Since 2010, siblings and journalists Abby Martin and Robbie Martin have been doing Media Roots Radio, a political podcast with a critical eye on US foreign policy, political partisanship and what people can do to fight back. Conversational, controversial, passionate and explicit, Media Roots stands apart from the majority of podcasts coming from a similar point of view.

Listen to all previous episodes on soundcloud, itunes, spotify and stitcher. 

All $5 and up patrons get an exclusive bonus episode every month!

Small Change (aka Jim Dier) will never stop. A musical addict, he’s been collecting 
and DJing for 20 years, has 10s of thousands of records, in every conceivable genre 
and time period. Seriously deep crates in funk, jazz, blues, soul, Latin, reggae, 
dancehall, hip hop, house, breaks, jungle, booty bass, classics, rock n’ roll, punk, 
vintage RnB, disco, down tempo, ambient, experimental, tropical bass, etc.

In terms of radio, Jim has been involved with WFMU, the world renown freeform 
station, for 15 years, did shows for East Village Radio for 3 years, been involved with 
BMIR (Burning Man’s official station) for 8-9 years, plus guest sets on AOL’s dance 
station, Giant Step’s Jukebox, Tim Sweeney’s Beats in Space show, WPS1 (PS1′s 
online station), and KUCI in Irvine.

Out in clubland Jim has played in every conceivable downtown NYC/BK venue you 
can think of, swank, underground, big, small–but always funky. He’s also played in 
LA/SF (Do-Over, Root Down, Funky Sole, Afro Funke, Afrolicious), Germany, France, 
England, Holland, Burning Man, Pex festival, Australia and Costa Rica

Jim also runs the ‘Blackcrack List’, an information / resource / email list about 
record collecting. Its been running for over 10 years and has over 400 DJs, 
collectors and black belt crate diggers from around the world.

Struggle Session is the world's finest politics and pop culture podcast. Leslie Lee III, Jack Allison wade into the reactionary hellhole of modern America. We talk video games, movies, TV, wrestling, comic books, music, anime, and all of your problematic faves.

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

EYES LEFT is a socialist, anti-war military podcast hosted by veterans.

Support this project at Patreon.com/EyesLeft

Conspiracy theories, melted online communities and cursed media — we pry open the cracks in consensus reality and journey into the hidden worlds below. The QAA Podcast is a mix of reporting, comedy, and history hosted by Jake Rockatansky, Travis View, and Julian Feeld along with co-hosts Annie Kelly, Liv Agar and Brad Abrahams. Formerly known as the QAnon Anonymous podcast.

Get bonus content here! https://www.patreon.com/TheKatieHalperShow Please subscribe, rate and review us on iTunes: https://itunes.apple.com/us/podcast/the-katie-halper-show/id1020563127?mt=2 & support us on Patreon: https://www.patreon.com/TheKatieHalperShow !! 

The Katie Halper Show takes a humorous look at the news, politics, pop culture, and the arts through news segments and conversations with writers, journalists, activists, artists and political comedians.

Podcast hosted by investigative writer and researcher Whitney Webb.
https://unlimitedhangout.com/ulh-podcast/

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