Music/All instruments by MANOLIS
Get the track at http://iammanolis.com/album/datacorder

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DATACORDER

The palindrome "never odd or even" presents a fascinating linguistic symmetry that resonates with the structural elements found in music. Palindromes, by their nature, exhibit a balance and reversal that can be likened to musical motifs, themes, and forms. This particular palindrome not only showcases linguistic elegance but also parallels musical concepts such as symmetry, repetition, and form.

At its core, the phrase "never odd or even" is paradoxical. It presents two opposing ideas (odd and even) and declares that they are not applicable to the subject at hand. This contradiction makes us pause, and consider what else the phrase may be trying to convey. 

One interpretation is that the palindrome is pointing to the idea of balance or symmetry. Odd and even numbers are typically associated with symmetry or the lack thereof. Even numbers can be divided into equal parts while odd numbers cannot. 

However, "never odd or even" subverts this expectation by refusing to conform to either category. In this way, the palindrome suggests that the subject is beyond the usual conventions of balance and symmetry. 

The palindrome could also be interpreted as a commentary on the nature of truth. In many ways, truth is also binary - something is either true or it is not. However, "never odd or even" declares that the subject is both true and not true simultaneously. 

This could be interpreted as a way of questioning the very notion of truth and what it means to be certain about something. It suggests that sometimes the truth is elusive or beyond our grasp, and that we should be careful not to be too rigid in our beliefs. 

In a similar vein, "never odd or even" could be seen as a rejection of binary thinking and the limitations it imposes, as binary thinking is the tendency to see the world in black and white, or as a series of opposed pairs.

By existing outside of both the odd and the even, the palindrome offers a way of thinking that is less constrained by these dualities. It suggests that there are other ways of seeing the world that are more complex, nuanced, and ultimately more fulfilling. 

××××××§×××××××

The otter is an animal that holds great significance in many cultures around the world. In Native American cultures, the otter is believed to represent femininity, wealth, and creativity. In Celtic folklore, otters are believed to be the guardians of the sacred wells and springs, known for their ability to calm rough waters, and to bring balance and peace to troubled souls. 

Much like the otter, the palindrome also relies on balance & symmetry in order to create a word or phrase that is the same when read forward or backward.. and upon this realization, the otter's association with the palindrome becomes clear..

 .. for when we take into consideration the healing power of music, we can see how the otter and the palindrome are interconnected. In many ways, music embodies the qualities of balance and harmony that are associated with the otter and the palindrome.

Just as the otter can bring joy and balance to our lives, music also has the power to guide us through dark times, and ultimately allows us to tap into our feelings, and experience life in a way that words alone cannot express.

When we combine the otter's qualities of joy, balance, harmony and creativity with the healing power of music, we can see how they work together to promote holistic healing for both the mind and body. 

By tapping into the creative energy of the otter, we can then add music to create a space of peace and calm in our lives.

Ultimately, the otter serves as a reminder of the importance of finding balance and joy in our lives, and when combined with the the healing power of music, the possibilities are infinite. 

By embracing the playful, joyful spirit of the otter and harnessing the power of music, we can create a life that is never odd, or even, but rather.. one that is filled with beauty, creativity, love, harmony, balance, and peace.

Musician/Producer Modern Funk and Electronic music. #70s #80s

Amateur french creator with Fl Studio
Electronic/Nu Disco/Ambient style but hey, i want to test a lot of things

I'm not a professionnal at all, just a music lover. However, if you want to use my music, please contact me before / credit me in your work, thanks !

Anyway i also use this account for my personal use, so here i share a lot of electronic, house, nu-disco, french touch, lofi, funk, ambient, synth wave, and chill tracks (also, sometimes but rarely, some rock - psychedelic and others stuff)

Some of my <3 refs and inspirations : 

--- Blende, Mason, Darius, Ben Macklin, Memorex Memories (Mr Sunshine),  Pyramid, Alan Braxe, Lemkuuja, Loze, Aeroplane, Oliver, Choices, Poetically, Ramas, La Felix,  Crayon, Digitalism, Lifelike, Gigamesh, Dr Crow, Anoraak, Polo & Pan, Rone, Fred Falke, Cosmonaut Grechko, Boards of Canada, Cherokee, Dombrance & DBFC, SebastiAn, Aleister, Thomas Barrandon, Final DJs, La Royale / Yesco, Kraak & Smaak, Jupiter, Home, Justice, Perhopes, Paradis, Poom, Gesaffelstein, Cabaret Nocturne, Oliver Nelson, Christine, Dirty Squirrels, Marc Stanton, Allure, Plaisir de France, Hanut Munson, The Bloody Beetroots, NEIN Records, Lemaitre, Bastion, Undo, Eskimo Rec, Format B, Suken, oDDling, FKCLUB, French 79, Pardon Moi, Douze, All of "Ed Banger" Stuff for sure, Yuksek and more... --- 

FoM (Feet On Moon), France