Polka For Feedback And Grinding Steel

method: Sending back and forth, reworking and creating in collaboration with re-evolution café orchestra who composed all the music and played all the instruments. To enjoy more, listen here:  https://soundcloud.com/re-evolution_cafe. Apart from the poem, I added field recordings and partook in the editing.
narration: I live in a region that is home to some space industry – more importantly however, this region is also home to marvellous nature. This poem is nourished by many concepts and theories, most notably the colonial ideology of space as the „new frontier“ as well as Whiteheads „fallacy of misplaced concreteness“ and Nagel‘s thoughts expressed in „What is it like to be a bat“. It is also fed by the human-tamed beauty of reed landscapes around lake Federsee which can be seen in the photo I took.

gedicht / copyright jo richter:

welch unvorstellbare macht
muss die masse im erdkern
beleben, das wasser, die erde,
die wurzeln sicher zu halten

zu wahren, die landschaftsfalten
wie eine große gebärde
ins weltall zu richten, das fern
sternlicht um sternlicht entfacht

des tags wuchert das grün
höher und höher empor
bis der wind braune samen
biosphärenweit streut

welch wuchskraft, die sich nicht scheut
sich bis zum astralen
zu wenden aus schwarztiefem moor,
anarchisch und kühn

so müsse auch mensch sich recken,
heißt es, sich loszulösen,
zu den sternen zu streben,
geballte planetenmassen

mit erdensproßsinnen zu fassen,
sich aus den symbiosen zu heben
und seine bedürfnisblößen
xenobiotisch zu decken

welch trugschluss, den leib
dort zu bewegen, wo geist
sich angleicht und fragt: wie
ist es, so zu erleben

die saat darf und muss schweben,
sich aus massewucht lösen, die
sie hielt, doch wie weit sie auch reist,
das schilf, das sie treibt, verbleibt



interlinear rendition:
reeds at lake federsee // what incomprehensible power / has to inspire the mass in earth‘s core/ to hold, to keep the water, the earth / and the roots securely // the folds of the landscape / akin to a giant gesture / directed into the cosmos which lights / star after star in the distance // during the day, the lush green rises / higher and higher / until the wind distributes brown seeds / across the biosphere // what power of growth, not hesitating / to turn towards the stars / from the black deep of the moor / anarchic, courageous // thus man would have to strech as well / people say, to loosen their ties / per aspera ad astra / to measure dense planet masses // with earth-grown senses / detach themselves from symbioses / and cover their bare and many needs / with xenobiosis // what a fallacy of misplaced concreteness to move the body / where the mind adapts and queries / what it is like / to experience like that // mind‘s pollen may and will hover / free itself from the power of mass which / had held it but however far it will travel /  the reed that grows it remains where it is //

schilf am federsee -  with re-evolution café orchestra

DRUMAX No. 29 // SPACE PATROL // What exactly is going on out there?
@docfritz // Composition, Arrangement, Soundscapes, Rhythmic Design, Mix & Production
@joerxworx // Tenor Saxophone
© 2023 DRUMAX PROJECT

SPACE PATROL

DRUMAX No. 29 // SPACE PATROL

Don't look now
But there's a fifty foot woman
Marching toward
Your favorite city

She looks mad
Muttering something about the guts
You never had...

There was a time when your charm set off alarms
Among the young women in your circle
But you played them so aloof
And now they're tearing off your roof
To reach in and grab you not so tenderly
And as you twist and shout, 'Oh, no, it wasn't me!'
They whip their hair back to drink in your distress
And laugh with abandon at your helplessness!

You may wake up to find it was just a dream
Or maybe you've discovered your new reality
The hearts you're breaking, the liberties you're taking 
May catch up with you
In a midnight rendezvous
May catch up with you
in a late show rendezvous...

March of the 50 Foot Women

Fevered

Distorted Realms (featuring Trevtronic)

Free style jam at Nature's Farmacy

Do That THING!

'Shades of Moonlight' is the second track of the 'Moonlight' EP and gives it it's name with a reason.

Shades of Moonlight

🎶please FOLLOW me for NEW releases😊...... It's all about expression...this is part of my 20 year legacy portfolio (under aliases) of live mixes (including vinyl) to make the classics live again!..my music style comes from blending sounds that normally wouldn’t live in the same space or time - I love taking familiar groove tracks and reimagining them with new energy, whether that’s through creative sampling, stems, adding subtle beats, unexpected transitions, or layering vocals over completely different instrumentals - see my track list here: https://soundcloud.com/ch_risk_1   I hope you enjoy the vibes and please share it across all generations, so everyone can join in my New Groove! 🎶 💞  a big Thank You to Pioneer, Rekordbox, Albleton and Remix live, who provide all my beats 🥁and also all the the original artists. Where would DJs be without you and where would artists be without DJs🙌

Talk Talk's Life DJCK Remix Edit

Faith

Latest Updates: 
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Over 1800 Tracks now on my channel, making music on here since 2015.
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Have recently discovered some old tracks which I did back in 2009 but have never been previously released or worked on further. Decided to let them see the light of day, unedited and unpolished. Hope you enjoy them and can see where my humble beginnings started.
Also new for Autumn 2025, a collection of classical piano pieces which I composed back in 2010, in memory of my late father who inspired me to play the keyboard in the first place. Under the title of Magician In Private, hope you will allow my indulgence into a special world of just simple piano, no frills.
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Have recently been rediscovering some of my older music pre KORG days and remastering for uploading to my cloud. Hope you like. Seems such a long time ago now.
I have been lucky to have music in my life, and now the time to explore how it can affect other people. I have discovered many new talented artists on SC and am happy to encourage and support their work; from small beginnings come great things. Please be inspired to be your best, inspire others too, encourage those who lack the inner courage to move forward, and together we can make music make a difference in all our lives.
Am spending a lot more time on my music now since retiring from work in July 2020. Always learning new techniques and honing my craft. Am comfortable now with all chord sequences throughout the scales and loving improvising with the help of my mighty KORG still. Am still trying to give my full support and encouragement to all SC users and some latest (you know who you are), are developing nicely. Be good to one another, be gracious to others, leave your ego out of your life and above all else remember there is always someone worse off than yourself. 
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Music is my life - has helped me through many dark places, is a big part of who I am. I put my heart and soul into every single piece of music I produce. I have found many wonderful friends on SC and many exciting talented people.  Been writing and producing music now for 40 years plus. Specialised in electronic based orchestral compositions. I have created my own genre which I call 'electrorchestration'.
Favourite artists/bands include Gary Numan, Little Boots, Jools Holland, Eno, Edgar Froese (1944-2015), Jordan Rudess, Kebu, Madis, Keith Emerson (1944-2016), Rick Wakeman, Richard Wright (1943-2008), Pink Floyd, Tangerine Dream, Vangelis, Jean Michel Jarre, M83, Public Service Broadcasting, Dream Theater, ELP, Yes and Mystery to name but a few.
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Fevered

Magi©ian™ (Making music make a difference)