ELEKTRONISCHES

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

Today I am starting a new bootleg series! 
One bootleg a month till end of the year. Here you go with the first one:
Extravaganza ... FREE DOWNLOAD!!!

Soul Clap vs Truemode & Dj Lion - Extravaganza (Oliver Koletzki Edit)

After being premiered by Annie Mac, as well as receiving love all around, 'Lost' was bound to become the second single of Tender Games' self-titled debut album. 
For this release, the boys recruited some serious remixers again. This remix comes from Chopstick & Johnjon. After a busy year with a series of great releases and remixes, the Suol heads show, yet again, their deeper side. Their interpretation is a real club track, with a deep and drifting bassline, plucky synths and groovy percussions - perfectly fitting to dance off Winter in those long Berlin club nights.

Tender Games - Lost (Chopstick & JohnJon Remix)

Featuring the vocal work of Danielle Moore, the Bristolian producer Maxxi Soundsystem is just about to release his second 12" for Futureboogie, one of our favourite imprints. On it he presents two versions of the track 'Near Me' and new track 'In The Woods' but it's the 'Club Mix' of lead track that we've selected to present to you today, ahead of Maxxi's return to Room One this coming Saturday night (6th June). It's one of those deep and emotive tunes that fits perfectly into those post-3am immersion moments, gloriously carried by the type of soaring bassline and melody combo that we've come to love him for.

-
Tickets: bit.ly/fabric0606

Tickets

Maxxi Soundsystem Feat Danielle Moore - Near Me (Club Mix)

Eli Escobar delivers a soaring, trance-tinged remix of Muscle Memory’s 'Adrenaline', turning post-punk energy into pure dancefloor joy.

Read More: https://whenwedip.com/2025/09/premiere-eli-escobar-muscle-memory/

Follow: @eliescobar / @muscle-memory-929159297 

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip
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Premiere: Muscle Memory - Adrenaline (Eli Escobar Remix) [Infinite Beat]

The German producer and Kompakt boss adds his own spin to Claptone's new single, 'Dear Life'. 

It's out via Different Recordings. 

PREMIERE: Claptone 'Dear Life' (Michael Mayer Remix)

Collab with the Awesome Dino Lenny out now on Fine Human Records

Beatport: https://pro.beatport.com/release/the-magic-room/1578487

Dino Lenny & Doorly - The Magic Room (Forthcoming Play It Say It Records))

Foals: Holy Fire Remixes

Late Night (Solomun Remix)

We Share Our Mothers' Health

We Share Our Mothers' Health (Trentemoller Remix)

Martin Dawson - Think About It feat. Nicholas Ryan Gant (Maceo Plex Remix)

Last Thoughts (feat. James Hennessy)

What better way to kick off 2012 for Suruba than new productions from the label heads themselves. After a cracking year that saw Los Suruba release music with Noir Music, Darkroom Dubs, Eklektisch, Time Has Changed and of course Suruba and Suruba X, today the duo serve up a statement of their intentions for the year and deliver and tasty starter ahead of their first EP for Get Physical in February.   

Both originals present contrasting and fresh moments for the floor. Basslines lead the way accompanied by the fantastic vocals of Louisahhh!!!, Los Angeles-based New York artist that you'll remember from last summer’s: "Your Everything" by Danny Daze.   

Backing the originals is a remix from major iberian talent, Edu Imbernon. Although only 22, Edu has already lent his remix talents to The XX, Maya Jane Coles, X-Press 2, Paolo Mojo and Uner... and released his own work on more than 30 labels including Get Physical, Diynamic, Noir Music, Darkroom Dubs... and has been the youngest no.1 in Beatport’s history.   


Los Suruba - Mantis feat. Louisahhh! (Original mix). SURUBA021

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Phonique feat. DAJ - Paint Me Blue

Super Flu - Va Ga Va Ga (with Hjálmar)

BUY @ Beatport http://www.beatport.com/release/snatch040/1108627

Martin Dawson - Think About It feat. Nicholas Ryan Gant (Maceo Plex Remix)

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