from the Important Records release, Forse 1. Available on limited edition vinyl at www.importantrecords.com

Sera

Had an insightful Skype tutorial session on the 256e with Leo Espejo! Afterwards I tweaked the fun patch that we had discovered into this little beat exploration.  Pulses and CVs coming from 281e and Mod Osc processed through two channels of the 256e then feed into the 261e and 292e.

256e Beat Play

The first few seconds of audio to emerge from Brian Kehew's 1979 Crumar GDS after awakening for the first time during restoration of this extremely rare groundbreaking early digital synthesizer.    The GDS was extensively used by Wendy Carlos in the production of the soundtrack for the film Tron.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio.

1979 General Development System: Brian's GDS Awakens

Buchla Market

The Buchla sequencers just give some variance to the envelope lengths.
The Octatrack sequences 3 midi channels using the internal midi bus to the 259e and 261e.  Machinedrum accompanies with a 16 step loop.
TResonator reverbs and filters.

One take to a stereo pair in Logic.

122811 Buchla OT sequenced

Prototype osc unfiltered sine/saw, unfiltered sine/squ bass kick (250e pulse to osc input), and 266e+291e noise (snare).

Heavy Bass Beat

259e and 292e

12 minutes of cool Buchla rhythmic stuff.  Recorded live--just tweaking as it goes, one pass.

Cool Rhythm Thing

Electronic Experimental Music and Sound
Modular synthesis and programming by IBDK.

122811 Buchla OT sequenced

ibdk

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