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Badman (pronounced that way, with a Jamaican accent) is a word that was originally used in Kingston, Jamaica, in the 1980s ska and in Jamaican dancehall cultures. The word was used to describe an antisocial, illegitimate person, a rebel who was feared by those around him.
After the integration of Jamaican culture with UK culture in the 70s, the word "badman" became widely used in the UK, especially in London and the Southeast.
The words badman and, very rarely, badgirl are also associated with UK music scenes such as jungle, grime, dubstep and sometimes big beat.
Currently, "Badman" is the personification of freedom, strength, independence and passion for all the best. The best clothes, the best food, the best people around. This is all achieved playfully, without any apparent effort, life is lived easily, but far from frivolous. The decisions Badman makes may seem absurd, wild, but inexplicably attractive. Precisely because most blinkered people will never take the step that Badman would take with a grin.

☛ Follow PLAGO
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☛  BUY/STREAM
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☛ IF you prefer BANDCAMP:
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☛ Bookings / Info:
gurinmedia@gmail.com

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https://ko-fi/forplago

CHEERS!

Badman/Come a little closer

Plago - Badman/Come a little closer

Plago - Badman

Part 2: Shadowphase moves inward. It’s about existing between versions of yourself. Not broken, not healed, but becoming. The Album explores contrast: motion and stillness, confidence and doubt, light and its absence. Through darker, more introspective drum & bass, Shadowphase captures the tension of growth that happens out of view, when change is slow, uncomfortable, and necessary.

Shadowlight

heamy & asphexia-Digital Mayhem

Underside 4 LP

Encode & Valrus - Zero Gravity

Warpath LP @0101music
02 - @maztek x @aeph - The Dirt

Release date:
Beatport exclusive: 07/04/2018
Full release: 21/04/2018

The absolutely huge feat which is Maztek’s forthcoming LP is finally upon us. ‘Warpath’ was rumoured since the drum & bass veteran dropped his first single, a collaboration with Aeph, on his newly created 0101 imprint, which signified a brand new creative endeavour for an artist who’s spent years crafting himself into the genre’s history.
And it’ll be yet another defining output for one of neuro’s pioneers, who’s already paved his way with a number of releases and will continue to do so with the calibre of music showcased throughout ‘Warpath’s track listing.

‘Warpath’ presents Maztek journeying back to his musical roots, whilst he brings through a host of talented artists to collaborate and feature on an epically diverse selection of records. Three years of ideas, work and struggle, ‘Warpath’ is a concoction of both old school and new school, drawing out its hip hop, reggae and drum & bass roots with a passion that modern neurofunk has afforded him. His aim was to bring back the same vibes which got him hooked on the genre, but give them a more contemporary twist, with some tracks purposefully sounding more electronic or acoustic. It’s the acoustic snares and drums prevalent across the album which help translate Maztek’s music into a live setting, which is the reason why his cuts are so devastating on the dancefloor.

First track, Maztek and Redpill’s ‘Electronic Warfare’, sets a standard, slicing deep with every stab of sonic disturbance. Next up, ‘The Dirt’ has already made the rounds alongside his other featured collaboration with Aeph ‘Trajectory’, with both tracks having already caused carnage on dancefloors since they were unmasked earlier this year, with Aeph appearing again to obliterate more speakers alongside ‘What You Got’. Maztek’s standalone delivery ‘Cheeky Dub’ helps to encapsulate the LP’s ethos, a return to the true sound which runs through the heart of all his productions. Notorious frontmen and women like MC Mota, Pendulum’s Ben Verse, Virus Syndicate, Nuklear MC and Miss Trouble also add their vocal crooning into the mix, adding perfect swathes of cool throughout the album’s offerings. Maztek & Gridlok’s ‘Gladiators’ makes a reappearance, yet another heavyweight merging of minds. Tracks like ‘Pandamonium’, ‘Bass Drop’, ‘Back to the Jungle’, ‘Come Closer’ and ‘Timeless’ further highlight the unbridled diversity of Maztek, even within the darker constraints of drum & bass. And this is one reason why ‘Warpath’ will hold up against the test of time, alongside the legacy of an artist who’s been able to draw from an intimidating array of artists for his biggest work of art to date.

Follow US:
www.0101Music.com
www.facebook.com/0101Music
www.instagram.com/0101_Music/
twitter.com/0101music_

Warpath

Download And Stream

Maztek X Aeph - The Dirt

An absolute masterpiece by Mean Teeth. This outstanding production reminds us of some old tunes by big names like Noisia. We can’t describe how much we love this one. It’s out today beside another banger by Mean Teeth via Red Light Records.

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Like & Follow!

►Mean Teeth◄ 
https://soundcloud.com/meanteeth
https://www.facebook.com/meanteethdnb

►Red Light Records◄
https://soundcloud.com/red-light-records
https://www.facebook.com/redlightrecords

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Our Links!

►DistrictBass◄
https://soundcloud.com/districtbassmusic
https://www.youtube.com/districtbass
https://www.facebook.com/districtbassmusic

►Merchandise-Store◄
https://districtbass.bigcartel.com

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All rights belong to the artists and the label.

Breaking Point/Nine Lives

Beatport

Mean Teeth - Nine Lives

//artist
@agressorbunx
facebook.com/agressorbunxmusic/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

The remnants of the great battle lay strewn as shreds across the meadow, the multi-faceted carcass of a climatic moment of a conflict long forgotten. The remains of those who had fought for their respective worthless causes now overshadowed by the bleak visage of fate. Legends spoke of the battle as the only one known to have occured with no victor. Each warrior slain on one side was said to be repaid by the death of his equal on the other, as though the melee was arbitrated by some unnatural force. At the battle’s termination there remained none but the two great leaders of the factions, who continued their personal onslaught through the strength of their intense hatred alone. Amongst the corpses of their compatriots they dueled, equally matched in both skill and fury and finally, equally they fell, each slipping his opponent’s guard in the same instant, as both felt their sword plunge through the other’s heart. The place was twice cursed it was told, once by the unnatural force that had presided over the slaughter, and once by the slaughter itself. Unlike most of their kind, these legends held truth, for this field was the lair of the malevolent AGRESSOR.

The being had lurked there from time immemorial, its existence a relic of a long forgotten age. Condemned to this waste for its timeless aggression, it had lingered on beyond the disappearance of its kind. Its hunger for anguish lured countless warriors to its meadow, their conflict a delectable feast for the spirit unseen. From each fallen fighter was riven its emotion, strengthening the being as it continued to feed. The magnitude of the battle had sated it for some time, and it would slumber again through multiple ages of man until that hunger arose once again… and when it did, the DEATH MEADOW would lure souls afresh.

AGRESSOR BUNX returns to the EATBRAIN label following the summer’s assault of the Massacre EP, with the release of the DEATH MEADOW EP. A five track EP featuring their characteristic subgenre spanning style, with DEATH MEADOW being a masterclass in the AGRESSOR BUNX sound. DEATH MEADOW’s ominous and cinematic atmosphere introduces the EP with grandeur alongside a rapid fire drumbeat, whilst the sinister saws of OFFENSIVE back its bassline fueled audio assault. PARARAMPAM provides a boisterous combo of sonics that amplify its rowdy atmosphere, and is followed by the roaring bass of STEP IT TO THE FRONT which struts with full funk fueled effect. TIME TO ROCK closes the EP with a fusion of styles, its neurofunk assault slowed to a heavy halftime pace before charging forwards to the finish. With DEATH MEADOW, AGRESSOR BUNX continue to exhibit their skills in creating their unique synthesis of disparate DNB sounds.

//release date
05.11.18 Beatport and Spotify Exc.
19.11.18 Worldwide

Death Meadow EP

Get EP

Agressor Bunx - Pararampam (Eatbrain069)

Second Of The Future

Dawn Of A Dark Day

OUT NOW!
Link: bit.ly/IGNI003

Follow Encode on:
- Soundcloud: @encode
- Instagram: www.instagram.com/encodednb/

Follow Receptor on:
- Soundcloud: @receptormusic
- Facebook: www.facebook.com/Receptormusic

Follow Julia Marks on:
- Soundcloud: @juliamarks
- Facebook: www.facebook.com/JuliaMarksOfficial/

Follow Ignescent on :
- Soundcloud : @ignescentme
- Facebook: www.facebook.com/ignescentme
- Instagram: www.instagram.com/ignescentme/

Encode & Receptor feat. Julia Marks - Suka

☛ Follow PLAGO
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☛ Bookings / Info:
gurinmedia@gmail.com

If you feel like you want to buy me a beer --> https://www.paypal.com/paypalme/gurinoleg13
CHEERS!

25/08/2020

Free Download

Tesla Coil (aka Plago) - September Rush

Music label - vinyl and digital, festival, podcast.
Owner Kovar 1/2 TNTKLZ @tntklzmusic

We're on the hunt for new unsigned music!
Share yours with us via our simple upload tool here: https://forms.gle/fx8kfEhcBzCSdGC87

The discography includes releases by artists: Agressor Bunx, NickBee, Receptor, ChaseR, Gydra, Tobax, Focusfire, TNTKLZ, oneBYone, Kije, Encode, Cod3x, Razlom, Aznok, Gilas, Abstractonia, Ozma, Dextems, Fatloaf, Mayel, Ntechnique, MJ Free, Julia Marks, Grinder, Zombie Cats (Germany)

What matters is not how much darkness surrounds us all, but how much light we give. Welcome to the Ignescent family!

Encode & Receptor feat. Julia Marks - Suka

IGNESCENT