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SEANCE Track No04

upcoming single from the debut PLVS VLTRA album due late May 2012

"Flowers to Bees" by PLVS VLTRA

"AM/ER JOS" by Eric Lanham from "The Sincere Interruption". 

"AM/ER JOS" by Eric Lanham

For the base of this track I used the iPad as controller (yes midi but converted to cv) - for delay i drenched it in oil (40 years old GA-4RE oilcan delay).

For Anneliese Michel.

Patina of Time

Snake

The new album 'CARACAL' is out now
iTunes: http://po.st/P3wCTx
Amazon: http://po.st/pPvCDJ
Official Store: http://po.st/qO7d9s
www.disclosureofficial.com

Disclosure Live: http://disclosureofficial.com/live/
Official Merch: http://po.st/4iqh1L

The debut album from Disclosure 'Settle' 
iTunes: http://po.st/Eabal4
Official Store: http://po.st/iaE7o9
Special Edition: http://po.st/viEW5R

http://disclosureofficial.com
http://facebook.com/disclosureuk
http://twitter.com/disclosure
http://instagram.com/disclosure
http://instagram.com/disclosure_pics
http://youtube.com/disclosureVEVO
http://youtube.com/officialdisclosure
https://open.spotify.com/artist/6nS5roXSAGhTGr34W6n7Et

Running Beats

White Noise (Radio Edit) [feat. AlunaGeorge]

Buy on iTunes

"Desert Driver" from upcoming Palm Highway Chase LP release (finally!!!!!!)

"Desert Driver" by Palm  / | \ Highway Chase

shop.raster-noton.net/?pid=281

„HD“ can be described as Atom™‘s electronic quintessence: a blend of pop, electronic abstraction and powerful grooves - an invention Atom™ stands for and which was popularized through previous release, sclassics in the electronica genre, such as „pop artificielle“ and others. 


Here is what the artist says:

As so often I was asked to say and write something about the recording you are currently having in front of you: „HD“. To any musician this is no doubt a complicated moment, since the choice of medium had already been taken in the first place: music. However, it seems that the written word needs to accompany the music, if not just to make sure the composer knows how to defend himself. Let me be frank, in the past this has been a rather ungrateful job, due to the fact that words either seem to appear like a method of justification or explanation of something that in my modest opinion doesn‘t need either one of the two. In the same sense in which „Liedgut“ wasn‘t about romaticism and „Winterreise“ had nothing to do with Schubert, „HD“ isn‘t about anything I‘d wish to express in a lengthy text or would like to see you being able to pinpoint or sell with a flashy headline. In order to get done with the headline, apart from the rather descriptive details I will dedicate my time to in an instant:

HD is a spiritual work
HD is a musical work
HD is a scientific work

atom™. i love u (excerpt). taken from atom™. HD

Recording of our live performance at London's Cafe OTO 20th March 2013.
The evening also included performances by Loscil and Talvihorros.

Live at Cafe OTO March 2013

A decade since his first productions as part of Pendle Coven, Miles Whittaker delivers his debut album proper for Modern Love. The intervening time has seen him forge a formidable reputation alongside Sean Canty as Demdike Stare, and with Andy Stott as Millie & Andrea, beside his operations in the hardware field as Suum Cuique, solo excursions as MLZ and shadowy involvement in the HATE project - all the while building upon his in-demand skills as a DJ of twenty odd years experience, accumulating and absorbing far flung knowledge of hardcore UK jungle, Chicago house, Motor City Soul, the obscure UK techno of labels like Radioactive Lamb and Irdial, Italian concrète, Synthwave and contemporary noise. Which brings us to 'Faint Hearted', the Burnley-bred, Berlin-based maestro's debut solo opus; eight entirely analogue constructions riding the wave from wormhole hardcore clatter ('Lebensform') to body-compressing subbass undulations ('Irreligious'), trekking through frayed techno minimalism ('Status Narcissism') to mind-drift ambient ('Sense Data') and what sounds like a Demdike Stare track constructed on a worksite ('Rejoice'). But if you ask us, the best bits occur right at the end, with the ominous bass, funereal strings and obliterated noise of 'Archaic Thought Pattern 1' or the field recording clangour of 'Queuing', and certainly the majestically gratifying yet subtly dystopian 9 minute closer 'Loran Dreams'. As an individual sonic statement, it's an evocative exposition of Miles’ love of electronic music in all its shapes, harnessing his fidgety production style into one expansive, restless set of tracks.

Lebensform

Irreligious

Status Narcissism

Elimination Street

Brood And Talk Rot

Private Life Of A Diamond

Various Artists
Interpretations On F.C. Judd
PUBINF010

Release Date: 20th May 2013
12 track 2 x LP (Edition of 500 pressed on white vinyl) / Download

PRE ORDER : http://publicinformation.bandcamp.com/album/interpretations-on-f-c-judd


In January 2012 we released a 35-track compendium of F.C. Judd’s music and sound, it was called Electronics Without Tears. Fast forward to Spring 2013 and we are back with Fred for a very special LP to reignite his legacy. 

For our tenth release we asked some of our favourite artists working today to submit a reinterpretation of the greatly undervalued early electronics pioneer, Frederick Charles Judd. We gave them Fred’s entire archive of sounds, tone experiments, field recordings and lectures and left it up them to produce an audio artefact befitting of Judd himself. 

The players invited: Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music, Peter Rehberg, Bandshell, Ekoplekz, The Boats, Leyland Kirby, Karen Gwyer and Ian Helliwell. 

Interpretations On F.C. Judd opens with Fred himself, welcoming us into his world before Ian Helliwell takes us into a fractured loop of radio static and gargled musique concrete. 

From here we lurch through pure tape trips (Leyland Kirby, Chris Carter) dubwise refractions (Karen Gwyer, The Boats, PCA), haunted never-zones (Ekoplekz, Mordant Music, Perc), sublime vocal deconstructions (Holly Herndon) and frightening slashes of electronic deviance (Peter Rehberg, Bandshell). 

Throughout Inspirations, Fred is never far away, reminding us how important visionaries like him stalk even the most future-bound of electronic music. 

Ian Helliwell - Solid States 
Perc - Woodford 
Chris Carter - Flip-Flop 
Holly Herndon - Control Sample 
Mordant Music - Hoarded House (reMMix Fredit) 
The Boats - Space Judder 
Pye Corner Audio - Splice Block 
Leyland Kirby - Slim Jim Wimshurst Mechanicals	
Karen Gwyer - Judd Drums 
Peter Rehberg - FJUDDmix 032013 
Bandshell - Concrete Teeth 
Ekoplekz - Fredwrek

Chris Carter - Flip-Flop (taken from Interpretations On F.C. Judd)

Taken from the single 'Sensate Focus 1.666666' released as 12" and Download.
Written and produced by Mark Fell and Sasu Ripatti



Sensate Focus 'Y' (FOCUS 1.66666666)

Various Artists
Interpretations On F.C. Judd
PUBINF010

Release Date: 20th May 2013
12 track 2 x LP (Edition of 500 pressed on white vinyl) / Download

PRE ORDER : 

http://publicinformation.bandcamp.com/album/interpretations-on-f-c-judd

https://bleep.com/release/43837-various-artists-interpretations-on-fc-judd

http://boomkat.com/vinyl/718635-f-c-judd-various-interpretations-on-f-c-judd

http://www.piccadillyrecords.com/products/VariousArtists-InterpretationsOnFCJudd-PublicInformation-90483.html

In January 2012 we released a 35-track compendium of F.C. Judd’s music and sound, it was called Electronics Without Tears. Fast forward to Spring 2013 and we are back with Fred for a very special LP to reignite his legacy.

For our tenth release we asked some of our favourite artists working today to submit a reinterpretation of the greatly undervalued early electronics pioneer, Frederick Charles Judd. We gave them Fred’s entire archive of sounds, tone experiments, field recordings and lectures and left it up them to produce an audio artefact befitting of Judd himself.

The players invited: Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music, Peter Rehberg, Bandshell, Ekoplekz, The Boats, Leyland Kirby, Karen Gwyer and Ian Helliwell.

Interpretations On F.C. Judd opens with Fred himself, welcoming us into his world before Ian Helliwell takes us into a fractured loop of radio static and gargled musique concrete.

From here we lurch through pure tape trips (Leyland Kirby, Chris Carter) dubwise refractions (Karen Gwyer, The Boats, PCA), haunted never-zones (Ekoplekz, Mordant Music, Perc), sublime vocal deconstructions (Holly Herndon) and frightening slashes of electronic deviance (Peter Rehberg, Bandshell).

Throughout Inspirations, Fred is never far away, reminding us how important visionaries like him stalk even the most future-bound of electronic music.

Ian Helliwell - Solid States 
Perc - Woodford 
Chris Carter - Flip-Flop 
Holly Herndon - Control Sample 
Mordant Music - Hoarded House (reMMix Fredit) 
The Boats - Space Judder 
Pye Corner Audio - Splice Block 
Leyland Kirby - Slim Jim Wimshurst Mechanicals	
Karen Gwyer - Judd Drums 
Peter Rehberg - FJUDDmix 032013 
Bandshell - Concrete Teeth 
Ekoplekz - Fredwrek

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