic Channel, Rügen, Joseph Beuys.....



"We Are Alive!" is a project of two German producers which started to create electronic music in 2009. Since then they produced tracks of very different styles and will continue creating music without sticking to any specific genre.

Alexander hacke

Alexander Hacke – was born in the proletarian district of Berlin Neukölln. A musician from the start, he joined Einstürzende Neubauten in 1980 at the tender age of 14, besides playing in numerous influential underground-groups and writing, recording, releasing and performing music under the pseudonym Alexander von Borsig. Throughout the eighties and up until today he not only collaborates with countless artists of various genres but also continues to produce records and score music for theater, feature and documentary movies.

In 1986 he teamed up with the Australian band Crime And The City Solution, then recorded and toured with Italian pop-icon Gianna Naninni, formed the alternative country-music outfit Jever Mountain Boys, improvised with Can-drummer Jaki Liebezeit for Japanese avantgarde-star Phew and produced records for the likes of Miranda Sex Garden, French anarchist songwriter Fred Alpi or Berlin post-punk characters Mutter.

In 2005 he starred as the main protagonist in Fatih Akin’s movie “Crossing the Bridge –the sound of Istanbul” and contributed music for the directors award-winning feature “Head On”.

Some of the many movie-productions which bear Hacke’s unmistakable hand-writing are “8 Miles High” a bio-picture about Germany’s premier femme fatale of the sixties and seventies Uschi Obermaier, the Finnish coming-of-age drama “Last Cowboy Standing” by Zaida Bergroth and “Fuori Dalle Corde / Out Of Bounds” the bare-knuckle fist-fighting epic by Italian director Fulvio Bernasconi, for which he received the award for best music at the 26th Festival International Du Premier Film in Annonay, France.

Since 2001 Alexander Hacke has been collaborating with the American artist Danielle de Picciotto who was singer in the band “Space Cowboys”, conceived the “Ocean Club” together with Gudrun Gut and was co-founder of the “Love Parade”. Together they initiated performances such as “Mountains of Madness” based on HP Lovecraft stories (inviting the English trio “Tiger Lillies” to participate), “Bada Bing” a performance series presenting an eclectic selection of new Berlin bands, “The History of Electricity” an electronic performance and numerous international workshops and lectures on the innovative culture in Berlin.

Alexander Hacke has released three solo-albums: “Filmarbeiten” a compilation of his early film-works, “Sanctuary”, a so-called Road-Record, which he produced during a journey around the world and “Doomed”, originally conceived for an inter-disciplinary exhibition. 

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