The Red Deer Rut (Brame du Cerf) recorded in the heart of the  the Orleans Forest, the largest Forest in France. 

Zoom F3 + 2 x Sennheiser MKH8020s
23.09.2023

Red Deer Rut - Forêt d'Orleans, France

Alford Way

E557 | In 1952, a coup d'état led by Gamal Abdel Nasser ushered in a revolutionary period of Egyptian history in which sound played an integral role in shaping collective political consciousness. The culture of the 50s and 60s was dominated by songs by artists like Umm Kulthum and Abdel Halim Hafez that still resonate within national consciousness, but as we explore in this third installment of our four-part series on "The Sound of Revolution in Modern Egypt," the period produced spectacular sound as well as conspicous silence. As our guest Alia Mossallam explains, triumphant musical celebrations of the Egyptian state's signature achievement --- the construction of the Aswan High Dam --- shaped the terms through which Egyptian's have come to remember this period. At the same time, songs of workers and Nubian villagers displaced by the dam captured subaltern sentiments beneath the surface of Nasserist cultural hegemony. We conclude our conversation with a reflection on the singular importance of sources like folk songs for writing histories erased by official sources. 

More at https://www.ottomanhistorypodcast.com/2023/12/mossallam.html

Alia Mossallam is a cultural historian, educator and writer interested in songs that tell stories and stories that tell of popular struggles behind the better-known events that shape world history. For her PhD she researched a popular history of Nasserist Egypt through the stories and experiences of the popular resistance in Port Said (1956) and Suez (1967-1974) and the construction of the Aswan High Dam through the experiences of its builders and the Nubian communities displaced by it. As a EUME fellow 2017-21 of the Alexander von Humboldt Foundation, she worked on her book on the visual and musical archiving practices of the builders of the Aswan High Dam and the Nubian communities displaced by it. Her new project at EUME (2021-24), “Tracing Emancipation Under Rubbles of War”, retrieves the physical and political journeys of Egyptian and North African workers on the various fronts of World War I through the songs and memoires that recount their struggles. Some of her research-based articles, essays and short-stories can be found in The Journal of Water History, The History Workshop Journal, the LSE Middle East Paper Series, Ma’azif, Bidayat, Mada Masr, Jadaliyya and 60 Pages. An experimentative pedagogue, she founded the site-specific public history project “Ihky ya Tarikh”, as well as having taught at the American University in Cairo, the Freie Universität in Berlin, and continuing to teach at the Cairo Institute for Liberal Arts.

CREDITS

Episode No. 557
Release Date: 3 December 2023
Sound production by Chris Gratien
Sound Elements: Umm Kulthum - Hayart Albi Maak; Death Of Nasser (B) (AP); Abdel Halim Hafez - Ahwak; Abdel Halim Hafez - Hekayet Shaab; دايماً نصريبو لا نيل (courtesy of Alia Mossallam); حنينة النوبة ،، سيد جاير (YouTube); اسمي هناك بلدي هناك اغنيه نوبية (YouTube); Chad Crouch - Pilgrims Progress

Season 13

Nasser, Nubia, and the Stories of a People

Inspired by the biological process of cell division, Quiz Guy John Chaneski came up with a puzzle in which a vowel inside a word divides into two, as in the words cot and coot. If E and O are the only vowels that might replicate, guess what pair of words might be clued by the following observation? When I was a kid in the '50s, we'd either go to a dance or play ring toss. http://waywordradio.org

1626-Word-Quiz-Cell-Division

Question/Answer

Segunda parte de mi libro 100 maneras para no desanimarse, todo lo que me ha llevado de experiencia, anecdotas, frases, y más les cuento en este episodio

EP3. 100 Maneras Para No Desanimarse Pt2

Pieces of Greece vol.5 by Various Artists:

On The Radar is our production series where MJM showcases entire albums feature producers that reside or are from a certain country. For this session we've reached out to some of our friends and favourites in the Greek beat community that have been on our radar, as we proudly present 'Pieces of Greece - On The Radar Vol.5'.

OTR#1 - Project Canada: http://bit.ly/OTRvol1
OTR#2 - Made In Germany: http://bit.ly/OTRv2
OTR#3 - Pardon My French: http://bit.ly/OTRv3
OTR#4 - Full English: https://bit.ly/OTRv4
OTR#5 - Pieces Of Greece: https://bit.ly/OTRv5

Pieces of Greece - On The Radar vol.5

Summer Cruising

CASSETTE ON BANDCAMP

Melorman - Summer Cruising | On The Radar vol.5

In its 27th release [PIRANHA SIBERIA DUB] proudly unveils the hypnotic soundscape of the far North with "Hypnosis EP" by Ekstendia (@ekstendia), a talented electronic music maestro hailing from Murmansk. This captivating EP features three original tracks, accompanied by six stellar remixes from renowned dub techno artists, transforming Ekstendia's sonic universe into an even more mesmerizing journey.

Ekstendia, the sonic architect behind "Hypnosis EP," takes listeners on an immersive exploration of hypnotic rhythms and ethereal melodies. The EP unfolds like a musical trance, where each track serves as a portal to an alternate sonic dimension.

The remixes, contributed by the likes of Sleney (@sleney1996), Individu (@echo-organik974), Oldschool_Dubtechno .Producer (@enercube and @x_fr), Guzz (Arg) (@guzzmusic), Soundealer (@soundealer), and Radio Badjay (@radiobadjay), add diverse perspectives to Ekstendia's sonic tapestry. Each artist infuses their unique touch, creating a rich and dynamic listening experience.

"Hypnosis EP" is not just an album; it's a sonic odyssey into the deep realms of dub techno. Ekstendia's intricate sound design and the collaborative efforts of the remixing artists result in a truly hypnotic fusion of electronic elements.

Embark on this sonic journey and allow yourself to be entranced by the magic of Ekstendia's "Hypnosis EP." Immerse yourself in the hypnotic beats and entrancing melodies as [PIRANHA SIBERIA DUB] continues to push the boundaries of electronic music, bringing the enchanting sounds of Murmansk to the global stage.

:::
Ekstendia - Hypnosis EP
1. Ekstendia - Dynamic Scape
2. Ekstendia - How Do You Feel?
3. Ekstendia - Hypnosis
4. Ekstendia - How Do You Feel? (Sleney Remix)
5. Ekstendia - How Do You Feel? (Individu Remix)
6. Ekstendia - Hypnosis (Oldschool_Dubtechno .Producer Remix)
7. Ekstendia - How Do You Feel? (Guzz (Arg) Remix)
8. Ekstendia - How Do You Feel? (Soundealer Remix)
9. Ekstendia - Dynamic Scape (Radio Badjay Remix)
:::
Label: [PIRANHA SIBERIA DUB] – [PSD027]
Format: Digital
Country: Russia
Release date: 5.01.2024
Genre: Electronic
Style: Dub Techno, Deep Techno, Techno


🎬🎬🎬🎬🎬🎬
Bandcamp: https://piranhasiberiadub.bandcamp.com/album/hypnosis-ep
Beatport: https://www.beatport.com/release/hypnosis/4385052

Ekstendia - Hypnosis EP [PSD027]

🎯🎯🎯Get Your Copy💾

Ekstendia - How Do You Feel? (Individu Remix)

12л. Като Го Видя Петър. 20 Април 1919г. Неделни Беседи Гр.София.mp3

Les mythes font partie de l'histoire et de la mémoire des hommes. Comment définir ces mythes et comment se construisent-ils? Qui les alimentent? Peut-on les considérer  comme le révélateur de l'échec des historiens dans la transmission au grand public des fruits de leurs travaux? A travers l'exemple de la Seconde Guerre mondiale, Olivier Wierviorka interrogé par Christophe Dickès, présentent des idées qui ont la vie dure à partir de deux volumes parus aux éditions Perrin et co-dirigés avec Jean Lopez: La défaite de 1940 était inéluctable; Pearl Harbor est une victoire japonaise; L'armée italienne était mauvaise; Les Allemands n'ont pas pris Moscou à cause de l'hiver; Yalta a partagé le monde; etc.  Plus de trente historiens, spécialistes de la période, décortiquent toutes ces idées reçues à la loupe. Ce "cours d'histoire" rappelle que des moments de notre passé sont des champs de bataille où se sont affrontés propagande et lectures partisanes, plaidoyers pro domo et Mémoires en défense.

Les mythes de la Seconde Guerre mondiale

Dans toute pensée critique du numérique, la question du visage se pose de manière centrale. Dans un monde de reconnaissance faciale, le visage est numérisé et donc « réifié » pour permettre divers modes d’identification qui font peser le risque d’une surveillance généralisée. 
Associées à des caméras de surveillance, les bases de données qui permettent à l’intelligence artificielle de procéder à l’authentification et à l’identification des personnes posent de très sérieux problèmes de libertés publiques. La notion de « smart city » est souvent confondue avec celle de « safe city », avec une privatisation préoccupante de fonctions régaliennes à commencer par celle de la police. Les usages commerciaux de la reconnaissance faciale (déverrouillage d’appareils électro-ménagers, paiement sur mobile, usages marketing…) produisent une accoutumance aux technologies intrusives, alors que ces questions mériteraient un débat démocratique beaucoup plus large. 
Or le visage a une signification transcendante : « la manière dont se présente l’autre (…), nous l’appelons visage » (Emmanuel Lévinas). Il est un « au-delà » de l’être, une expression de l’altérité radicale mais aussi de notre condition temporelle et de notre expérience vécue. Pour valoriser la part sensible des visages en dehors de la société des écrans, l’art et la littérature ont un rôle-clé. Il s’agit de ne pas subir l’ « empire du signal » (Pierre-Antoine Chardel) et de retrouver un « face à face » irremplaçable. Le visage, c’est « ce qui déborde » et qui n’est ni codifiable ni catégorisable, ni numérisable.
Une conférence de Pierre-Antoine Chardel, philosophe et sociologue, Institut Mines-Télécom Business School, et Asma Mhalla, spécialiste de l’économie numérique, maître de conférences à Sciences Po (Paris).
Festival IFM 2020 (thématique : le visage). 26 juin 2020

Une approche socio-philosophique du visage

L’Institut Français de la Mode (IFM) est un établissement d’enseignement supérieur privé à but non lucratif, un centre de formation d’apprentis et de formation continue, ainsi qu’un centre d’expertise pour les industries du textile, de la mode et du luxe. Il propose des formations allant du CAP au master, en décloisonnant la création, le management et les savoir-faire.

L’IFM accueille régulièrement des conférences au croisement de multiples univers créatifs (arts, littérature, musique, histoire… mais aussi économie et innovation). L'IFM a aussi lancé sa série de podcasts intitulée Fashion InsideOut, dans laquelle les étudiants interrogent des professeurs sur leurs sujets de recherche.

Une approche socio-philosophique du visage

IFM-PARIS

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