B. Bravo (aka Adam Mori) returns to Bastard Jazz with the long-awaited follow-up to his 2017 debut LP, “Paradise,” with a fresh full-length offering: “Vizionz.” Replete with his signature future funk vibes, infectiously soulful grooves, and talkbox excursions, “Vizionz” sees the multifaceted artist take the classic West Coast into outer space. If B. Bravo’s last album sought to get lost in paradise - enjoying the moment here and now - “Vizionz” looks forward, feet placed firmly in an established LA vibe, while the matured eyes of a veteran producer gaze keenly to the future. 

“Vizionz” arrives following a slew of diverse singles, which highlight B. Bravo’s stunning versatility as a songwriter, producer, and collaborator. Last year’s “Lifted (What U Waiting 4)” came first, at the end of May, 2020, pairing g-funk talk-box verses and synth lines with rich vocal harmonies and a dance-floor-ready beat. Frequent collaborator Reva DeVito (Miami Horror, Kaytranada) makes a standout vocal appearance on “Fly Bye,” the second single. Here, Adam surrounds Reva’s vocals with ambient pads, a Dilla-inspired beat, and an irresistible bassline, while Reva’s dreamily sings about getting away from it all. The final single, “Believe,” sees Chuck Inglish (of the famed duo The Cool Kids) rhyme in his distinctive baritone over a bass-heavy instrumental meant to rattle some car stereos. 

The singles offer a view into the rest of the album: Solo B. Bravo joints include “Moon Bounce,” a talk-box boogie jam begging for late-night drives with the top down; the largely-instrumental synth improvisation, “Midnight Rider;” the upbeat “Penelope,” which showcases Adam’s vocal and harmonic prowess; a bumping g-funk interlude, with “Flip Out;” as well as the laid back album opener, “Da Essence.” 

Further vocal assists come by way of Sally Green on the flirty “10/10,” and Rojai on the slow jam ““No Regrets” . Both singers have worked on B. Bravo projects in the past, with Rojai additionally joining forces with Adam to form the duo Kool Customer, whose self-titled debut album was released on Bastard Jazz in 2018. Two more hip-hop-leaning tracks are aided by Def Sound (“Back Times Two”) and Nico Fasho (“Ms. Stardust”); leaning heavy into outerspace G-Funk Hip-Hop vibes. 

Taken as a whole, “Vizionz” is a much needed boost of serotonin: Uncompromisingly positive, sometimes nostalgic, sometimes aspirational, but always funky. The range of styles is a testament to Adam’s indelible production chops, songwriting skill, and ability to collaborate. While it has been a long 5 years since “Paradise,” “Vizionz” proves more than worth the wait.

Order LP Here

B. Bravo - Ms. Stardust (feat. Nico Fasho)

Always for the Breaks - Sygaire & Defcon

Back in September 2007, Freestyle Records released ´Black Feeling´ an album project brought to life by Australian musical supremo Lance Ferguson (The Bamboos, Cookin´ On 3 Burners, Lanu) 

Each track was presented under a pseudonym to give the impression of an album you would find whilst digging in a Caribbean record shop or American thrift store. As a collection of reworked classics, the album set dance floors alight across the world, indeed, the single ´Hippy Skippy Moon Strut´ by The Mighty Show-Stoppers became a huge selling 12 inch, and also notched up well over 350,000 individual viewings on You Tube to date!

Now in 2011, Freestyle Records is pleased as punch to be releasing this teaser 45 single that features 2 cuts from the forthcoming follow up album ´Black Feeling: Volume Two´ (FSRCD/LP090) and what total corkers they are too!

The A side is Lance & Co´s fantastic reworking of the anthemic ´Burning Spear´ under the moniker of The Poly-Tones, an intense and driving piece of soulful funk, and what could possibly equal that for the flip side? The Mighty Show-Stoppers giving Johnnie Pate´s blaxploitation soundtrack classic ´Shaft In Africa´ such a convincing and wonderful re-working, you will think you are back in time, on the film set whilst Richard Roundtree (that's John Shaft to you sucker!) kicks some serious ass!   
 

.

The Poly-Tones - Burning Spear

Rufus Troutman  - Just A Test

http://Switchvilla.com

Available for Purchase off the Funkin' EP! Support Independent Artists! 

Buy on iTunes!

Dreams Of Funk

some people

bloom bap - instrumental hip hop with a splash of glitch and turntablism... part of the massive Carebots compilation released by bass agenda and pyramid transmissions in aid of Gaza Soup Kitchen and Medical Aid for Palestinians

bloom bap

So we got one hell of a Funky blues rock song And that is sure to knock your socks off!

Creating this song was an incredible experience that completely opened my eyes to the potential I didn’t even know I had! Music has always been my passion, and this project is a perfect example of why I love it so much. A huge shoutout to my talented uncle, an amazing musician who’s been playing guitar for most of his life—he’s always a blast to be around!

This song literally came out of nowhere for me, and I’m still at a loss for words about how proud I am of what has been created here. Working on the music video was such a fun journey—from the time lapse footage to the tedious editing, every moment was worth it for the final product. I hope you enjoy it as much as I loved making it! 

I’ve come to realize that while people can sometimes say hurtful things and act in unkind ways, it’s important to remember that those words don’t define us. At the end of the day, we have the power to choose how we respond and “You Can Say What You Want” but I Know my own value and worth, and I will not let negativity deter me. In fact, You are deserving of kindness, and we all should embrace that truth about ourselves! 

Much love to everybody! ❤️

You Can Say What You Want - Feat. Guitarist Graham Walton

Music Video >> http://bit.ly/2qyd3y4
Vinyl >> darkerthanwax.bandcamp.com/album/gta-funk
Stream/Buy >> DTW.lnk.to/GTAFunk

GTA FUNK' is both a reaction to and a reflection of the 'Toronto' sound, conceived during KEI-LI’s move from the suburbs of Mississauga to the city of Toronto.

The vast multiculturalism of the Greater Toronto Area (GTA) has given birth to a sonic diversity that goes far beyond the signature OVO sound associated with the city. With the world finally tuning in, this EP also enlists the help of fellow artists like @robotaki, @falcxne, @clairmontthesecond, @soundslikeandes and NAHTE, which allows him to showcase a funkier side to the city that the world hasn’t been acquainted with yet.

KEI-LI started producing at the age of 13, informed by his interest in beatboxing and funkstyles popping. After stumbling upon neo-soul, he immediately discovered his musical direction, with Musiq and D'Angelo as his inspirations. While these musical foundations shine brightly throughout GTA Funk, KEI-LI has managed to forge a sonic aesthetic that is entirely his own.

There is an evident struggle with finding an authentic place as an Asian artist within the continuum of funk, soul, and hip hop musical traditions. Hence, the visual branding behind GTA Funk is inspired by the intersection of these two cultures: Kung Fu and hip hop.

Artwork by @keilimusic

Additional mastering and production by @maxx-mortimer and Jason Tan (Eastward Audio)

GTA Funk

Stream / 12"

KEI-LI - Magnum Dragon ft. NAHTE | 'GTA FUNK' Ep

WE DONT HAVE THE TIME TO POLITIC WITH YOU
IF YOU NEED SOMETHING TO DO
WHY ARE YOU STANDING ON THE WALL?

IGBO's debut album coming JULY 12th !

Something To Do

I.G.B.0