Pono

Morning Time ft. Aaria (prod. viklund)

Don't Leave Me Lonely is the lead single off of Ian Kimmel's latest album, Scrolling. Full album is available on all streaming platforms.

Scrolling

Don't Leave Me Lonely

lines

Soon to be streaming on all platforms


Production: CILLA and Ian Kimmel 
Mix/Mastering: Ian Kimmel

Needed

Ian Kimmel, Jackson Lundy, Ava Roche, and Anxxiety fuse their musical styles into one cohesive and cinematic record with, "Drown in the Fire".

Drown in the Fire

They Never Liked Me

In the music world where, across genres, “many are called but few are chosen’” it’s far from a stretch to opine “beware; there’s little room at the top.” Now, enter young Ian Kimmel who (I’ll put it all on the line, now) is gifted with the all the tools it’s going to take to earn his place
rightfully among the chosen few in the small room.

Considering that music a language, Ian grew up in a home truly bilingual. Granted, musically, Ian might have lucked­out with head start; but then; he grabbed it, ran with it, and he’s never stopped running.

At the tender age of seven; then, very young Ian made his first on­stage performances. At age 11, Ian already was fronting his own first band. Starting 2011, Ian’s amalgam of traditional and modern music bluegrass band, Barton’s Hollow, began winning strings of band contests. Ian has since gone on to perform border ­to­ border, coast ­to ­coast, and internationally. In 2014, Ian Kimmel, nominated alongside a veritable Who’s Who of world’s great mandolinists, surprised nearly everyone, including himself, by walking away with the SPBGMA’s coveted Mandolin

Player of the Year award. Begging the question; “Where do you go from here?” Ian, musically, has long since shifted from high gear into overdrive. For starters, he’s long since arrived stellar­accomplished on guitar (acoustic and electric), mandolin, and dobro). Out of the gate, unshackled by obligation to choose, Ian, seemingly effortlessly, jumps genres; ranging from folk, to rock, to blues. Uncannily, Ian, genre jumping, can leave a listener on any given night believing tonight’s genre must be Ian’s first choice favorite.

Self­accompanied on whichever instrument, Ian’s leads (he sings all the parts, too) come naturally. They’re powerful, and, refreshingly, not the least bit self­conscious. Watching, listening to him; He can sing every note he feels, and feel every note he sings.

While not in the least shunning covers of great music already out there, Ian decidedly revels in creating originals. To wit; his forthcoming solo album, “Nothing to Say, Nothing to Tell,” slated for 2015 release, introduces all Ian Kimmel originals. Sooner rather than later, it’s safe to predict Ian Kimmel originals, if not already, will be being covered.

Finally (only for the time being), keep all eyes on your radar screens. Ian Kimmel’s signature is already there. In that world where there’s little room at the top, where few are chosen; Ian Kimmel’s eyes are on the front door, and he’s on the move.

Len Kalakian, 2015

Pono

Ian Kimmel

Related tracks