This is a collection of tracks from my vault recorded between 2017 and 2021.

3o1.tu8dp

"With the help of better entities, earlier attempts to broken fast dancy mixed shuffle music resulted in monopoly jail time; and while managed to escape, landed in a lab where molecules were combining elements in an antenna array in such a way that signals at particular angles experience constructive interference while others experience destructive interference"

After a number of works uniting microsounds with cartoony timbres to hypertrophic rhythms offering a sardonic, off-kilter pace, the Brooklyn-based producer and International Winners label co-founder returns with twenty minutes of on-the-loose pieces of body-shattering beat chains and maximalist rhythmic sketches.

Exploring the vertiginous intersections and high-resolution pitfalls of an inflatable version of speed-freak dance genres such as footwork, juke and gabber, ‘Bmfr’ is a high-adrenaline, augmented reality roller coaster for crash dummies. At times, Dilian’s music sounds like a musical joke with quite literal punchlines.

The album will also feature a series of remixes by fellow digital dwellers and broken grooves masterminds spawned by Artetetra and Dilian dropping in APRIL, and included in the release.

The work is available in a limited edition of pro-printed and hand-written lenticular prints designed by the artist and in digital format. F-urself up with classic fast-paced analog eye-triggers!!!

100% DANK.

♪♫ B M F R ♪♫

Dilian - Falls Off The Edge Like

Valerio Maiolo on SC: @ilio-vasilema
The Quietus: "The Italian underground really seems to be exploding right now, firing out powerful packages of psychedelic tribalism, voodoo drones, and grinding industrial weirdness that put Germany and the US to shame with each passing month. This fifth release for young musical collective and label ArteTetra comprises two sidelong 23-minute suites, one apiece for Nicola Tirabasso and Valerio Miaolo, each imbued with free flowing mind-fucked melodrama. Tirabasso’s side tugs at the listener with emotive droning organ chords, and distant raindrops of tapped cymbals, going on to include new agey vocal inflections and widescreen synth notes during its second half along with a trembling closing coda that smacks of unfinished business. Maiolo’s side never gets as melodically comfortable as Tirabasso’s, relying on dissonance, a strangely evil mumbling monologue towards its middle section, and bursts of radio static and atonal rumblings for its finale. This is definitely music from the country that gave us Musica Elettronica Viva, packaging two long form collages into one coherent ritualistic suite."

Landscape Suicide - Valerio Maiolo Side B (принцессы Не Какают)

"child run" is a single that is part of a cycle of small songs/studies, where melodies, arrangements, and harmonies have been borrowed from Bach. A play of transformations, subtractions, and new perspectives on ancient materials.

"child run" is a variation on a d minor articulation. I don't remember where i found it: what i remember is just a kind of step, maybe from a gigue, maybe from other dances, and then just a play of variation through it.

child run

Bandcamp

Ritournelle

Meccanismi di volo
Francesco Massaro & Bestiario

Francesco Massaro: sax baritono, clarinetto basso
Mariasole De Pascali: piccolo, flauto, flauto contralto
Gianni Lenoci: pianoforte, pianoforte preparato
Michele Ciccimarra: batteria, cupa cupa, percussioni
+
Adolfo La Volpe: chitarra elettrica, live electronics
Valerio Daniele: chitarra elettrica baritona, live electronics

registrato nel maggio 2017
tutte le composizioni di Francesco Massaro & Bestiario

info:
www.desuonatori.it
francescomassaro@yahoo.it
http://francescomassaro.tumblr.com/

Meccanismi di volo

Canis Major

Extending the "musique concrete" technique
out to arousing melodies and the most lyrical song/singin

01) descrivi quello che senti
02) lascia perdere, non importa
03) swollen
04) davanti al suono - come davanti alla morte
05) non sa se glielo deve dire
06) lo specchio orientato
07) quando ci vediamo ti spiego tutto
08) come qui, ma le facce che anche in sogno muoiono
09) meraviglia sotto era
10) se non si libera dalle parole
11) il tempo passa fino alla fine
12) dal reticolato di protezione. una coerenza o, di quella, 
    appunto un somigliare - le aiuole del giardinetto corto. 
    un giro corto se lo si volesse visitare. anche meno di 
    dieci passi per lato.
13) parte della vita è andata
14) liricamente aperte
15) la casa è zitta il doppio


Barbara De Dominicis - singing on 02, 05, 11, 15
Nicoletta Battelli - singing on 03, 14
Raffaella Iaccarino - singing on 09
anonym - singing on 07, 12
Erica Sherl - violin on 03
Elio Martusciello - electric guitar on 11 and electric bass on 05, 11


Cover photo by Gundula Blumi

Design by Ale Sordi

Composition and song titles adapted from "Strettoie" by Marco Giovenale

Music composed by Elio Martusciello (SIAE) except:
track 02 composed by Elio Martusciello and Barbara De Dominicis
track 03 composed by Bent
track 05 composed by Elio Martusciello and Barbara De Dominicis
track 09 composed by Elio Martusciello and Raffaella Iaccarino
track 11 composed by Elio Martusciello and Barbara De Dominicis
track 14 composed by Elio Martusciello, Gaetano Savio and Nicoletta Battelli
track 15 composed by Elio Martusciello and Barbara De Dominicis

Edited and mixed by Elio Martusciello

Mastered by Marcellino Garau

Sound recordings credit:

elio martusciello
https://sites.google.com/site/eliomartusciello/)

99sounds
(http://99sounds.org/free-sound-effects/)

bigfishaudio
(http://www.bigfishaudio.com/)

freesfx
(http://www.freesfx.co.uk)

loopmaster
(http://www.loopmasters.com/)

samplephonics
(https://www.samplephonics.com)

incise on Spotify
(https://open.spotify.com/album/5rN1jCQECK8Y0c87fs1PrT?si=Ii0QkzyXTCuBe7sTSUoUNg)

02 Lascia Perdere, Non Importa

Extending the "musique concrete" technique
out to arousing melodies and the most lyrical song/singin

01) descrivi quello che senti
02) lascia perdere, non importa
03) swollen
04) davanti al suono - come davanti alla morte
05) non sa se glielo deve dire
06) lo specchio orientato
07) quando ci vediamo ti spiego tutto
08) come qui, ma le facce che anche in sogno muoiono
09) meraviglia sotto era
10) se non si libera dalle parole
11) il tempo passa fino alla fine
12) dal reticolato di protezione. una coerenza o, di quella, 
    appunto un somigliare - le aiuole del giardinetto corto. 
    un giro corto se lo si volesse visitare. anche meno di 
    dieci passi per lato.
13) parte della vita è andata
14) liricamente aperte
15) la casa è zitta il doppio


Barbara De Dominicis - singing on 02, 05, 11, 15
Nicoletta Battelli - singing on 03, 14
Raffaella Iaccarino - singing on 09
anonym - singing on 07, 12
Erica Sherl - violin on 03
Elio Martusciello - electric guitar on 11 and electric bass on 05, 11


Cover photo by Gundula Blumi

Design by Ale Sordi

Composition and song titles adapted from "Strettoie" by Marco Giovenale

Music composed by Elio Martusciello (SIAE) except:
track 02 composed by Elio Martusciello and Barbara De Dominicis
track 03 composed by Bent
track 05 composed by Elio Martusciello and Barbara De Dominicis
track 09 composed by Elio Martusciello and Raffaella Iaccarino
track 11 composed by Elio Martusciello and Barbara De Dominicis
track 14 composed by Elio Martusciello, Gaetano Savio and Nicoletta Battelli
track 15 composed by Elio Martusciello and Barbara De Dominicis

Edited and mixed by Elio Martusciello

Mastered by Marcellino Garau

Sound recordings credit:

elio martusciello
(https://sites.google.com/site/eliomartusciello/)

99sounds
(http://99sounds.org/free-sound-effects/)

bigfishaudio
(http://www.bigfishaudio.com/)

freesfx
(http://www.freesfx.co.uk)

loopmaster
(http://www.loopmasters.com/)

samplephonics
(https://www.samplephonics.com)

incise on Spotify
(https://open.spotify.com/album/5rN1jCQECK8Y0c87fs1PrT?si=Ii0QkzyXTCuBe7sTSUoUNg)

01 Descrivi Quello Che Senti

Wonderfully Meaningless Life

Label : Underground Productions
Catalog : UP 1
Format:Cassette : Compilation C90
Country : France
City : Lyon
Released : 1985
Style : Industrial, Experimental, noise.
Early French cassette label for experimental/noise music run by Eric Chabert.
Contact Info:Underground Productions
63 rue Chevreul
69007 Lyon 
France
Web site : homme-moderne.org/up/index.html



accouplement monozygote

Blessing is the debut album of Jacopo Buda, an experimental musician whose research investigates the infinite possibilities given by the encounter between the trumpet sound and that of human voice through modular synths’ manipulation.
'Incanto', the opening song, immediately transports us into a narcotic and timeless dimension. Here, an ancient folk chant blends with an hypnotic and enveloping texture, kidnapping the listener into an ecstasy\hypnosis that could be imagined as a perfect soundtrack for a Tarkovsky’s movie scene.
The 2nd song, ‘Temple’, is a very short but emblematic composition - the pointillistic dissolution of the trumpet in this interlude prepares us to the exotic excursion of Hassellian memory that is 'Jungle’: a deep dive into shamanic sounds deeply influenced by african rhythms.
In 'Ritagli', the trumpet returns to its classic timbre and fills, with its warmth, the spaces traced by a technoid pattern which cyclically appears and disappears in a mesmerizing loop.
'Blessing', the title track, is a slow and mysterious ceremonial that reminds us of lynchian’s Twin Peaks scenarios and stands out as a true manifesto of Buja’s work, between organic elements and electronic manipulation. 
Closes the Album the bonus track ’Black Is’, a dedication to the famous video art work by Aldo Tambellini.

Album artwork by Julian Soardi

Recorded during quararantine in Rimini, March 2020 (except for track 6).

Luminance 2020

child run

ib18k