Demo by Robert Fantinatto (/RUN):  Gate signals from two different clock sources processed through a DEC Computer Lab Logic Trainer from the late 1960's, utilizing a series of flip/flop and Boolean logic gates to trigger envelopes on a Dotcom modular synth.

Logic Gate Trigger Processing

I compose, record, and edit with the help of MIDI, a Tascam US-800 analog-to-digital recorder, a Microkorg synthesizer with vocoder, an Ion-Alesis 24-bit stereo drum machine, an Audiotechnica wireless microphone, various and sundry keyboard samples, and Cubase.



Electronic experiments. Feedback loops. Cable noodles. Tape and bits.

Modelado Físico de Audio! Análisis de Espectros Sonoros  , Producción de Música Popular Contemporánea. Síntesis Musical .

1967/Feb/23//Gent

Fiddling with gadgets & knobs. Single-session tracking into a DP-006, mostly sequencer stuff, with minimal post-processing (for now). Pretty suck at it - AC-18 was my first. So much to do, so few time.

Try to wear headphones when listening to my noise - there's not much compression going on (yet).

I like house, minimal techno, electro, ambient, glitch, bleep, noise, industrial...

KO1, KO2
miniKP, miniKP2
EMX1-SD
DP-006
SP-404SX
DR-8
monotribe v2
monotron, duo, echo (-)
stylophone S1 , beatbox (-)
tetr4/tetra, MAX-49
Novation BS2
Samson s-patch plus

Bit suffering from GAS...

but coming up: pd

Logic Gate Trigger Processing

I Dream Of Wires