N E W   R E L E A S E S

Fresh from supporting The Libertines on the Nordic leg of their 2022 tour, Internet Friends have revealed their debut album “Dressed To Kill” is on the way - celebrating the news with their new single “How D’You Like Me Now?” - listen here, and now team up and collaborate with Bentley Rhythm Ace on new remix. Based in Birmingham, Bentley Rhythm Ace are Mike Stokes (aka Michael Barrywhoosh) and ex- bassist Richard March (aka Barry Island). The group were made popular in the lat 90s and to date when they released music for Brighton's big-beat Skint label, attracting wide acclaim for their energetic, irreverent blend of hip-hop, funk, and the bizarre lounge, jazz, and exotica records that initially brought them together.  "This Is Carbootechnodiscobooto" 

The BRA pair have also cultivated something of a devoted club following through their campy live performances, which often involve strange and unusual costumes and props (probably originating from the same car boots as their records). 

Fredrik Soila, Jakob Falkendal and Noel Hassling-Offrell as Internet Friends are in their element on “How D’You Like Me Now?” with the band describing this new track “as proof that rock music can move forward in a good way. It throws the listener between a messy punk club and your own bedroom”.

Sink your teeth into Internet Friends now. You’ll only get hungry later. 

---

More from Internet Friends
Official Linktree: https://icea.ffm.to/internetfriends
Facebook: https://www.facebook.com/internetfriendsgbg 
Instagram: https://www.instagram.com/internwtfriends
Twitter: https://twitter.com/internwtfriends
Spotify: https://open.spotify.com/artist/721irRL7arkfrdGgkOImcM
Apple Music: https://music.apple.com/se/artist/internet-friends/533951685

How D'You Like Me Now? (Bentley Rhythm Ace Remix)

Buy/Stream

Internet Friends - How D'You Like Me Now? (Bentley Rhythm Ace Remix)

Art-Pop artist Bonander is back with a powerful and intimate EP, unpicking traumas connected to body and self-image
 
Enigmatic and alluring, Bonander released her visionary debut album, 'Things We Don’t Talk About' through Icons Creating Evil Art on 20th August 2021. The full-length was praised by media giants such as Rolling Stone, It's All indie, High Snobiety and GAFFA.  Now she is back with a new EP called "the thread", unpicking traumas revolving body and self-image. Leaning heavily on its acoustic element, the exquisite arrestments gives the EP's theme an even more naked and exposed edge.

Bonander is the shorthand for Ellinor Sterner Bonander. Sporting the role of musician, arranger and producer, the native Swede is a woman unchained. Boldly charging head first into her own fears in regards to the projects subsect, Bonander got to examine her own body image in a detailed and unforgiving way. It all began at a music residency where the artist spent a lot of time by herself a couple of years ago. She says: "'the thread' has been something of a therapeutic journey for me. I tried to challenge myself by writing on the topic of the body, precisely because it was initially experienced as something difficult and scary. I understood quite quickly that there were things to face and sort out there. I got the desire to, via music, lyric and image, put the spotlight on the self contempt for our bodies I and many others have, with the hope that it might lead to something else entirely."

Known for her cinematic soundscapes filled of dense bass lines, playful synth melodies and orchestral elements, Bonander sought to scale down the bombastic arrangements and let the music be more bare and intimate then her earlier work. “musically I wanted to go in a different direction. The challenge was to be as stripped down in the production as I dared, in the same way as the vulnerability in the lyrics I wrote.” she tell us.  
To further capture the essence and emotion of the music, she decided to record the EP live and contacted the pianist, organizer and colleague Sara Hermansson. Together they recorded and arranged five out of the EPs six tracksapart form it'sfirst single 'the loop', which Bonander wrote and arranged by herself. “The recordings are live takes where we play together without a metronome. I am incredibly grateful for Sara's artistry that’s contributed greatly to this work. She even lent me a piano piece she’s written as the outro of this Ep. As the icing on the cake, I also got to record the fantastic violinist Elias Sjöwall. Together, I hope we convey something fragile, naked and a little beautifully broken to the listener.”

“the thread” encourages the listener to join in discourse of uncomfortable topics and challenge the harmful social strukturs that is still very much in place. “We live in such an incredibly exposed society when it comes to appearance.” says Bonander. “As children, we are told that it is the inside that counts, but in every room you are in, it is disproved time and time again. In the workplace, at home, in love life, in the media. Appearance is capital and it's not until we acknowledge it that we can work towards it”.

‘the loop’ is the first single of upcoming EP 'the thread', released everywhere on September 29th, 2023 via Icons Creating Evil Art.

the thread

the loop

Bonander - the loop

REACH is back from their Europe tour with another crushing rock-anthem in new single Mama Mama
 
Recently recovered from an extensive and wildly successful tour around Europe supporting H.E.A.T., as well as the highly anticipated album release ‘The Promise of a Life’, REACH is back with a new thrilling tale in a punching Rock N’ Roll attire. ‘Mama Mama’ is the first offering from the band's brand new album and jump-starts the campaign with a healthy portion of energy, drama and attitude.

Apart from its high intensity and satisfactory rock casing, the song has some intriguing and horrifying storytelling wrapped in the grinding guitars and powerful vocal performance. Front singer and songwriter Ludvig Turner tells us about the dark lyrical theme of the single; “Mama Mama is one of the darkest songs from the new album. It’s written from the perspective of a kid seeing his parents fight, believing it's his fault. Classic… Mom beats dad to death and the kid worries what's gonna happen next. It all ends with him beating mommy to death”

REACH is known to incorporate a dramatic flare into their music, both musically and through their lyrics, and the new song does not disappoint! In this new album, the band teamed up with music producer Christian Schneider, who made it his mission to unite the playful essence of REACH’s music with their raw talent as musicians. Turner goes on to explain about his songwriting process: “I´m not really fantasizing about doing or experiencing the things I write about, but I will see or hear something really strange and then wanna make music and a story about it. This song takes inspiration from an interview Dr Phil did with a Teen named Zachary Davis. It is some dark horrific stuff, nothing for the faint of heart. But that's what I saw and “Mama Mama” is what came out of it.”

The trio consisting of Ludvig Turner, Marcus Johansson and Soufian Ma’Aoui is characterized by their mutual passion for music, their drive for experimentation and finding a very genuine joy in the process. The bond that connects the three musicians is evident in their explosive and unforgettable live shows, where their innate musical ability is bolstered by their unchained nature and love for improvisation.

After the extensive tour around Europe alongside H.E.A.T, Turner tells us: "We´re overwhelmed by the support and reactions from the tour. It was our first time playing the songs of "The Promise of a Life" live and they sound even better live than on record, and they sound damn well on record. We´re thankful for our chance to go out as H.E.A.T´s support act and we´re confident that we should keep doing what we do."

While making a name for themselves around Europe, steadily growing in supporters and fans, Reach opens this new era in thier Rock-Saga with a track that will no doubt keep their audience jumping and dancing. ‘Mama Mama’ is out September 15th via Swedish Boutique Label Icons Creating Evil Art.

Prophecy

Mama Mama

REACH - Mama Mama

Kaleidoskapes is an alias of Irish hard house producer Jud Roper, whose track 'Wham Music Baby' was one of the biggest hard house tunes of the early 2010s! Now he's back with a new sound that crosses both the tech house and hard house boundaries, and has already earned him releases on labels such as BOXT. This two track EP exemplifies his new sound perfectly, and has been heavily supported by Johnny Dangerous, Nomadic and more.

Kaleidoskapes EP

BUY / STREAM NOW

Kaleidoskapes EP - Gun Fingaz - OUT NOW

Darkplace släpper de sista bitarna av sin episka berättelse om världens undergång med det nya albumet "About The End Of The World"

Darkplace är ett anonymt konstprojekt som intog musikscenen med imponerande närvaro och unikt berättarskap tidigare detta år. Musiken är rotad i postpunk men inspireras av en mängd andra genrer i sin komposition, där bland annat Experimentell Rock, Alt-Pop och Shoegaze är framträdande. Debutalbumet 'About the End of the World' är en monumental release som inte bara talar genom ljudmediet, utan också genom vackra och dystra digitala målningar och animationer. Konceptet bakom albumet utspelar sig i en mörk framtid eller kanske en alternativ nutid, där världen skildras i bilder inspirerade av verkliga platser, ofta centrerat kring det karga betonglandskapet i Stockholms Västerort, i en skrämmande  fantasifull tolkning.

Debutsingeln 'Arken över Hesselby' (video) skildrar en kuslig version av Stockholmsförorten "Hässelby". Videon visar oss en välbekant stadsbild, hemsökt av en okänd ark som iakttar från ovan. Dess efterträdare 'Fearmonger' (video) eller 'Skräckmakaren' tog oss till en annan del av samma universum, där vi vittnar om en ensam soldats öde när han står öga mot öga med den skrämmande luftfarkosten. I den tredje singeln 'Cars' (video) fokuserar historien på en man som följer kryptiska meddelanden på motorvägsskyltar norrut, och i den senaste singeln 'This Is Loud' (video) är vi tillbaka i Västeort, där lokalbefolkningen  skakas av oförklarliga enorma stenkors.

"Jag kunde inte gå ut längre, jag kände mig inte säker. Allt hängde ihop, jag vet inte hur men vi visste alla att det var en del av något större. I hemliga forum diskuterade vi. Vi visste vad det innebar, världen höll på att gå under. Är det möjligt att överleva detta? Kommer vi alla att bli galna? Ingenstans är säkert."

Låtarna på 'About the End of the World' skrevs alla med en specifik dramaturgi i åtanke. De filmiska musikvideorna beter sig närmast som kortfilmer, med egna berättelser från olika delar av det dystopiska universum som Darkplace skapat. Konstnären själv ger oss en spännande inblick i den kreativa processen: "Den första idén till en animation var Arken Över Hesselby. Jag började skapa konsten innan jag hade musiken, så stycket är skrivet som ett soundtrack till animationen."

Skapandeprocessen har flera lager som innefattar fotografi, skulptering, oljemålning, digital redigering och animering. Darkplace förklarar: "För strukturer som ‘Arken över Hesselby’ används Nomad Sculpt för att sätta formen, sedan exporteras motiven i specifika vinklar för varje scen och importeras till Procreate för att målas där. jag använder mig av oljepenslar och målar över fotot och skapar på så sätt en lager på lager-process. Det blir lätt rörigt och exporten blir ännu stökigare eftersom jag vill ha djup i scenerna och exporterar dem i olika lagerdjup. Några scener i det här projektet har också animerats bild för bild. Projekt har tagit nästan 2 år hittills, så jag försöker hålla det  rent och enkelt när det går."

Men sitt ambitiösa världs-skapande och berättande kommer det knappast som en överraskning att Darkplace har ett större fokus än enbart sin musik. Projektet vill utforska och kritisera tillståndet i världen genom ljud och bild och kommer säkerligen att vända huvuden med sitt innovativa tillvägagångssätt att skapa konst och diskussion.

’About the End of the World' släppas via det Stockholmsbaserade indie-etiketten Icons Creating Evil Art, streambar på alla större plattformar den 27 oktober 2023.

The End

Darkplace - The End

From award-winning author Phil Earle comes the hilariously agonising account of one teenage boy’s disastrous attempts to win the heart of the cool new girl at school. 

 Up until now, Marv’s uneventful life has revolved around playing football with his best mate, Jimmy. But things take a turn for the dramatic with the arrival at school of new girl Carly Stonehouse.

Marv falls in love at first sight, but there’s no way a girl like Carly will ever look at him. Unless, perhaps, he enlists help from a very unusual source.

Follow Marv on his hilariously agonising quest for love, featuring his Croc-loving dad, a fast-food addicted musical idol from the past and some of the most cringeworthy song lyrics you might ever have heard …

Northern Soul, By Phil Earle, Read by Phil Earle

ALLAIN RAUEN | Analogik Records
DJ | Live | Producer | Composer | Label Head
BookingsMGMT: analogikrecords@gmail.com

BIO:
Allain Rauen is an emblematic and visionary artist in the international underground electronic music scene. His professional career began in 1989, at the age of 14, immersed in the smoky nights of clubs, exclusive raves, and cult mixtapes. With more than three decades of experience, his path has been marked by constant reinvention, rooted in authenticity, innovation, and refined technique, always anchored in deep respect for the roots of techno culture and in the ongoing evolution of his sonic language.
Working as a DJ, live performer, music producer, film score composer, curator, and founder of Analogik Records, a cutting-edge platform dedicated to sonic experimentation and aesthetic disruption, Allain transcends traditional labels, positioning himself as a true contemporary sound architect, connecting technology and souls in unique performances.
His artistic signature is a harmonious fusion of concept, art, technology, and emotion, where the warm imperfection of vintage analog synthesis merges with the precision of the most advanced digital tools, such as Ableton Live and Bitwig Studio.
This combination enables his Allain Rauen Live:HYBRID performance, the pinnacle of his artistic vision, an emblematic and dynamic hybrid format in which each set is created, remixed, and manipulated in real time, incorporating grooveboxes, drum machines, samplers, analog synthesizers, and software that translate the warmth of analog synthesis into dense textures, non-linear structures, and ephemeral sound architectures. These are shaped by the energy of the audience and the space, delivering a unique sonic experience, deeply immersive and emotional, a true artistic manifesto that connects machines and souls in an unforgettable musical journey.
Musically, Allain masterfully moves between Detroit’s hypnotic techno, Berlin minimalism, and experimental ambient, creating emotional and cinematic narratives that unfold in each performance like a real-time film, with the audience acting as an active part of this sensory journey. His experience as a film score composer further enriches the narrative dimension of his productions and performances, resonating both on dance floors and in introspective or ritualistic settings.
Internationally recognized, Allain’s work is sought after by curators, cultural programmers, and discerning audiences at clubs, festivals, galleries, and interdisciplinary events in cities such as Berlin, Tokyo, and New York. Beyond performing, his role as a curator of podcasts, playlists, and head of Analogik Records expands his influence, promoting innovative artists committed to originality and sonic experimentation.
Allain Rauen represents the perfect convergence of technique, innovation, and emotion, delivering live shows that are vibrant, unpredictable, and charged with visceral energy. His Live:HYBRID performance is ideal for festivals, clubs specializing in experimental techno, immersive events, galleries, and cultural projects that value authenticity, aesthetic innovation, and purposeful live performance.
Available for international bookings, subject to contractual and logistical availability. Follow, listen, and share! Thank you for your support, enjoy!

LINKS:
Linktree https://bit.ly/lt-ardj
Payhip https://bit.ly/ph-ardj
Bandcamp https://bit.ly/bc-ardj
Soundcloud https://bit.ly/sc-ardj
Hearthis https://bit.ly/ht-ardj
Mixcloud https://bit.ly/mc-ardj
Select https://bit.ly/ms-ardj
YouTube https://bit.ly/yt-ardj
Twitch https://bit.ly/tt-ardj
Instagram https://bit.ly/ig-ardj
Facebook https://bit.ly/fk-ardj
X https://bit.ly/tw-ardj
Tiktok https://bit.ly/tk-ardj
Linkedin https://bit.ly/ld-ardj
Analogik https://bit.ly/fc-ardj
Equipboard https://bit.ly/eb-ardj
Spring https://bit.ly/sp-ardj
Patreon https://bit.ly/pt-ardj
PayPal https://bit.ly/pp-ardj
R.A. https://bit.ly/ra-ardj
Discogs https://bit.ly/dc-ardj

They Told Us It Was Hard But They Were Wrong

Ela Minus - They Told Us It Was Hard But They Were Wrong (Allain Rauen Unofficial Remix)

DJ, producer and label owner @djadrianna is making an unmistakable mark on the global electronic music scene. She started 2023 with a bang, releasing her Beatport Hype hit ‘Confidence’ on DJ S.K.T’s Stashed Music and two singles on her own Temple House Music -‘Falling’ and ‘Got The Night’, both hair-raisingly accomplished tracks straddling the
borders of tech house and techno and illustrative of her love of blending vocals with
tough, club-ready beats. The live highlight of 2023 was ADRIANNA hosting her own Temple House Music stage at Electric Garden festival for more than 15,000 ecstatic ravers, laying the foundations for a huge run of festival appearances in 2024. With new music coming soon and club and festival bookings in the works, ADRIANNA is one of the scene’s most exciting new stars, with talent and passion to spare.

Follow Adrianna 
https://www.facebook.com/djadrianna/
https://www.instagram.com/djadrianna
https://djadrianna.com/

PLAYY. Mix #171 - ADRIANNA

Art-Pop artist Bonander is back with a powerful and intimate EP, unpicking traumas connected to body and self-image
 

Enigmatic and alluring, Bonander released her visionary debut album, 'Things We Don’t Talk About' through Icons Creating Evil Art on 20th August 2021. The full-length was praised by media giants such as Rolling Stone, It's All indie, High Snobiety and GAFFA.  Now she is back with a new EP called "the thread", unpicking traumas revolving body and self-image. Leaning heavily on its acoustic element, the exquisite arrestments gives the EP's theme an even more naked and exposed edge.
 

Bonander is the shorthand for Ellinor Sterner Bonander. Sporting the role of musician, arranger and producer, the native Swede is a woman unchained. Boldly charging head first into her own fears in regards to the projects subsect, Bonander got to examine her own body image in a detailed and unforgiving way. It all began at a music residency where the artist spent a lot of time by herself a couple of years ago. She says: "'the thread' has been something of a therapeutic journey for me. I tried to challenge myself by writing on the topic of the body, precisely because it was initially experienced as something difficult and scary. I understood quite quickly that there were things to face and sort out there. I got the desire to, via music, lyric and image, put the spotlight on the self contempt for our bodies I and many others have, with the hope that it might lead to something else entirely."
 

But the EP doesn't focus solemnly on the negative thoughts we tend to have about the body. New single 'the void' is one of the songs that approach the subject more kindly, although still very intimate. Bonander tells us: "One of the more naked and warm thoughts about the body I encountered during this trip is the song the void, which deals with the desire of the body. To be attracted to someone, to long, to listen to the will of the body, disconnected from the rational, from norm and from prejudice. I think this feeling is easily suffocated under a lot of silly notions, and body anxiety is one of them for me. The void is my way of breaking free and admitting what I long for. The title reflects the endless sea of ​​desire and longing my body and the bodies of others carry with it. It looks different for everyone - but it's there."
 

Known for her cinematic soundscapes filled of dense bass lines, playful synth melodies and orchestral elements, Bonander sought to scale down the bombastic arrangements and let the music be more bare and intimate then her earlier work. “musically I wanted to go in a different direction. The challenge was to be as stripped down in the production as I dared, in the same way as the vulnerability in the lyrics I wrote.” she tell us. To further capture the essence and emotion of the music, she decided to record the EP live and contacted the pianist, organizer and colleague Sara Hermansson. “The recordings are live takes where we play together without a metronome. I am incredibly grateful for Sara's artistry that’s contributed greatly to this work. She even lent me a piano piece she’s written as the outro of this Ep. As the icing on the cake, I also got to record the fantastic violinist Elias Sjöwall. Together, I hope we convey something fragile, naked and a little beautifully broken to the listener.”
 

“the thread” encourages the listener to join in discourse of uncomfortable topics and challenge the harmful social strukturs that is still very much in place. “We live in such an incredibly exposed society when it comes to appearance.” says Bonander. “As children, we are told that it is the inside that counts, but in every room you are in, it is disproved time and time again. In the workplace, at home, in love life, in the media. Appearance is capital and it's not until we acknowledge it that we can work towards it”.

the void

Bonander - The Void

The freshest release on Madloch's Crossfade Sounds label welcomes Spanish producer Marc Pastco to the fold with his "Dedicación Parcial EP." This offering comprises two exquisite productions, namely "Aleatorio" and "Desde."

Marc is hailing from A Coruña in northwest Spain. His approach to techno combines a fusion of hardware and software sounds, spanning from minimal to hard-hitting. Pastco is on a journey to find his unique sonic path, and his music has found homes on various labels, including Insectorama, Scutum Records, Moucho Net Label, among others.

Beatport: 
Stream/Download here: https://crossfadesounds.fanlink.to/cs139

Follow Crossfade Sounds
• Bandcamp: https://crossfadesounds.bandcamp.com
• Facebook: https://www.facebook.com/crossfadesounds
• Instagram: https://www.instagram.com/crossfadesounds
• Soundcloud:  https://soundcloud.com/crossfadesoundslabel
• Beatport: https://www.beatport.com/label/crossfade-sounds/27419
• Spotify: http://bitly.com/soundavenue_spotify
• Odysee: https://bit.ly/soundavenue_odysee
• Bitcoin: https://bit.ly/soundavenue_bitcoin
• Merch: http://bit.ly/soundavenue_t-shirts
• Submithub: https://sbmt.to/sound-avenue

Check out our latest Free Downloads Compilations:
• https://crossfadesounds.bandcamp.com/album/deeper-underground-7
• https://crossfadesounds.bandcamp.com/album/tales-from-the-dub-free-download


Follow our Spotify playlists:
• Back Catalog: https://bit.ly/spotifycrossfadesounds
• Deeper Underground: https://bit.ly/deeperunderground_sa
• Progressive House: https://bit.ly/progressivehouse_sa
• Organic House: https://bit.ly/organichouse_sa
• Ambient: https://bit.ly/ambient_sa
• Lo-Fi Music: https://bit.ly/lofi_sa
• Mixes: https://bit.ly/mixes_sa      

To submit demos, send a private Soundcloud link to demo(at)soundavenue.be

#crossfadesounds #deephouse #deeptechno #undergroundmusic

Dedicación Parcial

Marc Pastco - Aleatorio [Crossfade Sounds]

Our penultimate podcast episode of the year features a talented DJ/producer from Prijedor in Bosnia & Herzegovina, Danijel Kevic...

Very unique in his style on the B&H scene, dominated mostly by techno, Danijel is inspired by the flavours of soul, funk, disco, jazz, blues and hip-hop, which he transcendes into fluent deep, organic house vibe, either as a music selector or author. He's also been putting out his music since 2015. on Ukranian imprints Big Mama and Manuscrpit, Dejan Milićević Titzero etc.

Exclusive Mix

Exclusive Mix: Danijel Kevic

ENVISAGE is a monthly radio show which brings to the listeners the latest music the melodic techno world has to offer. Hosted by Adam and Paul, also known as the DJ duo AVANTIME.

AVANTIME is a project born through a strong passion for melodic techno by two London-based DJs / Producers. Friends Paul Giuliani and Adam Ellwood began their musical journeys solo, but have found harmony and added creativity working together both in the studio and behind the decks.

In a short space of time, they have played for promotions such as April to July, PM:AM, Elevation London and performed at the legendary club Egg.

With their first single ‘Depart’ out on all music platforms and an upcoming remix already signed to a well established label, the guys aren’t waiting around with many unreleased tracks in the pipeline.

The duo has one joint goal to share their sound across the world, whilst filling dance floors with energy and joy!

So join them on their journey and experience a collaboration pushing the boundaries of time and imagination.

Are you ready to envisage?

@avantimeofficial

6:00 – 7:00pm
Monthly on the first Thursday

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.mixcloud.com/blooplondon
www.twitch.tv/blooplondon
@blooplondon

ENVISAGE W/ AVANTIME - 07.12.23

For those lazy Sundays in...

Tracklist

01 Harold Budd- Don't Go Where I Can't Find You
02 I Am Kloot - The Same Deep Water As Me
03 Tom Petty - Face In The Crowd
04 Lloyd Cole - No Blue Skies
05 The Ocean Blue - Ballerina Out Of Control
06 The Waterboys - Morning Came To Soon
07 Cherry Ghost - People Help The People
08 Wheat - Don't I Hold You
09 Prefab Sprout - Prisoner Of The Past
10 Martin Courtney - Vestiges
11 Talking Heads - Making Flippy Floppy
12 Cock Robin - Just Around The Corner
13 Heaven 17 - Let Me Go
14 Chromatics - Shadows
15 Martin L. Gore - In A Manner Of Speaking
16 The Essence - All Is Empty
17 David Cassidy - Thin Ice

Sunday Soundtrack [Drench Your Soul In The Water]

80s Synth Pop Style Beat 2 Preview (Remastered)

REACH unveils their latest single "A Million Lives" from the upcoming album "Prophecy"

REACH is making waves in the international Rock scéne. The upcoming new album's electrifying first single, "Mama Mama," has been on a remarkable run, featuring for three consecutive months on Radio Bob, one of Germany's largest commercial radio stations. The track's popularity continues to surge, as it's now being played on Star FM (Berlin/Nürnberg) and has also garnered support from Radio 21. This notable achievement places "Mama Mama" on three of the four biggest rock stations in Germany. But the excitement doesn't end there. "Little Dreams," the album's captivating second single, is making its mark in Sweden, earning a spot in the rotation of Bandit Rock. 

---

The dynamic Stockholm-based rock trio REACH is set to captivate the music world once again with their latest single, "A Million Lives," available from January 19th. This release marks another milestone in the band's journey towards their highly anticipated album "Prophecy," scheduled for release on March 29, 2024, under the esteemed Swedish Boutique Label, Icons Creating Evil Art.

"A Million Lives" is a testament to REACH's ability to weave dramatic narratives into their music. Known for their thought-provoking and emotionally charged lyrics, the band takes inspiration from real-life events, infusing a dark, compelling twist. This track delves into the psyche of youth, exploring themes of helplessness, desperation, and the tragic consequences of actions borne out of rage. Written from the perspective of a young individual on the brink of committing a crime, the song is a poignant reflection on the chilling reality of school shootings.

Ludvig Turner, the band's lead vocalist, shares his insights: "School shootings are so freaking dark and terrible in every way, and their increasing occurrence is frightening. We're all victims in this. 'A Million Lives' is our attempt to capture the consciousness of a moment that should never happen, a desperate plea to prevent a tragedy."

Musically, "A Million Lives" starts with an enchanting, almost crooning style before escalating into a full-blown rock anthem, characterized by powerful and gut-wrenching lyrics. The song's dynamic progression mirrors the tumultuous emotions it explores, capturing listeners in its intense narrative.

REACH, comprising Ludvig Turner, Marcus Johansson, and Soufian Ma’Aoui, continues to push musical boundaries. Their collaboration with acclaimed music producer Christian Schneider in crafting the upcoming album "Prophecy" has further honed their distinctive sound, blending playful elements with raw musical talent. This synergy is palpable in their explosive live performances, where their passion for music and improvisation creates an unforgettable experience.

Following their successful tour supporting H.E.A.T. across Europe, REACH has seen their popularity soar, with their previous singles gaining extensive airplay on major radio stations in Germany and Sweden.

"A Million Lives" is more than a song; it's a reflection of our times, a call to awareness, and a showcase of REACH's remarkable artistry. Be ready to experience the intensity and emotion of this powerful track. 

D I S C O V E R
Facebook: http:// https://www.facebook.com/reachofficialsweden
Instagram: https://www.instagram.com/reachband
Youtube: https://www.youtube.com/c/REACHsweden
Spotify: https://open.spotify.com/artist/4PAH2hYK4vEvxLEwCg9zQ2
TikTok: https://www.tiktok.com/@reachsweden

A Million Lives

REACH - A Million Lives

StupidCupid (Prod.Wheybalone)

ICEA is a boutique music label and publisher with the intention of evoking feelings and reactions, we want to provoke, inspire, create, destroy, and disrupt old structures while having fun doing so. We sign and develop new talent from the ever evolving field of pop music. Fighting conservatism since 2015

Internet Friends - How D'You Like Me Now? (Bentley Rhythm Ace Remix)

ICEA

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