Musician playing both clarinet and bass clarinet, involved in classic music (chamber music, orchestral and solo) and in folk music (like the Metamorphosis Quartet project: www.soundcloud.com/metamorphosis-quartet).

Biography
Born in Abbadia San Salvatore (Italy) in 1987, in 2008 he brilliantly gradueted in clarinet under the guide of Fabio Battistelli at Louigi Cherubini Conservatory of Florence, studying also "Computer engineering" in the University of Florence.
He studied chamber music repertoire with Tiziano Mealli and Rolando Russo, contemporary music with Mauro Ceccanti. He attended letions and after gradueted courses, both for clarinet and chamber music, with Jorge Riisi, Mirta Herrera, Teresa Carulli, Richard Stoltzman, Alessandro Carbonare, Antony Pay (at the Chigiana Accademy of Siena). He performed in several occasions in solistic, chamber and orchestral repertoire, like with Orchestra Regionale Toscana (Tuscany Regional Orchestra), Orchestra Giovanile Italiana (Italian Young Orchestra) and the Chernivetsk Philarmony Symphonic of Lviv (Ucraina).
He performed, in addition, like soloist, the Aaron Copland's clarinet concert for solo clarinet, string orchestra, piano and harp and the Mozart's clarinet concert K622 for clarinet and orchestra.
Very involved even in didattic activities he finished two years of apprendicesheep in the Fabio Battistelli's clarinet class in Luigi Cherubini Conservatory of Florence, he conducted didattic activities in School of Music of Fiesole, and he teaches in Artes School of Music of Prato and in School of Music of Monteroni d'Arbia.
He collaborates with the Orchestra of the course of conduction of  Dario Lucantoni of the Santa Cecilia Conservatory of Rome.
He's continuing his studies with of Giovanni Riccucci (1st clarinet of the Maggio Musicale Fiorentino Orchestra) in School of Music of Fiesole and bass clarinet under the guide of Dario Goracci (bass clarinet of Santa Cecilia Orchestra of Rome).

Hacking the future of Early Music. Dir. Vicente Parrilla — Check out our latest CDs: 
- GLOSAS (2011): http://prrll.com/GlosasMH
- Yr a oydo (2010): http://prrll.com/Yraoydo 

“Mr. Parrilla and company go all out.”
—The New York Times
http://prrll.com/YraoydoNYT

Film/Media Composer for  
Short Films:
Silence (2019)/You May Kiss The Bride (2019)/My Brother Will Find Me (2019)/Prom of the Dead (2021)/Conjuring My Mom {Not a Clickbait} (2021)/Abduction Production (2021)/ Lightheaded (2022)

Features:
Contracts (2019)

Series:
Wishful Genies {Sketch YouTube Channel} (2019-Present)


(Works before 2018 are amateur works done for fun)

LUIS ALFONSO 
PRODUCTOR MUSICAL - WAYRA MUSIC


The Invisible Gentry are a 5 piece alternative vintage pop band from South London fronted by singer, Enza Durban.
 
Influenced by Nick Cave and the Bad Seeds, Kate Bush, Sigur Ros, Pink Floyd, and many others, the band strive to write eclectic music that tells wonderful and beautiful or sometimes harrowing stories.


Enza Durban
Vocals/Piano/Recorder

David Twinn
Guitars/Lapsteel

Jay Fox
Guitars

John Twinn
Bass

Luke Hollingworth
Drums/Piano

All music written and composed by The Invisible Gentry

All music recorded, mixed and engineered at Daisy Dog Studios, South London, UK by Luke Hollingworth and The Invisible Gentry

Now available on iTunes!

Robert Duncan has been producing/composing and remixing music since the late 1990's under various names(Arisen,RobD,Nemesis).Genres include Dreamscapes,Trance,ambient,New Age and chillout.Robert has also collaborated with other artists from across the globe and locally (Dumfries).He enjoyed moderate chart success on mp3.com back in 1999 under the name of Arisen,when the track "Celestial Storm"peaked at number 18 in the main chart (above the mighty PPK!),and also collaborated with 303Infinity on the "Music for your mind" Trance music compilation with the same track. He has also remixed a track for Scott Kerr in Dumfries called "Can't you see" which recently hit #1 in the Somojo dance chart.Clear water is a collection of mostly Roberts' chillout based compositions and most recent work including a few newer club/trance/house tracks.

International Classical Artists has at its heart Van Walsum Management, a company established by Joeske van Walsum over thirty-five years ago.   With a wealth of existing expertise in the worldwide management of artists, orchestral touring and the development of innovative projects, International Classical Artists is now building on Van Walsum’s illustrious legacy.

Core values include a flexible approach, a boutique nature allowing dedicated personal service and the hand tailoring of work to suit clients' needs.  Our work encompasses every aspect of our artists’ professional lives.  We believe in forging collaborative and creative partnerships and represent some of the most significant and stimulating artists of today.

The discovery of new talent is essential to what we do, and for more than three decades we are proud to have introduced audiences to a number of artists who have gone on to earn international recognition.  Such artists include Yuri Bashmet, Mitsuko Uchida, Esa-Pekka Salonen, Mariss Jansons and many more.

Van Walsum also made its name, and won a number of awards for innovation, through enterprising projects such as the worldwide Ligeti Clocks and Clouds, with Salonen and the Philharmonia Orchestra, which set new industry standards.  Our appetite for presenting ambitious, cutting edge projects has continued with other such highlights including Magnus Lindberg’s Related Rocks; taking the Mariinsky Theatre’s Ring Cycle under the baton of its Artistic Director, Valery Gergiev, to Teatro Pérez Galdós in Las Palmas de Gran Canaria; and the Philharmonia Orchestra’s City of Dreams project – an award winning multi-disciplinary exploration into Viennese cultural life from 1900-1935 featuring Salonen, Uchida and Tetzlaff among others.

Stephen Wright acquired Van Walsum Management in September 2008 and set out to create a twenty-first century management agency that goes beyond the ‘booking agent’ of past decades to encompass total career planning, including the co-ordination of an artist’s audio and audiovisual recordings, broadcasts and the handling of digital rights as an essential part of the management process.   Under new leadership the company has gone from strength to strength, forging new collaborative partnerships with the industry-leading audio visual digital platform medici.tv whilst continuing to focus on excellence in its worldwide management of artists, orchestral touring and the development of innovative projects.

Based in Waterloo, London, International Classical Artists today represents some of the world’s leading artists, ensembles and orchestras and operates around the world.

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