My remix for Alex Niggemann is out on Vinyl and Digital.

Beatport: http://www.beatport.com/release/abaton/1392741

Juno: http://www.juno.co.uk/products/alex-niggemann-abaton/550630-01/

Boomkat: http://boomkat.com/downloads/1129801-alex-niggemann-abaton

Buy on Beatport

Alex Niggemann - Abaton(Chymera Remix)

Despite the sadness inside, life is still so cute.
There might be no sun outside, but people can make their own ☀️

Dioskurio - Sorrow inside sun outside

Distant Glow

Kann Records lim Edition for the Record Store Day in Berlin - Nov, 5th! this lim 12" will be just available at the OYE Record Store.

Bender & Sevensol - Aperture (128 kb)

Bjoern Nafe - Perpetual Emotion Machine EP
Track: Perpetual Emotion Machine
Out: 29.09.2016
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Bjoern Nafe - Perpetual Emotion Machine

Thank you to Re.You, Tiefschwarz, and all at Cacao Records.

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EP Work It Now (CAO008)

Exclusive Premiere: Re.You - Work It Now (Tiefschwarz Remix)

Исполнитель: Stimming, HOSH & Solomun

1. HOSH, Stimming - Radar (Original Mix)

Rampa - Sunday (Original Mix)

https://getphysicalmusic.lnk.to/GPM567

First released on their No Stoppin EP in 2003, M.A.N.D.Y.'s 'Tonite' now gets a fresh remaster for 2020 with huge new remixes from Rebolledo, Pete Tong, Maga, President Bongo, m.O.N.R.O.E. and dubspeeka.

Opening up the package in fantastic fashion is Rebolledo, the long time Kompakt artist and original Pachanga Boy. His Collector's Edition mix is a smooth and seductive one with lush synths and nimble grooves all working you into a trance. Radio 1's vital veteran and enduring global tastemaker Pete Tong then steps up with a rare remix that shows why he is such a widely respected icon. He goes for a more prickly version which is lit up with big chords and has plenty of kinetic drum energy and epic breakdowns. Next up, French producer Maga's musical project has turned into a real journey through melodic, organic and minimalistic patterns that cast a fine spell. His version is built on a bass guitar riff that loops beneath cleverly treated vocals and becomes magically psychedelic.

Iceland's President Bongo was a founder of the cult GusGus band who now works solo on the Radio Bongo label and has his own distinctive sound. Evidence of that comes here with a superbly spooky version that has vocal chants shimmering about the mix and races late into the night on an indie licked rhythm. Then it is to Miami's m.O.N.R.O.E., who has been a regular guest on this label over the years and mixed America Gets Physical back in 2018. His version is the deepest of the lot, with subtle claps, atmospheric samples, bird calls and humid grooves that lock you in. Bristol techno producer dubspeeka always brings the UK sound and sense of grimy soul to his music, and he does so again here with a hard hitting, dubbed out yet dreamy rework full of class. Last of all is a fresh remaster of the original version which sounds as crisp and brain soothingly clean as it did when first released.

This top tune is set to be a smash for a second time round thanks to these vital remixes.

www.getphysicalmusic.com

Tonite

M.A.N.D.Y. - Tonite (Snippet)

Ian O'Donovan - Firenze (snippet) [Eevonext] Out now

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”