Hod je autorski bend iz Beograda, nastao krajem 2010. Trenutno u sastavu:
Stefan - klavijature, Sandra - glas, Maša - glas, Milan - gitara i glas, Vasja - bas, Veljko - bubanj. 
Prvi album pod nazivom 'Redak vazduh' objavili smo 2016. Nedavno smo izbacili i drugi - 'Strane percepcije'.
Rešpekt i Haug za Mirka, Koču i Galeta(Basistega), koji su ranije učestvovali u Hodanju.

Colin Patrick Harper hails from the Bermuda Islands. In the music industry, he is known as the reggae artist Collie Buddz. Buddz was born on August 21, 1984 in New Orleans, Louisiana. After graduating from high school, he attended Full Sail University in Orlando, FL, where he decided to study studio engineering.  Upon graduating from college in 2006, Buddz began looking for work in the recording industry as a performer or producer. One of his first major gigs was working with recording star Shaggy on the single "Mad Mad World" from Shaggy's new album entitled Intoxication, which was release in 2007. That was the same year he released his self-titled debut album with Sony Music. The album was a moderate success, but well-received by critics.  WWE (World Wrestling Enterprises) fans would immediately recognize Buddz's voice from the entrance theme ("SOS") for WWE superstar wrestler Kofi Kingston, which was included on the 2008 compilation WWE The Music, Vol. 8. Over the next year, he would continue making guest appearances on the works of other artists.  It is no small coincidence that his stage name "Buddz" is slang for marijuana. There have been photographs taken of the artist holding bongs and other pot-smoking paraphernalia over the years. Of course, other reggae artist such as Bob Marley have made weed seem an essential part of the reggae lifestyle.  At the end of the decade, Buddz started his own record label called Harper Digital. When not working in the studio, he found himself selling out venue after venue on one of his many exhaustive tours. In 2011, he would finally release his second album entitled Playback. As was the case with the first album, this album was a modest success commercially, but the critics loved his work.  With a couple of albums and a good reputation under his belt, Buddz is a frequent performer at many of the major reggae festivals around the world.

MR EAZI is the creative and business visionary leading African music into its future.
As a recording artist, the Nigerian multihyphenate is the voice behind afropop hits “Pour Me Water,” “Skin Tight” (featuring Efya) and “Leg Over,” as well as groundbreaking collaborations with the likes of Beyoncé, Bad Bunny and J Balvin. A serial entrepreneur, he’s also the founder of emPawa Africa, a talent incubator program which funds and mentors emerging African artists, and the digital music aggregator emPawa Distribution — initiatives hailed by CNN, Rolling Stone, Billboard and Forbes for their forward-thinking approach. Mr Eazi’s ascent into global stardom has seen him clock over 4 billion streams worldwide, making him one of the most streamed African artists worldwide. 

Born in Port Harcourt, Nigeria and raised in Lagos, Mr Eazi began his music career while attending college in Ghana, where his side hustles included promoting concerts and running a concierge service shuttling wealthy kids to parties. His first-ever recording, made on a whim, became an accidental local hit, prompting him to self-release a mixtape, About to Blow, in 2013. Blending touches of Ghanaian highlife music and Pidgin slang with Nigerian chord progressions and R&B vocal inflection, he soon developed a mellowed-out spin on afropop which he dubbed Banku Music, after the popular Ghanaian comfort food dish. 

After returning to Nigeria to work a corporate job in engineering, Eazi decided to make music his full-time focus, using a $1,000 gift from friends to fund the video for his breakthrough 2015 single, “Skin Tight.” Arriving just as afrobeats was exploding into global consciousness, Eazi quickly became an international figure, performing across Africa, Europe and the United States, pouring his travels into the critically-acclaimed  mixtapes Life is Eazi, Vol. 1: Accra to Lagos (2017) and Life is Eazi, Vol 2: Lagos to London (2018). These projects and their resulting hit singles, along with Eazi’s fashion-forward personal style, helped land Eazi in the pages of Vogue, THE FADER, Paper and other influential outlets. 

Fiercely independent and digitally savvy, Eazi has resisted opportunities to sign with major record labels, instead choosing to operate his own companies and steer his own fate. Since establishing his career, he has answered the call to mentor and support other emerging artists from Africa. Taking inspiration from his own experiences participating in tech incubators as a young entrepreneur, he launched emPawa Africa in late 2018. In its first round of investment, emPawa Africa provided US$300,000 —or US$3,000 each — in funding for 100 artists from 11 countries, launching the careers of rising stars like Nigeria’s Joeboy and Ghana’s J.Derobie. The initiative’s success led Eazi to form additional companies like emPawa Distribution, the first digital music aggregator focused solely on servicing African music to the global market; and emPawa Live, a college concert series, to support this growing ecosystem of talent. 

2019 proved to be a watershed year for Eazi, on several accounts. April saw him make his debut at Coachella, where he was one of only two African artists to play the world’s most prestigious music festival. He was featured on two tracks from Beyoncé’s The Lion King: The Gift album, and appeared alongside Latin superstars Bad Bunny and J Balvin’s on "Como Un Bebé," from the duo’s collaborative album Oasis. He has started 2020 once again on a high note, releasing the striking video for “Kpalanga,” and collaborating with DJ Neptune and Joeboy on “Nobody,” which has topped charts across several African countries while reaching #7 on Billboard’s World Digital Songs Sales Chart. One Day You Will Understand, a four-song EP of mellow afro R&B followed that Summer, with another EP, Something Else EP released in 2021. In May of 2020, Eazi appeared on the cover of Billboard’s Africa Now issue, the U.S. music bible’s first ever issue dedicated to African music. Forbes Africa also included him in its annual 30 Under 30 issue spotlighting the continent’s young thought leaders. 
Always thinking beyond music and looking at the bigger picture, Mr Eazi has founded and financed groundbreaking business ventures through Zagadat Capital, an pan-African venture capital fund whose motto is “Investing In Cool Shit.” Through Zagadat Capital, he invests mainly in Africa-founded tech startups that look to solve fundamental problems. Among these is pawaPay, an Africa-focused peer-to-peer payment platform which he invested in through its $9 million seed round in 2021, and which he believes could potentially reach a $1 billion valuation in the next two years. As a public figure with a large platform and voice, Mr Eazi believes it is duty to advocate for his fellow creatives and entrepreneurs.  
Even as he grows his business empire and doubles down on his goal of expanding opportunities for African creatives, Mr Eazi has not lost his thirst for creating music. In 2023, he will be releasing two full-length album projects. The first of these, titled Chop Life, Vol. 1: Mzansi Chronicles, was released in May 2023 and is the debut album from ChopLife SoundSystem, an Afro-dance music collective consisting of Mr Eazi and DJ Edu. 
After two mixtapes, two EPs and over 4 billion streams, the Nigerian afropop star will finally release his debut solo album, The Evil Genius, on Oct. 27. In a first-of-its-kind fusion of African music and art, each track on the project is represented by a unique, physical art piece, which Mr Eazi commissioned from a different contemporary African artist as he crossed the continent recording the album.

JAG who loves Reggae Music in all of it's Manifestations

The source for the best of best #trinidad #Jamaica #Grenada #Guyana Dancehall/Reggae music
boy boy, prince swanny, jahllano Vbyz Kartel, Masicka, Intence, Boy Boy, Plumpy Boss, Skillibeng, Rytical  E.T.C

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Jamar Rolando McNaughton, using the moniker Chronixx, has ignited a torch in people's hearts the world over and is confidently lighting the path for an entire generation of youths to rediscover roots and culture.

Born October 10, 1992, Chronixx was musically nurtured from an early age by his father, the artist Chronicle, and grew up surrounded by the likes of Burro Banton, Norris Man and Gregory Isaacs. This was before 'Little Chronicle' benefited from the mentorship of Danny Browne with whom he recorded his first tune in 2003. His remarkable ascension in the music industry was in full effect when he began harmonizing for artists such as Lutan Fyah and providing production assistance for tracks sung by Konshens, Munga Honorable, Popcaan and others.

Today, Chronixx is a respected artist in his own right after his career was stimulated by the unfortunate passing of both his blood brother in 2007 and his brother-in-arms, Lil' J.O.E., in 2010. He decided during that period of grief to bypass the difficulties of a young producer seeking external talent by, instead, channeling his energy wholeheartedly as a vocalist. Thankfully, early and unwavering support was received from Zincfence Records producer Romaine 'Teflon' Arnett, who was the first to urge Chronixx to sing the lyrics he was writing for others.

The first EP, Hooked on Chronixx, was released in 2010 and immediately put the budding artist on the radar of music lovers and industry heads alike. Among its 7 tracks, 'Start A Fyah,' 'Capitalist' (featuring Infinite) and 'Behind Curtain' stood out as a fan favorites, reaching far beyond Jamaican shores. Meanwhile, 'Warrior' became Chronixx's first official video and served to alert many more to his arrival.

Chronixx toured for the first time in 2013 when he went to Europe with his own band. Soon afterward, he bestowed a name upon this carefully assembled musical crew: Zincfence Redemption. Altogether, their fascinating stage presence has elevated the Chronixx experience to new and ever increasing heights.

Also in 2013, he and his team were Jamaica's only representation in Nairobi, where he performed as a Peace Ambassador ahead of Kenya's general elections. The next year, he found himself in New York City where he participated in a reggae and jazz series together with living legends Ernest Ranglin and Monty Alexander. By this time, Chronixx had established new and renewed working connections with Sly & Robbie, King Jammy, Leroy Sibbles and, again, Danny Browne.

The Dread & Terrible Project was released in April 2014 with seven tracks plus three dub versions, immediately topping both the Billboard and iTunes reggae charts. Neither an album nor an EP, the Project also includes a short film based on one of its tracks, 'Rastaman Wheel Out.' The film was directed by "The Guru" Ras Kassa and has received high critical acclaim. The hit single, 'Here Comes Trouble' can also be found on The Dread & Terrible Project.

With so much accomplished in so short a time, the world is bracing for greater wonders from this young man who walks with an old soul. For Chronixx himself, music is a mission and history is being made everyday still.

"Prepare your minds and hearts for this revolution."


iddo freeman is following