Name: Under your Thumb (slowed) by ijk_stuff in Interesting Stuff
Duration: 7 min 39 s
Description: Godley & Creme - Under your Thumb, slowed to 62.5%

Interesting Stuff

Deep and spacey electro.

Tracklisting and download: https://bit.ly/XLR8Rpodcast_ERIS

XLR8R Podcast

Tracklist & Download

XLR8R Podcast 800: ERIS

New Musik - 24 Hours From Culture

10cc and Godley & Creme - Snack Attack

Godley & Creme - Under your Thumb, slowed to 62.5%

Under your Thumb (slowed)

"All in my life, I've gone back and forth between North and East London," Karen Nyame KG said in a recent mini-doc about her studio process. "These areas are multicultural [...] you just become a sponge for that type of energy." More than two decades into her career, these parts of the UK capital remain a defining influence on The Rhythm Goddess, whose music weaves together ideas from across London and the diaspora, blending R&B and soul with global dance music forms.

A leading face of London's hybrid club sound, KG's sound is seductive and luxurious. Her excellent productions, which span UK funky, amapiano and East Coast club, have a velvety touch, as if cut from high-end fabric. Her ear for smoky, sultry grooves, showcased on her Rhythm In The City party-turned-label, is impeccable, and her tracks have become more song-oriented, ranging from sultry to braggadocious. Her classy DJ mixes are a study in bounce and groove, incorporating everything from highlife to Afrotech to dubby rollers.

Since re-entering the club circuit in 2018 after a six-year hiatus, KG has become a role model for women talents in the electronic music world. Her stance on racial and gender disparities within the industry has helped orchestrate safer spaces in music, inspiring aspiring Black creatives in the process. KG's RA Podcast is nothing short of sexy, loaded with swung rhythms and lithe drums across gqom, Afrohouse and jazzy deep house. It radiates a level of confidence and intimacy that can only come from years of vision—and a constant passion for sensual, soulful music.

@KARENNYAMEKG

Read more at https://ra.co/podcast/936

RA podcast

RA.936 Karen Nyame KG

ivan smagghe at floresta

foto: fofo.altinell

Ivan Smagghe at Floresta - Waking Life '24

Jack Wrenn live from Dimensions 2024.

@jack-joseph-wrenn

Jack Wrenn - Live From Dimensions 24'

Phonica Mix Series 130 welcomes an artist who has defined and defied the rules of drum & bass like no other. dBridge, real name Darren White has been in the game for well over 30 years. Growing up listening to artists like DJ Randall & Grooverider on Rush FM when he was starting out shaped his ear for the sound that he would learn to grow with, love and mutate. With over 100 records released on labels like R&S, Convex, Metalheadz, Nonplus and more that span well into the 90's dBridge has become a pioneer well in his own right. Not only that but his label Exit Records which not too long ago celebrated its 100th release has been a output determined to push the boundaries of experimental bass, D&B and more. 
Having usually referred to himself as being producer first, it is not to be mistaken that White is a seasoned pro behind the decks. Having stepped into Worlds of his own playing with some of Drum & Bass' biggest names like Doc Scott & Goldie, the artist has also stepped into lengthy b2b's with Bass artist Youngsta and Techno legend Donato Dozzy (which he will do once more this Summer at Dekmantel). 
For this mix dBridge has dedicated it to people around him, a friends and family mix of sorts. With heavy bassy tones from the get go and experimental techno and electro flowing throughout - it showcases the sure diversity of one of the best to do it! We had a brief chat with dBridge about the mix and what he has coming up.

Phonica Mix Series 130: dBridge

GALA Warm Up Mix - EMA

GALA Warm Up Mix – Julion De'Angelo

Recorded at La Nature Festival 
Saturday 21st June 2025
12:00 - 15:00 - Clairière

@noname_community

Tracklist:

01 Gas - Discovery
02 Mirror System - Bocca di Lupo
03 Spacetime Continuum - Pressure
04 Ishq - Prismatic Nature
05 Cryostasis - The Destiny Of Man
06 Vakula - Stellar Echoes
07 B. Ashra - Moon Boots
08 Biosphere - The Seal & The Hydrophone
0 9 Vakula - Cyclicality Between Procyon And Gomeisa
10 Higher Intelligence Agency - Alphanex
11 Zenith - Electro Dreams
12 S. Costa - Night Goblin
13 The Orb - Back Side Of The Moon (Under Water Deep Space Mix)
14 Spacetime Continuum - Oracle
15 Robert Leiner - Out Of Control
16 Repulsive Force - Peace (Levi Mix)
17 Vakula - Flying Over The Sirius
18 Sunju Hargun - Rigel
19 Silence - Hello From the Children of Planet Earth
20 Dr Atmo & Ramin - Glyan
21 Confluent Phase - Absolute Pressure Prequel
22 Higher Intelligence Agency - Genius Island
23 Vakula - Double Star System
24 A Positive Life - Warehouse 5am
25 Vakula - We're Spacemen
26 Echo System - Bosphoressence
27 Heavenly Music Corporation - Cloudless Light
28 Pete Namlook - On Her Way In
29 Donato Dozzy - Velluto

La Nature Festival 2025

The Silent Orb | Live Recording | Hybrid
The Art Of Listening x Experiment Intrinsic
08–09 June 2025 • OSD Events Berlin

The Silent Orb invites you into a sonic space where sound becomes a vessel for stillness, presence, and deep listening.

Curated by Nathalia and Sarah Wreath, this hybrid live recording weaves subtle acoustic elements with experimental sound design - an immersive journey shaped by intention, intuition, and resonance.

@nathaliapetkova
@sarahwreath

TSO Berlin 2025 • The Silent Orb hybrid

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Just grabbed me. Relatively simple edit and dj friendly loopwork on an underrated tune off of the Warp album.

New Musik - Hunting Ground (Hober Edit)

In 2006, the musical landscape was very different; there was no streaming, “shazam" was a word used by magicians, and "all-access” was not granted to the general public. Social media, as we know it, was in its infancy and today’s constant digital feed of interruptions, notifications, refreshes and “likes” didn't yet exist. Those with a thirst for the overlooked regions of the record store had to quench themselves in the climes of the online world's music blogs, and while that digital community was surely expanding, NYC’s www.lovefingers.org was something different. Not a blog but a daily unfolding mix — no opinions, reviews, or backstories were coupled with the music, no full albums or submissions from the outside — it was a mysterious watering hole in the burgeoning digital desert where rogue tracks from Wally Badarou rubbed shoulders with those of Holger Czukay, the drama of Sylvester juxtaposed with the quirkiness of Hosono, and countless other coveted artists’ unearthed gems melted in one pot, a digital space where $1 thrift store scores could easily breathe the same dusty air as cosmic holy grails, oddball psychedelics and proto-electronica b-sides comfortably cohabited with $300 private-press folk rarities. With 1 track per day, Andrew “Lovefingers” Hogge created a truly democratic and educated selection of music for our aural pleasure, and labelled them ‘Fingertracks' (numbered 001-999).

The community around Lovefingers’ site was a call-to-action, gathering analogous minds and inviting them all to the same party, and on New Years Day 2010, after 999 Fingertracks and a plethora of (now classic) mixes, the site made a final post stating, “That's all folks!” The collective energy pivoted into the ESP Institute, a record label and art platform to champion new artists who emerged from this foundational community and as a catalyst to push the musical dialogue forward. Now, as the ESP Institute approaches its 10-year anniversary, we revisit the significant role www.lovefingers.org played in shaping where we are today.

'Fingertracks Vol : 1' is a snapshot of aural delights that were on offer to those of the leftfield persuasion, all who discovered the site and tuned-in for their daily shot of sonics proper — a lovingly selected handful of records that re-introduce the story of Andrew’s most influential and essential music resource. The track list is classic Lovefingers, an insight into the free-flowing nature of the daily Fingertracks, context-free but connected through creative threads and energies — lo-fi loner jams brush up alongside sleazed-out Italo powerhouses, Greek new age obscurities tussle against overlooked Hawkwind-related cuts — nuggets that may be more known to the heads now, but whose initial excavation can be accredited to Lovefingers’ site, and are essential to its story nonetheless. Rumor has it that this is merely the first volume in a series, so as it turns out, and gladly so, “That’s not all folks!”

Under your Thumb (slowed)

ijk_stuff

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