Holiday is the third and final single from The Burma's sophomore album "Crazy Dreams and Cruel Realities".

Crazy Dreams & Cruel Realities

Holiday

Thai Milk Tea

Lost My Connection

Debut release ‘Coming Good’ combines a near-Motorik driving rhythm and chiming guitars with longing twin vocals ruminating on what could have beens and past promises.

The track was recorded at Press Play Studios in Bermondsey and Joe Reeves Recording in Kingston.

Track credits:
James Baldwin - drums
Jim Coburn - bass
Joe Reeves - guitars, vocals
Jack Titcombe - guitars, vocals, string machine

Written by Learn to Surf
Recorded and mixed by Joe Reeves
Mastered by Timothy Stollenwerk (Stereophonic Mastering)

Coming Good

Stream 'It's Not So Sad All The Time (Live)' now : https://bfan.link/it-s-not-so-sad-all-the-time

Blacktop reveals the live version of ‘It's Not So Sad All the Time’. Gaining momentum with the release of his LP 'Gardening is a Practice, Not an Idea' , his music is now resonating on 88.9 Radio Milwaukee and featured on Lilliput Record’s "Local Milwaukee Showcase." A Deluxe Version is on the horizon, including unedited titles like ‘It's Not So Sad All the Time’ in a warm live rendition. Sweet acoustic guitar and a voice as smooth as honey, it is the perfect mood-lifting track.

Gardening is a Practice, Not an Idea (Deluxe)

It's Not So Sad All The Time

Blacktop - It's Not So Sad All The Time (Live)

Interlude

Blacktop - Interlude

Tender

Lyrics:

stand here, 
make sure you don't lose your place, dear
wait in the line till the coast's clear
when i say so we run for the door

take my hand
in a few moments you'll understand
i know i must look like a mad man
like i did not think this through at all

take my hand i know the way
take my hand i know a place
take my hand i know the way
i can show you better days

feel fear
just make sure you don't lose your faith, here
we'll lean on the walls till they break, dear
you take what's left and give it your all

I Know The Way [master]

Like a Song

Subpar sentiment, cracking skin, a gene forgotten so long ago

Elliot is the brainchild of beer corpulent and modest twenty-two year old Swede Ellioth Axelsson. Based in Stockholm, he self admittedly "bedroom produces" earworms that are not conventionally pop.

Elliot is predominantly a lo-fi solo artist, producing his own version of music resembling art rock of days gone by. His writing ironizes and dissects music, but also shows great affection for the form Elliot takes his influences for art from more than just music and peers.

Elliot's latest single, 35th Middle East Art Space in Humble Bragswick, includes Mesmerizing lo-fi vocals, organs and 60’s style guitar creating a sound firmly in the ballpark of Grizzly Bear, John Maus and the production creativity of an early Animal Collective. 

"The title suggests the song is about next level middle class edge lord kids locusting poor urban neighborhoods, and you could derive that from the lyrics. It's also about the art of Argentinian barbeque and two actors who resemble each other. It is coherently incoherent. I was spaced out”, explained Elliot.

Facebook: www.facebook.com/elliotmusicguy
Icons Creating Evil Art (www.icea.se)

35th Middle East Art Space in Humble Bragswick (single)

35th Middle East Artspace in Humble Bragswick

Elliot - 35th Middle East Artspace in Humble Bragswick

ICEA is a boutique music label and publisher with the intention of evoking feelings and reactions, we want to provoke, inspire, create, destroy, and disrupt old structures while having fun doing so. We sign and develop new talent from the ever evolving field of pop music. Fighting conservatism since 2015

Elliot - 35th Middle East Artspace in Humble Bragswick

ICEA

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