Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

DJ, photographer and graphic designer.
DOWNLOADS: furley.bandcamp.com

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Darwish is one of the leading Djs & artists in the Israeli Trance music scene. 
His involvement In so many cross genre projects makes him also one of the busiest Dj’s in Israel.
Ozora festival or performing with famous Israeli singer Marina Maximilian. Djing electronic world music or collaborating with the singer Mosh Ben ari. Scorching Techno dance floors under his Deep Dave project or djing in high profile weddings. Playing a set for the 15th Macabia open ceremony or an underground rave in the dead sea. Darwish has done it all.
Being active from the early 90’s gave Darwish the opportunity to be present in every historic intersection of the trance scene. Creating great tracks and music and growing the next generations of dj’s in his productions or in his music production school and by that clearing a wide path for the next to come, is his way of becoming a leading force in Trance music and beyond.    
Darwish was born as David Abramov in Haifa, a port city in north Israel. 
His mom was a pianist, she was playing in ballet school and Darwish used to tag along with her sitting on the piano while she played. That was love on the first site with music. 
Later on in the 90’s Darwish started to produce and DJ in desert raves with his big brother Itzik.
Their parties took off and became a huge name in Israel, nevertheless they always had a distinctive vibe of a big family gathering for the whole tribe. Up until today Darwish production “Desert Adventure” is considered to be one of the best and the oldest trance productions in Israel and it is sold out in a few minutes.
Darwish music takes inspiration from tribal beats and world music as well as from the desert hot sun and the freedom sunsation you can find there. A kaleydoskop of cultures and influences spirals in his tracks with a beat that doesn't let go creating an ancient story of inner beat conjoint to all.   
His charisma and his down to earth approach sweep away a huge crowd of fans and followers from Israel and around the world he is a tribe leader as well as a dj.

Audio Centric Entity aka A.C.E. 

Previously known as - Dj Ace Tatsu, NN, Narcotic Ninjas, CodeReaders, Bassyx.

Tracks released on Overground Digital Records, Baroque Records UK, Sound Tribe Records, Quarterlife Records NYC, USB Digital Bulgaria, Televisionary Records.

Dj/Producer born in Brooklyn, Musically cultivated in San Francisco now living in Budapest.

Timeless moments with DJ Crews, Music collectives, and EDM Bands Bassyx from San Francisco - FatMagic (SF, LA, EU),  Strictly from Budapest, and Narcotic Ninjas

1st Album creation with Production Partner SO81 - Enter the Ninja as NN with many co-produced remixes and originals.

Re-igniting the Studio for 2024 and Beyond.

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