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[PYE] Synthy weirdy by ConaStoe

Erro

electro LV mantas

Main theme from performance "Lost Gardens"  soundtrack @ Homonovus, Festival of Contemporary Theatre, Riga, Bolderaja, 2013
Music by Andris Indans
Photo by Juris Rozenbergs

The documentary theatre project „Lost Gardens“ relates to a specific place and a concrete event in Riga’s recent past. In May 2013, a lane was cut through the allotment gardens in Bolderāja to free up the space for railway tracks as a part of the Riga Free Port development plan. Gardeners lost their gardens, fences were knocked down, trees were cut, garden houses were burned down or were demolished by bulldozers. The traumatic event had a big impact on the lives of these gardeners, who after spending every summer there, now have no place to go. Many of them started 40 years ago as young families to cultivate this area from being a swamp into the place in which trees, fruits and vegetables could grow and flowers would bloom.
http://www.homonovus.lv/eng/performances.php?s=lost-gardens

Gas of Latvia - Lost Gardens

Murmurs

ERROR - Modernā cilvēka traģēdija

Oskars Herliņš: composition, programming

Created at the beginning of 2009 in Engelsholm, Denmark, this composition was amongst five winners at electronic music competition “Elektrochok 2009,” held by the Academy of Music and Music Communication in Esbjerg (also in Denmark.) Its form can be described as ternary (that is to say A-B-A;) and, whereas its A section is driving and active, its B section is calmer and more "drowning". A means implemented in the development of the musical material here is that of holding on to a particular harmony, for such a length of time as to blur the piece’s overall tonality. This allows particular harmonies to be heard more freely (as opposed to them being shackled to a particular key,) and this in turn allows the piece to "jump" to another tonality more freely, relative to the common perception of musical construction. This can be heard, in particular, in the B section, after the "wall of noise" recedes and long, bell-like sounds enter. Section B’s chord progression mirrors that of the A section in its development (for example the chords 1-2-3-4 are sounded in reverse order-4-3-2-1, so that the whole chord progression can be said to resemble 1-2-3-4-4-3-2-1 (though it is, in reality, longer). Certain motifs and "soundscapes" are also reversed (which would, for example, result in a motif, consisting of the notes b-a-c-d, to then sound as d-c-a-b.) The particular motifs were recorded as audio data, which was then reversed, rerecorded and used in the composition. 

1. Through imaginary worlds

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TVMASKAVA SAULAINA DIENA

ERROR - Modernā cilvēka traģēdija

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