Mehmet KORKMAZ: Guitars
Fırat BODUR: Bass Guitars
Ahmet Kemal KUYRUKÇU: Drums

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https://soundcloud.com/gururgelen
contact.
pullahs(@)gmail.com

Pullahs, is the project name of Gurur Gelen’s heavily ambient influenced, organic electronic music. He is defying and recreating ideas of genre from the past and present. He blends acoustic instruments and field recordings with digital material, restructures the meaning behind and making his mark going against the norm. He currently resides in Istanbul, exploring the new variables of composition, sound arts & multimedia design through creative coding.

was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Anadolu Ekspres is a Turko-Dutch collective forwarding the legacy of Turkish music.

Enquiries: anadoluekspres [at] gmail [dot] com

Psych-Wave transmissons from the Silver Machine. We feature 5 up and coming underground bands, alongside 5 classic nuggets of psyched out, dark, post-everything rock 'n roll music.

I make music under a couple of monikers;  such as Beto Narme, Sensible Sucker, Science Frontiers and several others.

Producer/Engineer/Mixer
Disco / Jazz / Soul&Funk 

Born in Turkey and based in Istanbul, Çağan Tunalı is not only a producer but also an active sound engineer both in studio and live field. He founded his own label and music production company “Noiseist Records” and has been actively running the label since 2009 where he aims to create a sincere and independent environment for alternative musicians so they can freely express their music and be heard both in the studio and the world. His active role in music led him to produce his own tracks with benefits of being a professional already. His background as a sound engineer adds many elements of perspective and dimension to his tracks where his musician background catches the warmth and sincerity and leads him to produce electronic music with both futuristic and heart felt tones.

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