Lulu Rouge are finally back with an amazing new album. The Danish duo has spend the last 4 years in the studio, perfecting the songs and tracks for the forthcomming album "The song is in the drum". You will soon discover that Lulu Rouge has been busy working on a bigger and even more heart and soul penetrating sound than last time you heard them. This time featuring much more vocals next to their trademark dark dubs and strong instrumentals. It all begins with the first single "Sign me out" feat Fanney Osk, the strong young icelandic talent who has been doing tracks for Lulu Rouge since the very beginning. You will be swept back into a familiar, yet all new Lulu Rouge sound that, effortlessly as always, delivers world class electronica and dub techno swept in melancholy and presented in georgous multi-layered productions. Dedicated fans will feel at home right away and new ones will undoubtedly feel the same quickly. Welcome to the next episode of Lulu Rouge. 

LULU ROUGE "SIGN ME OUT" feat. Fanney Osk is available from March 4th in Denmark. Available in the rest of world from April 2013.

The playlists were made a few years ago and aren't really representative of my actual taste. Check my favourites, Youtube and Discogs accounts for more recent stuff. I don't post music with my Facebook account often, but If you like the music and want to talk/share, send me a message. Languages : French, English and German. 

Musicalife 

∞

Booking contact North-/South America: jon@liaisonartists.com
Booking contact Europe & ROW: daniel@jackmode.com
Management: ralf@i-am-mgmt.com

Some follow trends, others set them. Award-winning music producer & live performer Rodriguez Jr. also known as Olivier Mateu has spent 25 years in the industry. His vast experience in all genres of electronic music makes him the visionary of melodic house and techno that he is today.
Over the years he has gradually honed his style into the dynamic, colorful sound of beauty that can now be regularly found on Mobilee, Anjunadeep, Systematic, Armada and demanded for on remixes of Stephan Bodzin, Booka Shade, Eli & Fur, Röyksopp, NTO, Timo Maas and more.

Drawing inspiration for his live performances from the vintage synthesizers, keyboards and dusty analog gear of his studio in Paris, Rodriguez Jr. relishes the opportunity to travel the globe and realise his project on stage. In doing so he has amassed a devoted and loyal fan base through the creation of his unique movement. Some of the most recent acclaimed shows featured huge festival performances at Sziget (Hungary), Lightning in A Bottle and CRSSD (both California), Paraiso and Sonar Festival (both Spain). Continuing to blur the boundaries between electronic and organic like few others can, his extensive touring schedule sees Mateu at world-renowned clubs every week, taking him to the likes of Solumun’s party at Destino Ibiza, Fabric London and Space Miami.

Not stopping there, Rodriguez Jr. has formed a special musical partnership with former Nouvelle Vague vocalist Liset Alea. The pair met 15 years ago creating music for Laurent Garnier´s label, and through their ongoing live RJLA project, they tell sonic stories, fusing organic charms of live instrumentation with cutting-edge music for the dancefloor and presenting this at selected events. This culminated in an extraordinary audio/visual display for broadcast pioneers Cercle, with a unique performance at the carefully selected idyllic location of Falaises d’Etretat, showcasing their captivating live electronics.

On the production front, Mateu has continued to have an exceptional output, with his last release on Mobilee Radian entering the Beatport top ten within three days following release. Another highlight was his full Anjunadeep debut on the eclectic double-cut entitled Phoenix/Amargosa. Alongside this his remixes have also been received with equal merit on labels such as Crosstown Rebels, Systematic or Poker Flat. His latest reworking of Eli & Fur on Anjunadeep made it to number three of the Beatport melodic house & techno chart. On Spotify, his music reaches an audience of 625,000 listeners each month and continues to grow every week.

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Making music, sometimes.

Spotify: http://spoti.fi/25LtgMM

Through sound I leave you a piece of me.

Music has always been deeply personal — in it, I have found identity, and it has become an extension of language for me. Each song is like a sonic diary, reminding me where I was,  physically and emotionally. I’ve learned a lot about myself through melodies, and the thought of someone else, perhaps miles away, having a similar experience while listening to these sounds, gives me a sense of greater purpose.

My name is Adam. I’m a musician, producer, visual designer, and human being in Austin, Texas. Inspired by several genres and mediums, I write ambient music with a focus on guitar-based looping, immersive soundscapes, and melodic storytelling.

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