tnx again S, always a pleasure collaborating with you! xoxo

砂 -sand-

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

As It Falls

As It Falls by Jason Mowry & Carlos Vivanco

TRIIB - Wicked Plants Choir :  Bryonia dioica

Taking the Forgotten path through Dystopia (because I’am a FREAK mix)

Welcome to the third part of this very personal and emotional 4-Movement-Symphony !

An orchestral work about "HOME" is a great undertaking, with high expectations, which one actually almost has to fail at.
Therefore, I embark on a personal journey of thought and try to paint musical pictures with four movements from different viewpoints.

The first movement, introduced by a pathetic orchestral forte meanders - moves across stylistic zones, sometimes on the borderline of classical tonality, sometimes loud and self-confident, then desperate, often romantic and peaceful from scene to scene.
Fugue-like quotations are juxtaposed with post-romantic sequences. Film music-like moments duel with almost classical reminiscences.
This movement represents the restless quest that touches on many things but finishes very few. The last tones fade away with a romantic, allusive love scene and gentle slumber.

The second movement is marked by illness and melancholy. As it has happened many times in my musical endeavors, life sets strong impulses and overturns my original plans. 
It turned from a movement that was originally intended for love, to a fantasy about fever dreams and fear, caused by my sudden sickness. So this movement was getting quasi a setting about Corona.
Fever dreams, fears for my loved ones, weakness and deep griefs and heaviness weigh down the sounds. The situation seems hopeless.
Several times my beloved tries to lighten the state of mind - orchestrated by the English horn. These are the short moments when the music changes from minor to major for a few bars. The illness, however, remains dominant until this movement ends with a touch of hope.

The third movement dabbles in joie de vivre. A 6/8 time signature in the corner sections and 3/4 time in the middle section suggest lightness. Nevertheless, the piece remains rather subdued and demonstrates that life brings many burdens with it. The expression: Home cannot be found through exuberant celebration.

The fourth movement initially alludes to several events in the preceding movements. To illness, to travel, to loss, to transient joys. 
As it progresses, it deals with the people who are truly meaningful, my children, my family, my darling.
The finish is a declaration of love for people. The music becomes more and more romantic and expresses the joy of life.

Home is not found in places or in moods. 
It is a gift: Home is where the heart finds peace and tranquility.

Symphony of Home

Symphony of Home: III. Floating Dance

Oterplar

P.oceanica is a slow-growing species of Posidonia, a global seagrass that provides food and shelter to marine organisms, protect coasts against erosion, and purifies natural water resources. P.oceanica covers the entire coastline of the Mediterranean Sea with its network of roots and rhizomes. One colony discovered off the coast of Ibiza is believed to be nearly two-hundred thousand years old, which would make it the oldest living plant in the world.

Marta Solé, a research scientist in environmental engineering at the Universitat Politècnica de Catalunya in Barcelona Tech (UPC), has spent her career studying the impact of noise pollution on marine biology. Solé’s previous research demonstrated that cephalopods hear sound through small sensory organs, which become damaged when noise exceeds a certain volume and frequency. P.oceanica have exhibited similarly adverse effects to noise, compromising the plants’ ability to connect to root systems and gather nutrients from the ocean.

Suss Müsik considered the metaphorical duality of sound waves and ocean currents as a framework for this Junto project. Three “waves” of synthetic material were treated with various distortion effects and allowed to pass over each other. A cyclical pattern simulates the gently modulating seagrass that lies beneath the surf, insulating its tender blades from the harsher noise just above the crashing waves.

The piece is titled P.oceanica and was recorded live to Tascam 8-track. Those who wish to learn more about Solé’s work are encouraged to read The Sounds of Life by Karen Bakker.

More on this 588th weekly Disquiet Junto project, Swell Time (The Assignment: 

Make some surf music), at: https://disquiet.com/0588/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0588-swell-time/

P.oceanica [Disquiet0588]

TRAMPELFÂD
rec.name : " 1968 "
credit : moog model15 ,EMS VCS3  emu
date: 03-05-2023
video
https://youtu.be/rrK2s1LPAWI

Boring Trip  by TRAMPELFÂD

naviarhaiku500 – morning solace
Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Morning Silence/ Apple Blossoms (naviarhaiku 500)

Credits:
Sjanine Steyn - Drone Flute, Talking Drum.

https://www.facebook.com/heartandsoulsoundscapes

Dog Rope (Base Flow)

Deeptoughts

A home for artistic Music.
www.ideasintransit.bandcamp.com
Also producing under the act name https://soundcloud.com/salook
Collaboration project https://soundcloud.com/base-flow

Dog Rope (Base Flow)

Earth Diver

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