D002

Anima024 - xin - diary

Small Talk Deep Lies

Session #1 - d. towärds

crochet disques and notte brigante, transatlantic collaboration :
https://nottebrigante.bandcamp.com/album/nb05t-paloma-flash-bed-songs

the world takes selfies, tweets and spills its guts / a hushed, low-key atmosphere for sunday lovers / lovers of holidays and gentle strolls / gentian bitterness and spring glow / technology manufactures the future in quantity / minimum set-up for maximum vibes :)

a1 - bed intro 00:51
a2 - brigitte blues 02:49
a3 - mode d'emploi 02:34
a4 - interlude 00:39
a5 - bed africa 01:27
a6 - la nuit s'agite 02:45
b1 - bed dub 02:21
b2 - bed exo 02:32
b3 - bed inter cri 00:52
b4 - quelques minutes 02:20
b5 - interlude chelou 00:45
b6 stereophonie 02:31
 
C25 Bed Songs, edition of 50 cassettes

zZz....zZzz....

NB05t - Paloma Flash - Bed Songs

Hi on Tek

"On the second-to-last episode of the Unrealistic Expectations Show of the season, we have one of Lisbon's hidden gems, DJ CVLT. Born in the U.K. and raised between Lisbon, Porto, and New York in a family of jazz musicians. His mix isn't different from what you can expect to hear at his No IDOLS night's residency, around Lisbon or everywhere in the last decade. A well-curated selection of records, without rules, and for the culture."

Follow dj CVLT: https://www.instagram.com/djcvlt/

Unrealistic Expectations x LYL Radio w/ CVLT - 18 Apr 2024

@geierausstahl

Archetype - The Ick
Vinyl/Streaming/Digital
- 27.03.24 -

The Ick — a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile — a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" releases in 2024, following "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022.

Archetype - I See Numbers

𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘵𝘩𝘪𝘴 𝘱𝘰𝘳𝘰𝘶𝘴 𝘣𝘰𝘥𝘺,

𝘢𝘯 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘴𝘪𝘵𝘦 — 𝘢 𝘭𝘪𝘷𝘪𝘯𝘨, 𝘣𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘢𝘭𝘵𝘢𝘳

𝘵𝘰 𝘰𝘶𝘳 𝘰𝘭𝘥𝘦𝘴𝘵 𝘧𝘦𝘢𝘳𝘴 𝘢𝘯𝘥 𝘥𝘦𝘦𝘱𝘦𝘴𝘵 𝘥𝘦𝘴𝘪𝘳𝘦𝘴.

𝘵𝘩𝘦 𝘱𝘢𝘵𝘩 𝘵𝘰 𝘵𝘩𝘦 𝘩𝘦𝘢𝘳𝘵 𝘪𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘸𝘪𝘭𝘥𝘦𝘳𝘯𝘦𝘴𝘴.

- Kristen Soller, April 2022


“In the back of the throat there is a subterranean river that holds you, humming towards the cave’s end. This end is a liminal mirror reflecting the contours of your voice. The mirror shows how —when brought to certain aquatic depths— unheard of limbs and wondrous branches are prone to sprout from your voice. Blind sibyls, your voice’s branches climb towards the surface, in search of light and warmth. After the great drought, your voice’s limbs persevere. They stand naked, pulsating in the purple that lies underneath grey. Your voice’s limbs erect themselves as monuments to air, kin among the deafening night. The water level is now only tall enough to keep your voice’s core below. Your voice, fed by the swamp, cradled by duckweed, wrapped in horse tail, has become a secret organ. Your voice palpitates and releases twin echoes that undulate, to smoke’s rhythm, in the afterglow. Intricately connected by labyrinth to soil and moon, through the water lilies’ roots, your voice weaves an underweb that flickers like the eye of a flame. Your voice sediments the entwined veils of miracle and prayer.”

- Marta Núñez Pouzols, October 2023All music by Kristen Soller

Audio finalized by Glyn Maier
Cover photo by Jenn Huynh
Design by Joe Bastardo

All proceeds to:
Love the Everglades Movement (https://www.lovetheeverglades.org/)
Union of Agricultural Work Committees, Palestine (https://uawc-pal.org/)

Premiere: taupe set xl - Iridescence [enmossed]

@stacksofvoices

Stacks ‘Want’ album out May 15th 2024

Music and lyrics by Jan Matthé & Sis Matthé
Written and recorded in St. Lauri, Antwerp
Mixed by Stacks and Yves De Mey
Mastered by Wouter Brandenburg in Amsterdam
All rights reserved ℗ + ©️ Knekelhuis 2024

Stacks - In Mazes

Russell Haswell: TechnoRingModnO!se Podcast

Back story and rough contextualisation: Motor City UK. Coventry, West Midlands. Summer 1987 (the year Coventry won the FA Cup) I worked in a 140 acre car plant during shut down as an industrial cleaner; floor painting, cleaning out automated spray tunnels,  dumping paint clogged grates in acid baths. It was brutal. Mainly ex-cons and young offenders! Fortunately, I had saved up the previous year and purchased a Sony Professional Walkman, and so my soundtrack to this harsh labor was Carcass' 'Reek Of Putrefaction', Napalm Deaths 'Scum', Swans 'Greed', (all of these bands I had already, seen live, including Carcass' infamous gory pathalogogy collage slide shows ) ... Derrick May's 'Nude Photo', Phuture Pfantasy Club's 'Slam' and 'Spank Spank', and various Omar Santana "Super Edits", were also on my cassette compilations. A year later, in 88 I picked up a white label of 808 States 'Newbuild', 'Flow Coma' was mind boggling. By 1990 Coventry had Britain's first all night dance venue, the Eclipse [1], where in the following years I would see Shades of Rhythm, Altern 8 and A Guy Called Gerald, all perform live alongside the heavy rotation of hardcore DJs. At the same time I was trawling the histories of Experimental Film and Video, Conceptual Art and starting to explore Digital Audio and Hypermedia on Apple computers at Coventry Universities Art Faculty. I also kept a keen eye on the writings of Nick Land and the 'other' philosophical activities at Warwick University. Not long before its closure, I was at the Eclipse the night, TVs, The Hitman & Her was broadcast from inside [2] prowdly wearing my 'FUCK', the Hafler Trio t-shirt, but it didnt make the final cut!  Jump to the mid 90s, London, and my favourite club, Lost [2], had exposed me to Robert Hood and Basic Channel, performing their breed of electronic music live, as well as the earlier, intenser, endurance, fast-cut DJ sets of Jeff Mills [4]. Around the same time at club Disobey, we had Panasonic, Merzbow, Gescom, Earth, John Oswald, Oval, MC Hellshit & DJ Carhouse, Claude Young, and Aphex Twins sandpaper DJ sets, not forgetting, Boyd Rice at the Hacienda. By the end of the 90s I had been to Japan and seen Hanatarashi, Masonna, Pain Jerk, Incapacitants, Fushitsusha. Combining and mixing up all these artists, something between and with a knowledge of Computer Music, Techno and Improvised Noise, is what I wanted. In 2009 the Inacpacitants released their 10x CD 'Box is Stupid' (Pica Disc), within the accompanying booklet, Incapacitants member Fumio Kosakai describes his hatered of DJs, branding them "dubious parasites", but adds that going to see Jeff Mills DJ in Tokyo in 1992, was liberating. "Watching Mills's DJ set I realised where the key to unlock my problems could be found. Not in the devices themselves, but rather in the arrangements of the sound, by controlling the frequenceies using filters and creating new balances between the various sound sources." For this experimantal podcast, I've used a ring modulator instead of a DJ mixer. Live 90s Detroit Techno DJ sets are the control input signal and Japanese Noise Live sets as the carrier signal. Intermodulation. No human input. The names have been withheld to protect the innocent. - Russell Haswell, September 2012.

[1]  http://www.ravehistory.net/Coventry-Eclipse-aka-Edge.html
[2]  jump to 6:20 for Armageddon!       http://youtu.be/pPP8mPi4o5A
[3]  http://www.residentadvisor.net/feature.aspx?1298
[4] http://youtu.be/HxJ2dojdPRs         http://youtu.be/1cUOIloYWAE

iDEAL MiXTAPE FOUR - TechnoRingModnO!se by Russell Haswell

Electronic Sound Disturbances & Pleasures since 1998.

iDEAL MiXTAPE FOUR - TechnoRingModnO!se by Russell Haswell

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