cc ma ptite dj'ette. ça change de tes débuts. c'est bon, j'aime et toi aussi. tu me fais un concert pour mon 🎂 c'est le 29 ok 😚

https://lyl.live/show/lhypothese-grise
https://lesyndicatdesscorpions.bandcamp.com/

Stupeflip pas vite // Megageoduck
I’ll do anything but break dance for ya, darling w/ Coucou Chloé // Claude Barbara
Hugs'n'Drugs // Batmoon
Toutes les choses qu'elle dit // Didier XCX
Veuf // Poney Gallant
Peut-être // SMS
Des cercles polaires // Mrostga
Nicolü l'ami // Anne Laplantine
Call of heart // Tcentralen
La Plage // K-Valière
Courageux // Baptiste Brunello
Poppers // Golden ℺
Ma Baby // Lil Crotale/Sauron
Mardi Férié // 21 rue Ulysse Gayon
Tout mignon // Musique Chienne
Le temps file a une vitesse // Moyen Âge
Enfant De Putain // Galibier
Ever Fallen in Love (Buzzcocks cover) New Mix // Grégoire Bruno
Club Girafe // Enfance de Merde
Je te suis ! Tu vas où ? // Golden ℺
Just like we never said goodbye // SOPHIE

LYL May - L'Hypothèse Grise invite Gwendal Coulon #10

Artistas: Mc 2M Rapper & MC CR DA ZO
Single: Ela Tá Viciada
Produção: CaiiqDJ
Ano: 2025.

Ela Tá Viciada

And I Close The Eyes

A I W A - Some Time Maybe

Eerie synths and tape manipulations from Bordeaux, ATN037 by Radiante Pourpre, in collaboration with Parisian gallery Treize, will be out on September 25th on Antinote.

Pre-order it: http://www.rushhour.nl/distribution_detailed.php?item=97496 // Digital: https://antinoterecordings.bandcamp.com/album/atn037-radiante-pourpre-radiante-pourpre

Radiante Pourpre

ATN037 - Radiante Pourpre - III

DC Promo Tracks #152: "Tbilisi Night" by Mårble is part of the new release "Diego" on Not Not Fun @not-not-fun-1

Order: https://marble-music.bandcamp.com/album/diego

Russian fourth-world fusion voyager Mårble runs a colorful hand-assembled tape imprint called Hair Del. and travels extensively gathering evocative field recordings to color his warped ethno-hybrid instrumental improvisations feat. balafon, flute, percussion, saxophone, and synths. Diego is his deepest yet. 

Subscribe to our weekly email: http://dreamchimney.com/subscribe

Diego

DC Promo Tracks #152: Mårble "Tbilisi Night"

in celebration of billie eilish and the acapellas that are available on youtube .
great pop music is ALWAYS worth celebrating .

FINALLY, some good new acapellas to play with :)
the track is "days of dissent" by umwelt (WHAT A TRACK) .


Days of dissent + bad guy = days of bad guy (headgirl on top mix) .

DAYS OF BAD GUY (headgirl on top mix)

Loïse Bulot's original octophonic piece, Zenith, has been commissioned by INA-GRM for Akousma Festival 2019 edition in Paris. Here mixed in stereo, this electro-acoustic composition made of piano strings recordings, exponential speed variations, circular movements and attraction phenomenons depicts surprisingly well the complex sun’s gravitational force on the planets.

ITW & Preview: youtu.be/tOgbSpi9gE0


Written & produced by Loïse Bulot.
Commissioned by INA-GRM.

Mastered by Anders Peterson at GS Mastering & Post.
Artwork & design by Benoît Lefeuvre.

Zenith / Serrinha Do Alambari Soundwalk

Loïse Bulot - Zenith

Tangled up and rooted in between chilean folklore, gaucho laments and an electric landscape sung by mechanical birds, Ahrre is a record that portrays a vernacular decay, as well as it rejoices in the streams still flowing through it's traditions. The result is a set of impressionist scenes, which make use of the recording quality and the distorting effects of basic digital technology as aesthetic resources. The low-fidelity textures are applied to the sound as virtual varnishes that fuse melody and soundscape into a distant and mysterious fog.

The treatment of sound coming from a recording device such as a cellphone is crucial. Guitar compositions are shrouded in an impending rash, as if coming from inside a layer of decaying sonic skin. There's also a sense of hearing an aloof AM transmission, or an archive of field recordings scarred by the harshness of dust and moisture. The folk traditions that Rambu assimilates and the warmth in his arrangements seem fractured and threatened by the medium holding them, as half obliterated stories in an ancient binary parchment. It's all about substance and texture, at the edge of palimpsest.

The word "Ahrre" is a twist of the interjection "arre!", an hispanic expression shouted by riders to rush horses into battle or racing, but this record is more on the key of whispers. Sometimes drowned in hazy atmospheres, surrounded by electronic neighs and trills, the compositions seem to sprout from desolate land. Ahrre is the work of a craftsman whose might, even though solitary and bruised, appears as an eager ghost handcar returning home through a dilapidated digital railroad.

All music performed and recorded by Martín Bruce
Computer treatments by Nicolás Carcavilla

Limited cassette edition of 35 numbered copies
available here: https://nonlocalresearch.bandcamp.com/album/ahrre

Rambu ~ Barro

yes, original materials created by airick asher woodhead, who also works on the @doldrumss project, this is all original material, with collaborations involving @ylangylang, @leeparadise + @caitlin-wellfleeohbrien ! /// for broadcast on @radiockut show free city radio, accompanying photo by toni dimitrov from @postglobaltrio in macedonia, photo is mountains in macedonia.

airick asher woodhead — free city radio mix

forthcoming in Feb 2021, contact abby@cafeoto.co.uk

Double CD documenting the magic meeting of one of the all-time great rhythm sections in jazz: percussionist Hamid Drake and bassist William Parker, with London’s brilliant Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Across two sets the quintet are infectiously energetic and inspired, striding from synchronised heavy groove to star bright solos, whilst incorporating dub effects, guimbri and sumptuous blues piano playing. 
 
Formed by Orphy Robinson and Pat Thomas but always realised with an ever changing number of invited musicians, Black Top's blend of lo-fi samples, dub effects and experimental electronics has been daring free improvisation since 2011. Their virtuoso performances draw on their Afro-Caribbean roots with delicious spontienty and humour; the histories of Ridley Road Market, the LIO and Islamic West Africa are sounded out side by side on iPad, marimba and vibraphone. Having met in 2006, Black Top played with bassist William Parker and drummer Hamid Drake as part of their residency at Cafe OTO in 2016; forming a quartet grounded in transatlantic kinship but which looked outward to the Carribean, calypso music and Saharan gnawa rhythms. When Parker and Drake returned to OTO in 2019 Black Top reformed again, but this time with the brilliant addition of vocalist Elaine Mitchener. 
Over the last few years the clarity with which Mitchener has explored vocal expression in the global Black Avant Garde has been stunning, but here the range in her influences is manifest, moving effortlessly between phonetic and poetic experimentation and spoken word, all the while at ease with soul soaked jazz and dissonant free fall. A hand drum duet with Hamid Drake astonishes before being laced perfectly with cosmic theremin and Parker’s fantastic acid shehnai. 

Recorded live at Cafe OTO on Sunday 28th July 2019 by Paul Skinner and mixed and mastered by James Dunn. Photos by Dawid Laskowski and artwork by Oliver Pitt. 

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Hamid Drake / percussion

Elaine Mitchener / vocals

William Parker / double bass, guimbri

Orphy Robinson / marimba, electronics

Pat Thomas / piano, electronics

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OTOROKU
18-22 Ashwin Street
E8 3DL

ROKU025

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CD1
Put the Brakes On - 50:08

CD2
Some Good News - 56:43

ROKU025 "Some Good News" [sample]

I AM LEILA
I MAKE NOISE

LIKE WEATHER (REPHLEX)

COURTESY OF CHOICE (XL)

BLOOD LOOMS AND BLOOMS (WARP)

U&I (WARP)

DAYS OF BAD GUY (headgirl on top mix)

iamleila

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