For bookings - djwillturner1@gmail.com

Resident DJ
. Selene | Helios
. Raffles
. Mistress of Mayfair
. Blue Marlin London





Instagram - willturnerdj

Management: 
info@palmartists.com

Bookings:
UK, EU, Middle East & Africa:
Dave.Blackgrove@teamwass.com & Lucy.Putman@teamwass.com

Americas, Australia & Asia:
bshprits@teamwass.com

Your Nans favourite DJ

Ministry Of Sound, Edible Records, Good Company, Jackies, DVine Sounds, Space Disco, Stashed, CR2 Records, Circa Trax, Undisputed, Refuge Recordings, Another Rhythm, Eton Messy, On Circle Music, Tinted Records, Animal Language....

Platonic soulmates intertwined by a shared sonic vision, Eli & Fur (Eliza Noble and Jennifer Skillman) are far more than just a DJ duo. Individually, their talents are akin to constellations - vivid, distinct and mesmerizing. Together, they are an unstoppable force unapologetically pushing the boundaries of electronic music through a deeply personal lens. Since emerging on the scene in 2013, Eli & Fur have established themselves as one of the music industry’s most in-demand acts with unprecedented fervor - But you would be remiss to call them an overnight sensation, and that’s exactly  how they prefer it. 

Their journey has been one of intention, a deliberate slow burn anchored by their passions, creative spirits that refuse to be boxed in and - most importantly - each other. Rooted in over a decade of collaboration, their distinct sonic aesthetic marries a mysterious and enigmatic mood with evocative vocals, cascading synths and rolling basslines - a heady mix that is addictive and connective. Their impressive discography includes collaborations with heavyweights such as Camelphat, MEDUZA and Booka Shade alongside a steady stream of releases on their own label - NYX Music - and seminal imprints Crosstown Rebels, Anjunadeep, Cercle, Armada Deep and more. In addition to their original compositions, the duo have also remixed chart-topping hits from world-class talent ranging from Sasha and Bob Moses, to ODESZA and Shouse, earning ardent support from industry authorities such as  Boiler Room and BBC Radio 1's Essential Mix. 

Eli & Fur’s sophomore album Dreamscapes  will invite listeners on an explorative odyssey into the next evolution of their sound, revealing their most authentic expression to date. Due for release on September 27, 2024, the 15-track anthology promises to deliver a poignant opus that embodies the dynamic brand of artistry that has positioned the duo firmly at the helm of the house and techno scene. A testament to their standing as fixtures on some of the world’s most prestigious stages including the likes of Coachella, Printworks and Tomorrowland, the album will also be accompanied by a 3-date headline live tour that will distill their palpable chemistry and entrancing sound into an exclusive run of performances in New York, Los Angeles and London.

Our new single 'Make Believe' is out now [PIAS] Electronique 🧡

Management: 
Kelly Money - kelly@littleempiremusic.com

Australian DJ and Producer. 

Hope you enjoy the music!

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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