Titel 1: Cig / Zig (dt.: Lawine)
Live-Mitschnitt vom 26.08.2011
Schleswig-Holstein Musik Festival, Lübeck, MuK	

Hüsnü Senlendirici (cl) 
Aytac Dogan (kanun)
NDR Bigband: Jörg Achim Keller (Leitung)

Video zum Auftritt vom 25.08.2011 (Konzertscheune Gut Salzau): www.facebook.com/video.php?v=2164694131013

1. Çığ - NDR-Bigband 'Turkish Poject' - Feat. Hüsnü Şenlendirici & Aytaç Doğan - SHMF August 2011

Musica Notturna 10

Story
Jeosung Saja's Last Journey
The Whisper of the Threshold. In the invisible folds of the world, where the breath of the living mingles with the echo of the dead, walks Jeosung Saja, the emissary of the afterlife. He carries neither scythe nor chains, but a hanbok as black as the moonless night, and eyes that reflect the memories of a thousand souls. His task is not to punish, but to guide: to take the hand of the departed and lead them along the path of shadows toward the Samdocheon River.
The Soul That Wouldn't Leave. One night, in the Seoul rain, Jeosung Saja introduced himself to Yunseo, a young violinist whose heart had stopped beating in the middle of a concert. But when he extended his hand, she refused.
"I haven't finished my symphony yet..." she whispered.
Jeosung Saja, who had never heard such a pure plea, hesitated. The rules of the afterlife were clear, but something in Yunseo's music resonated with an ancient sadness, as if its melody could heal the rifts between worlds.
The Trial of the Three Gates. To buy her time, Jeosung Saja took Yunseo before the Three Gates of the Afterlife:
• The Gate of Oblivion, where souls dissolve in peace.
• The Gate of Rebirth, where they return as another form of life.
• And the Gate of Echo, where those with unfinished business can return as shadows.
Yunseo chose Echo. For seven moons, she wandered the world, invisible, completing her symphony in the dreams of other musicians. Jeosung Saja watched from afar, feeling for the first time something resembling compassion.
The Return. When the last note was played by a child in a subway station, Yunseo's symphony became legend. Jeosung Saja met her again, this time with a faint smile.
"Now you're ready," he said.
And together they crossed the Samdocheon River, where the lotus flowers shone with the music of those who had departed in peace.

🎶 Listen 💫 Share 💬 Comment ➕📃🎧 Add to your playlists... Because this journey is meaningless without you... Thank you for being here... J. Bilbao

Sonic Universe II

Echo of the River III

A soothing collection of ambient soundscapes designed to guide the mind into deep rest. This album blends soft 432 Hz harmonics, warm delta-wave textures, and gentle atmospheric layers that calm the nervous system and dissolve stress. Each track flows with slow-evolving pads, distant celestial tones, and subtle resonant frequencies that naturally support relaxation, meditation, and deep sleep. Crafted for quiet nights, healing spaces, and moments of inner stillness, this album invites the listener into a peaceful journey beyond thought, where the body unwinds and the mind drifts into effortless tranquility.

Starfield Sleepwaves

dunya 2015

And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person

Winter Memories   Piano & Oud

Night Encounter

راجح داوود - موسيقي فيلم القبطان

لماذا كل هذا الجفاء - غصون في الوحل

معزوفه العرّافة والعطور الساحرة

موسيقى فيلم اشارة مرور -  راجح داوود

ابراهيم شامل، مؤلف وموزع ومنتج موسيقي 
Ibrahim Shamel is a composer and producer. Studied music composition at The Cairo Conservatoire. Well known for his remarkable achievements in the Film and TV music soundtrack industry. He wrote soundtracks for many Arabian gulf Series, such as “No Music in Al-Ahmadi” and “Ghoson fel-Wahl”