The success of Rökkurró’s 2010 album Í Annan Heim (produced by Alex Somers of Jónsi fame) was largely unexpected. The album spent over 100 weeks in the Top-30 of the Icelandic charts, while gathering warm words from international media such as NME, Clash Magazine, KEXP Radio, The Line Of Best Fit and CMU Daily.

Rökkurró returned in October 2014 with a new studio album Innra, produced by multi-instrumentalist Helgi Hrafn Jónsson. The three year gap between the two albums gave Rökkurró the space to meticulously expand their luscious palette into the beautiful, dreamy soundscapes that is Innra.

New members Helga on piano and Skúli on bass have been added to the line-up and time spent by the bands members between Tokyo, London and Reykjavík inspired Rökkurró to record their first part-English speaking record.


Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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