I'm #SySmith. Singer. Songwriter. Style Muse. Lover of my craft. Been in the game pushing boundaries for years. Catch me in #Syberspace.

Specializing in quality roots and Americana music since 1978.

Lord P., better known by the internet tag beatkinglordp, is one of the most versatile producers of his generation. Starting with humble beginnings, Lord P. made his first tracks on a <a href="http://www.fostexinternational.com/">Fostex</a> 4 track tape recorder, a <a href="http://www.digitech.com/en-US">DigiTech</a> sampler and a <a href="http://www.bossus.com/">BOSS Dr. Rhythm</a> drum machine. Being only 15 years old at the time, P.couldn't afford the more popular equipment, such as the <a href="http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CF8QFjAA&url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FAkai_MPC60&ei=uFJ2T8DjHoTy2QXEmsicDQ&usg=AFQjCNEzgj2Iz_qtribXEVw2w-hlI7RErg">AKAI MPC 60</a> or the <a href="http://en.wikipedia.org/wiki/E-mu_SP-1200">E-mu SP1200</a> and began using the <a href="http://www.vintagesynth.com/misc/mmt8.php">Alesis MMT8</a> for all his sequencing needs. Over time he began building his studio piece by piece, including such instruments as the <a href="http://en.wikipedia.org/wiki/Yamaha_DX7">Yamaha DX-7</a> & the <a href="http://www.vintagesynth.com/yamaha/su10.php">Yamaha SU-10</a>. Combining these various different types of instruments in his studio gave Lord P. a sound that was extremely different and fresh, compared to the over saturated "swing" beat sound created by the <a href="http://en.wikipedia.org/wiki/Akai_MPC60">AKAI MPC</a>, still used in today's underground hip-hop productions.

Five years later, at the age of 20, the <a href="http://en.wikipedia.org/wiki/Napster">Napster</a> <a href="http://en.wikipedia.org/wiki/MP3">mp3</a> revolution was changing the world. Rather than rebel like most dj's and producers at the time, Lord P. embraced the changes and started making beats with software programs. He would now chop samples with <a href="http://en.wikipedia.org/wiki/Cool_Edit_Pro">Cool Edit Pro</a> (now called <a href="http://www.adobe.com/products/audition.html">Adobe Audition</a>) and sequence them with programs like <a href="http://en.wikipedia.org/wiki/Fruity_Loops">Fruity Loops 2.7</a>, <a href="http://en.wikipedia.org/wiki/Reason_%28software%29">Reason 1.01</a> or <a href="http://en.wikipedia.org/wiki/ACID_Pro">Sonic Foundry's Acid</a> (now <a href="http://www.sonycreativesoftware.com/acidpro">Sony Acid Pro</a>). These programs allowed him to create any sound or effect he could imagine, providing him with advantages and sound quality his peers weren't able to achieve.

Until this day, <a href="http://www.propellerheads.se/products/reason/">Reason 6.0</a> & <a href="http://www.image-line.com/documents/flstudio.html">FL Studio 10</a> are his beat making weapons of choice, coupled with a plethora of over 100 <a href="http://en.wikipedia.org/wiki/Virtual_Studio_Technology">VST</a> instruments. His experience of 20 years making beats crowns him a "Beat King" in his own right and can be heard in his 300 plus instrumentals available in his <a href="http://store1.beatkinglordp.com">online beat archive</a>.

KillerWhale | Ghetto-electro-pop
I come from the MTV generation and define myself by all of the weird varied musical influences that define that era.  KillerWhale is the vehicle for allowing this same musical upbringing to come out of me all at once. My vocal style is equally influenced by heavy metal, hip hop, electronic, rock, punk and pop, but the KillerWhale sound can best be defined as what if Tunde Adebimpe (Tv On The Radio), Corey Glover (Living Color), a futuristic Rick James and Ziggy Stardust met and decided to make an album?

CHiEF CREATiVE OFFiCER of wRIGHTway A&E (Arts & Entertainment) Group 
aka:  1Creative.Soul / Music.Maven / Ghost.Writer / the EAR n HEART of song 

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

Coco Barbie~Music.Maven is following