Music for your dystopian afterparty.

Most of my music is free to download with no strings attached, but if you want to support me you can do so by...

-Buying the HQ versions of the songs on my Bandcamp
-Donating through Patreon at https://www.patreon.com/echogrid


http://capturedtracks.com/
http://bellaunion.com/
For North/South American Bookings: john@groundcontroltouring.com
For Rest of the World: rob@codaagency.com

https://itunes.apple.com/us/album/empty-estate/id636159436
https://itunes.apple.com/us/album/nocturne/id553227907
https://itunes.apple.com/us/album/gemini/id613623092

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Through sound I leave you a piece of me.

Music has always been deeply personal — in it, I have found identity, and it has become an extension of language for me. Each song is like a sonic diary, reminding me where I was,  physically and emotionally. I’ve learned a lot about myself through melodies, and the thought of someone else, perhaps miles away, having a similar experience while listening to these sounds, gives me a sense of greater purpose.

My name is Adam. I’m a musician, producer, visual designer, and human being in Austin, Texas. Inspired by several genres and mediums, I write ambient music with a focus on guitar-based looping, immersive soundscapes, and melodic storytelling.

I-Wen Kuo is following