Yeah thats it. To me nothing seems to need fixing. Move on to another tune and keep going 👍

Available for the record label deal signing? Hiya, your track is amazingly!Pls send your misic for my staff, they talk to you about following levels.

The notion of attainable fame is the world's greatest deception. The belief that anyone can achieve it is a fallacy. The privileged 1% have a 99% chance of securing fame before the rest of us, regardless of our efforts. In 2005, using Princess Diana's demise as leverage, the 1% manipulated public sentiment and passed a privacy law that shields public figures from background investigations. This allows them to construct their paths to stardom with legal immunity while preventing exposure of their deception. Consequently, even promising EDM producers have a 99% likelihood of being born into the elite 1%.

Take Marshmello, the world's top DJ and producer, as an example. He lacks visual evidence of his musical work, yet a well-executed advertising campaign on Soundcloud propelled his fame. How did he secure Skrillex's agent before gaining recognition? It's a classic case of overnight deception perpetuated by the 1%.

During the lockdown, when many EDM/Dubstep artists had their shows canceled, only 5% of famous musicians live-streamed their creative process. Live-streaming is the primary means of showcasing music production skills within a digital audio workspace. Genuine artists always have pre-fame videos displaying their passion and talent, while the 1%ers lack such evidence. Ask yourself, do you have a video showcasing your music? If not, do you know someone who does? Supporting those who contribute nothing to the growth of the musical community seems unjust. Artists like Marshmello, Rezz, Aoki, and others have deprived authentic musicians of their rightful opportunities.

Why do they refuse to aid the musical community's learning and progress? During the time their shows were canceled, they had ample opportunity to live-stream their work. Copyright issues cannot justify their absence since a video of the song creation process is the strongest proof of ownership. Their absence is simply because they lack the ability. Their success is owed to wealth, parental support, and stealing opportunities from genuine musicians.

Once you apply logical reasoning and question artists' backstories and abilities, their fabrications become evident. They urge you to put yourself out there to achieve fame, but it's as if today's artists didn't exist before their sudden rise, thanks to the second greatest lie ever sold—the overnight sensation. If something seems too good to be true, it usually is.

You can use a simple method to verify artists' authenticity by Googling "NAME before fame." Genuine artists have numerous pre-fame videos showcasing their passion and talent, while the 1%ers typically have only one heavily edited video or none at all. They often have hidden parental connections, earning them the moniker "dadkids."

To combat them, I created DJ Copywrite to fight for struggling artists. If I succeed, I will expose them all. If no one does, music's authenticity will perish.

Video killed the radio star and the 1% killed authenticity acting as martyrs

Songs are like seeds, they start to grow on you.

Ka$eygang

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#trance #techno #Vocal #trance #techno #Vocal #instrumental #rap #hop #Hip Hop #Trap #Drum & Bass #gangster #Oldschool #lsd #molly #Trippy #drugs #High #Rave #extasy #x #Exclusive #ex #edm  #dubstep

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My Baby Shot Me Down

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My Baby Shot Me Down

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