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Introducing the last release from Hexane Records: "AKLOW - APOLION." 💣

Feel the amazing energy as Aklow delivers a sonic journey that pushes the boundaries of the genre. 🏴

Follow Hexane Records & AKLOW on social media for updates and more music:

Hexane Records:
🔗 linktr.ee/HEXANERECORDS
📱 Instagram: www.instagram.com/hexanerecords/

AKLOW:
📱 Instagram: www.instagram.com/aklow1/

🎧 SoundCloud: @user-69996350

Experience the power of "APOLION" now, available on all platforms. Let Hexane Records fuel your techno cravings with this groundbreaking release. 🖤

FREE DOWNLOAD

AKLOW - APOLION [Free Download]

Equanimity

Renaissance - Flowin'Fluids

The long awaited "SPAZI FUTURI" is RM's second LP for iDEAL and it is a massive, varied journey down one of Italy's most underrated electronic music composers. Riccardo Mazza is extremely skilled in making complex recordings where beats and atmospheres play naturally together. Mazza is also member of filth noise crew Lettera 22 which is a band we deeply love too. Edition of 300 copies. Design by Allon Kaye. Available SUMMER 2018!!!!!!!!!!!!!!!!!

RM - SONNO DROGATO (from "SPAZI FUTURI" iDEAL161 LP)

Ultrafog - 'How Those Fires Burned That Are No Longer'
Format: 12", Digital
Release Date: October 26th
Distribution: Rubadub
Artwork: Shy

PURCHASE:
https://www.rubadub.co.uk/records/how-those-fires-burned-that-are-no-longer
https://motionward.bandcamp.com/album/ultrafog-how-those-fires-burned-that-are-no-longer

After two cassette releases for the likes of Tokyo's Solitude Solutions and Barcelona's Angoisse, Motion Ward is delighted to present the debut of Kouhei Fukuzumi's Ultrafog project on the vinyl format. "How Those Fires Burned That Are No Longer" weaves through sliding metal timbres, textured air abstractions and wistful mallet sequences. This record, like all of Kouhei's work, is a take on sound as a representation of memory. Light and translucent, each song aims for a temporal snapshot that will inevitably fade into the well of thoughts and experience.

https://soundcloud.com/ultrafog

www.motionward.com

MW004: Ultrafog, 'How Those Fires Burned That Are No Longer'

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

Nuova Musica Ostinata

Non mi è piaciuto

Side A of "Ode to Mud"
(2019)
Cassette & Digital via .jpeg Artefacts
https://jpegartefacts.bandcamp.com/album/ode-to-mud

Mute Dot
Theme
Fax 1
Fax 2
Eye

Mastered by Joseph Buchan
Artwork by James Vinciguerra

"Ode to Mud" (Side A)

produced by: @ha_ha_ha_ha_ha
label: @embalming-lately
release date: September 4, 2019
pre-order: https://embalminglately.bandcamp.com/album/kite

Kite - 211424

Following on from last year´s set of hallucinatory vignettes for Milan´s Haunter Records on "Jemi" and the dissection of the possible tearjerking sensibilities of self-help twitter bots on 'You'll Always Stay Beautiful' for Bristol´s NoCorner, @Broshuda glides on to casually deliver this glistening and equally heartfelt 7 Inch for Cologne based Imprint RDK Island.

On the A side, a reflection in the half light resonance of evening/dawn envelops the fractal heavily melodic core of 'Face2'. Floating in some ebulliently chilled out existence not that far, but still quite on its own trajectory, from some of Mouse On Mars most absorbing moments. An hypnagogic cityscape, brimming with lives, real and imagined.
On the flipside 'Voices' hypnotic melody-as-dream gives way to a smoldering state of aural unease, borderline anxiety creeping in, an "orchestra" of filtered, fading voices & realities. Gliding as a state unto itself, neither here nor there. This reality's what you make of it.

Bruno Silva (Ondness)

Release: 6th September 2019

Tracklist:
Face2 (5:04)
Voices (5:08)

Broshuda - Face2

Excerpt of B2 from

Eks - Echo Courts - C20

Out September 28th on Archivio Diafonico

www.archiviodiafonico.org
archiviodiafonico.bandcamp.com

Eks - Echo Courts - B2 (excerpt)

DJ Fusiller - Sacrilège Vénération Vol. 1 (GRVTSBZH4)

A - Sacrilège Vénération Vol. 1 (Face A)
B - Sacrilège Vénération Vol. 1 (Face B)

"Arbitrary overlays, lazer beams, failed somersaults, cheeky cuts, hectoliters of red wine, freewheel tributes. At the request of Editions Gravats, DJ Fusiller (aka Fusiller aka the dude behind the insanely successful Tanzprocesz label) presents a 100% French mix for your greastest pleasure. Anti-dancefloor music for blurry emotions."

Buy at Bandcamp

DJ Fusiller - Sacrilège Vénération Vol. 1 (Extraits)

Glia - omotuo

"Vessel II (Sparks Of The Sacred)," by Jeremiah M. Carter

A series of bleak, blustery scenes make up Nazanin Noori’s Farce. Noori, who also works as a theater director, conjures glacial storms and buzzing subterranean server farms on this album; but such scenes were far from the artist’s guiding narrative as it was being produced. The two tracks, clocking in at 80 minutes total, were envisioned as an enraged argument (or a "modular heartbreak") unfolding between two groups of people about a pothole in the road, told from the perspective of the road, and then the pothole.

This surreal, mundane plot device is nowhere to be found on Farce in any concrete way. And this is intentional. Noori, inspired by Artaud's concept of the theatre of cruelty, wants listeners to develop their own sensorial world separate from the musician's. When not darkly ambient, the tracks are full of drama and whimsy, as if a spotlight is following a character along a wayward path, into the hands of fate. The emotional hooks in the sound include a sense of desperate desolation, optimistic reprieve, and of course, the sense that ritual repetition is both a curse and a blessing—but they resist obvious imagery. Exactly what kinds of characters or settings get hung on the album's scaffolding is up to the audience. Listening with a hi-fi sound-system is highly recommended.

---

Nazanin Noori is an Iranian artist living and working in Berlin, Germany. Her work includes theater and radio play direction, music, and text. She focuses on atmospheric narratives in sound, and works to overcome cultural reliance on sentiment by making dramatic adaptations of non-dramatic texts. She studied theater, film and media sciences at Goethe University in Frankfurt and worked at Deutsches Theater and Schauspiel Hannover. She currently selects Acid Folk for POMP, a sound scenario series on Retreat Radio, and is an artist-in-residence at the Young Academy of the Arts in Berlin.

released August 25, 2020

mastering :: Martijn Comes

all proceeds to Afrorack (Chicago, IL, USA) - www.afrorack.org

FARCE

Nazanin Noori - IMAGINE ALL THAT FALL IN A POTHOLE ON A BEAUTIFUL DAY (ENMX09)

percussion et al.
half of @snackm

: : 2020 : :

February 28 (dj) – ARLYLZA @ Vrij Paleis w/ DJ Drunk On The Spot, Tarè Lachs, Otherr, Miro Bollen

February 15 (perc) – DNK DAYS @ Occii w/ Lucie Nezri, Hannah Kim & Mint Park, Fien

February 13 (perc) – Vrooom 79 @ Klooster Oude Noorden w/ Alan Courtis & Gert-Jan Prins, 3times7

: : 2019 : :

December 18 (dj) – 1010 Festival @ PB301 w/ Toby Kruit, G.E.R.L, Olbos, Michael Kraus, Brine

October 11 (live) – Do Pilots Make Mistakes @ The Chapel w/ Kristján, The Pole, Geier aus Stahl, Snackmachine, Kantarion Sound

September 28 (live) – Dutch Modular Fest @ Besturing w/ Hilde, Titus, Snackmachine, Plaguebearers, Brine

August 14 (dj) – Off Center @ Operator Radio w/ Val Clipp

July 26 (live) –  Bunkerexpositie 38 @ De Waterkant w/ Gökay Atabek, Daniel Maalman

June 7 (dj) – Kantarion Sound Invites @ The Grey Space w/ Çarrageenan, Új Bála, dogheadsurigeri

May 31 (perc) – Myriads 25 @ Helicopter w/ Grzegorz Marciniak & Abel Fazekas, Chris Corsano

May 30 (perc) – Among Others @ Quartair w/ Edgars Rubenis, Gabriel Praiuk, Ernests Vilsons

May 4 (installation) – Dune Works @ The Celestial Vault w/ Anni Nöps, Robert Coleman

March 29 (perc) – Rewire Festival @ The Grey Space w/ Free Fall Improvisors Orchestra

March 27 (perc) – Sonology Discussion Concert 4 @ Arnold Schoenberzaal w/ František Hruška

March 23 (live) – De Zaentje Opening w/ Snackmachine, Mint Park, Ivan Cuic

March 21 (dj) – Cash's Still Cool @ PB203 w/ Synth Master 2000, Ivan Cuic, Anni Nöps

Feb 23 (dj) – Nightgarden 7 @ Mediamatic w/ Mižu

Feb 17 (perc) – SNLG001 @ Varèsezaal w/ Rae

Jan 26 (dj) – Kantarion Sound Open Dag @ KABK w/ Luca V Gr, Tonda San, Ivan Cuic, Haris Begic

Electronic Sound Disturbances & Pleasures since 1998.

Contact: labelhead_at_idealrecordings.com

RM - SONNO DROGATO (from "SPAZI FUTURI" iDEAL161 LP)

iDEAL Recordings

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