Dark Trip

Second single from the new Ulrich Schnauss & Jonas munk album, "Eight Fragments Of An Illusion" - out on April 23rd!

Order from: azurevistarecords.bandcamp.com

Ulrich Schnauss & Jonas Munk: "Faint Lights In The Distance"

from 'Symmetrie und Wahnsinn' [CD|LP|DIGITAL]
Denovali Records · den370
available on all formats at https://denovali.com/sanktotten/

After the 2020 album "Lieder Für Geometrische Stunden", Sankt Otten finally make us happy again with a new release at the beginning of 2022. "Symmetrie Und Wahnsinn" (Symmetry and madness) fits here skillfully, both creatively and musically, in an album series with geometric context.

The album starts unusually buoyant with "Hymne Der Melancholischen Programmierer" (Hymn for sentimental programmers). A Kraut-Pop pearl, which could go on forever with its Motorik swing and with its catchy melody the track doesn't come across as melancholic as the song title predicts. You have to listen twice to not succumb to the illusion that it was composed in Düsseldorf at the end of the seventies. Here (and on the track "Sei Symmetrisch Zu Mir"), Sankt Otten were supported in the studio by drummer friend DIRK PELLMANN.

The drum machine in rumbling funky mode. "Die Glücklichen Unglücklichen", the secret hit of the album? They bend the beat into geometric shapes, let the bass play in circles and cover the song with ghostly choirs. The echo of a spinett-like sound overlays the sound, spitting out a deceptively cuddly dream world.

The 10 minute long "Die Ordnung Des Lärms" could be called an Ambient-Kraut symphony without hesitation. An enormous swelling to ecstasy, a guitar sings distantly in the background. Silence. Synthetic strings pave the way and are supported by choirs. A crackle that suggests a rhythm until it is taken over by a drum computer in the main part of the track. Bombastic mountains of synthesizers pile up and yet a catchy melody finds its way through this mishmash of hypnotic electronics. Fourth movement - Kosmische-choirs in suspension over a bass synth and an Ebow guitar. Is this already Prog-Rock? The question doesn't arise, in the end everything merges into reverb.

"Luftspiegelung Der Sentimentalitäten" begins cautiously with a gentle sequence and a discreet kick drum. The mini-Moog sounds like a guitar. Anyway. A surface floats by and returns, layers and shapes build up. At last, everything melts into perfect harmony with a plaintive-sounding synth. This track was composed as a stripped back reprise of the first track from the last album "Sentimentale Sequenzen".

A hypnotic Motorik-beat of an 808 that encourages head nodding and could almost be danceable. True to style with warm analog 80s electronic sounds and a loose echo guitar. This is "Angekommen In Der letzten Reihe". Man and machine hand in hand as a homogeneous musical unit and the connection of tradition and vision.

Sankt Otten like images of infinity. In the religious sense of meditative mantras, or also in the mathematical sense of an elongated curve that eventually returns to its starting point. "Bis Das Helle Licht Uns Holt" goes exactly in this direction with its classical use of sequencers and a sound carpet of choirs. Sound worlds that, through a clever repetitiveness, barely noticeably guard the constant changes in the compositional mesh like a secret and only reveal what is to be discovered by listening closely and letting it be seen. Such a thing is probably called Berlin School?

The Osnabrück duo Sankt Otten, founded in 1999, has been releasing on Denovali since 2009. With their now 12th album they give us again a gem of timeless instrumental music. The holy trinity of Krautrock, Ambient and contemporary Electronics, but always stylistically confident and unmistakable Sankt Otten.

For the mastering New York based RAFAEL ANTON IRISARRI could be won. Also with the cover layout again good taste is proven. As part two of a cover series, this extraordinary die-cut cover artwork was again created by designer DANIEL CASTREJÓN. The vinyl version comes in a die-cut cover (in a limited transparent edition), the CD in an elegant cardboard slipcase.

Symmetrie und Wahnsinn

Luftspiegelung der Sentimentalitäten

Sankt Otten - Luftspiegelung der Sentimentalitäten

'Forgotten Forest' by Atmøsphäre & Bålsam
@atmosphare
@anthony-asher-yates

Full album: atlantearecords.bandcamp.com/album/arboreal

Audio mastering by Seth Bellow
Cover art design by Anthony Asher - Yates

Arboreal

Forgotten Forest

Atmøsphäre & Bålsam - Forgotten Forest

Better Days

Better Days (Feat. Blessing - Edit)

solstice

Going Back

Our first track we made and built during the sjönevad festival in 2014.
feel welcome to download it, take and handle with care please.

Martin & Marcel

Sjoenevad Lake

DOWNLOAD & TRACKLIST: http://blrrm.tv/InStereoBingRuth


Bing & Ruth - Boiler Room In Stereo

https://faintmusic.bandcamp.com/album/restricting-knowledge

Data Domain is the collaborative project of Discknocked and Randoom.
Written and Produced by Guillermo Arroyo & Javier Martín
Mastered at Artefacts Mastering
Faint002 // FaintCD002
Faint / 2017

Data Domain - Repeated Allusions

Now available on tape, and as a pre-order on CD. 

Recorded by øjeRum (Paw Grabowski; https://soundcloud.com/oejerum).
Post-production by Andrew Chalk.
Mastered by Jos Smolders (EARLabs). https://soundcloud.com/earlabs

Released on glass-mastered CD in a 6-panel digipak, featuring 7 collages from øjeRum’s Silent Figure With Landscape series.

An Image of a Bird Seconds Before It Appears

øjeRum – An Image of a Bird Seconds Before It Appears [first 6 minutes]

EnCOUTnTErs - The Avian Speculative at Cafe Oto, July 25, 2018.
Also performing: Lee Patterson and Sharon Gal. 
Pic by Sonia Levy/SoundFjord
Recording: Hear and Now, BBC Radio 3.
July 25, 2018.

Set - EnCOUnTErs - Cafe Oto, July 25, 2018 - recording thanks to BBC Hear and Now Radio 3

[p*dis] distribution sampler for Septmeber 2012

Jan Jelinek - Music For Fragments - Fragments one (faitiche)

Love Will Tear Us Apart (Joy Division cover)

~ IIKKI 011 ~

music : Seabuckthorn
photography : Sophie Gabrielle
album/book : Through A Vulnerable Occur
duration : 38.55 mn
date : March 2020

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All music by Andy Cartwright : Guitars, Saz, Charango, Effects. 
Gareth Davis : Clarinet on 'Through A Vulnerable Occur' and 'Place Memory'. 

Recorded & mixed in Veynes, France between summer 2019 – Winter 2020. 

Mastered by James Plotkin
Artwork by Sophie Gabrielle
Design by sprflxgrfzm

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edition : 
vinyl : limited to 300 copies hand numbered 
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 300 copies hand numbered + hand stamped

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pre-order : March 02th, 2020 / official release : March 30th, 2020

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Links :
https://seabuckthorn.bandcamp.com/
https://www.sophiegabriellephoto.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music
https://www.facebook.com/iikki.books/
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℗ & © 2 0 2 0 - I I K K I - I I K K I 0 1 1

Seabuckthorn - And Bickers Into Colour

Even in solitude, the desire of a little man has become the desire of another, the desire of a certain alter ego, which dominates over him and whose object of desire becomes henceforth his own misfortune.

Barely Visible

Strikkeklubben - Lokale

Welcome to KILMARTH's realm: a Belgian electronic project merging IDM, Ambient, post-industrial, cinematic, and dark electronica influences. Dive into jazzy tones within this immersive musical journey. Here, discover sketches, released and unreleased tracks. Soundcloud is our secret lab, where musical experiments come to life.

edition project focused on some dialogues between some visuals artists and music artists which works with 3 publishings by year dispatched in 2 physical imprints: a disc (vinyl/cd) and a fine art book.

Seabuckthorn - And Bickers Into Colour

IIKKI

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