Education & Recreation

Velodrome

Make the Road By Walking

The Traitor

Home Again

The Olympians

Sirens of Jupiter

Apollo's Mood

Pluto's Lament

Three is the magic number for The Cactus Channel. The ever-evolving Melbourne collective’s third album represents a new consciousness and a decisive turning point. Unloosed from their earlier incarnation as an instrumental soul and funk band into something wilder, a little darker and heavier, the new album sees The Cactus Channel diving in deep to dreamlike soundtracks, electrifying wig-outs and woozy meditations.

There were signifiers along the road; a boundary-splintering EP with  Ball Park Music  singer Sam Cromack last year, following a 7” single collab with Nick Murphy, released as  The Cactus Channel feat. Chet Faker . These outings were a glimpse of the alchemy of adding vocals to the band’s typically intuitive, instrumental arrangements. And now with the band’s own Lewis Coleman stepping up to the mic, a vocal dimension has become part of The Cactus Channel’s fully formed, signature sound.

This new embodiment of The Cactus Channel is of the cultural moment, akin to the vibrational path-crossing of fellow travellers such as Badbadnotgood, Unknown Mortal Orchestra & Menahan Street Band. The band flexes their classic soul and funk influences whilst expanding their own songwriting along psychedelic paths, adding weight and substance to their melodic and rhythmic axis.

Looking back to when The Cactus Channel formed in high school, united by shared interests and a shared sense of humour, they were always set to walk this new path. A love of soul music and the kind of hip hop, jazz, and alternative releases that spring from it, meant that from the beginning The Cactus Channel have prided themselves not just on eclecticism, but on the constant sharing of influences among their members; exploring new influences and sonic territories.

The Cactus Channel - Stay A While

My God Has a Telephone

My God Has A Telephone

Big Crown Vaults Vol. 1 - Lee Fields & The Expressions

Don't Give Up

The Duke

Queens Highway

Kings Left Behind

Not Another Drop

Over the past eight years, Ikebe Shakedown has cemented a reputation as one of New York City’s boldest, most creative instrumental bands. Combining cinematic soul, Afro–funk, deep disco, and an irrepressible groove, Ikebe Shakedown has forged a style all its own. Each song is anchored in the deep-pocketed pulse of its four-man rhythm section (Barnaby Alter, drums; Dave Bourla, percussion; Vince Chiarito, bass; Robin Schmidt, guitar) and driven by one of the tightest horn trios on the East Coast (Mike Buckley, tenor/baritone sax; Jason Colby, trumpet; Nadav Nirenberg, trombone), with tunes ranging from dance-floor burners to lush, captivating scores.

The band first came on the scene with 2009’s debut EP, Hard Steppin’, from Colemine Records. Praised by WNYC’s Soundcheck as “the perfect soundtrack for the unwritten Tarantino movie of your imagination,” the five–song release led to tours up and down both U.S. coasts and paved the way for Ikebe Shakedown’s first full-length LP on Ubiquity Records. Recorded at Killion Sound in L.A. with Orgone’s Sergio Rios and Dunham Studios in Brooklyn with noted producer Tom Brenneck, this self-titled album, released in 2011, featured 14 blistering tracks that Okayplayer called, “an adventurous trip through time” and “one of the best releases of the year.” Having toured the record throughout the U.S. and Canada, Ikebe Shakedown returned to the studio in 2014 for their follow up album for Ubiquity, Stone by Stone. Recorded at Daptone Studios, the 10-song set let the band become more adventurous than ever before, weaving psychedelic textures and raw soul into powerful compositions, or as Wax Poetics called it, “a greasy and sometimes trippy funk world.”

Now, after hitting major jazz festivals, opening on extended runs for stars like Lee Fields, and with the band’s members simultaneously touring with acts like Sharon Jones and the Dap-Kings, Charles Bradley and His Extraordinaires, and the Monophonics, Ikebe Shakedown is poised for their next big release in 2017. The new album, The Way Home, is due out October 20th on Colemine Records. It shows how the band’s style has continued to evolve, with material that transports listeners beyond their living rooms into dance parties and spaces for introspection. Building on the success that has led to musical features in series such as Eastbound and Down, movies like Our Brand is Crisis, and commercials for brands including Mini Cooper, Vans’ Off the Wall, and Surfline, the songs are at once richly familiar and incredibly fresh, paying homage to classic influences while pushing a brand new sound. Defying genre or classification, this album proves Ikebe Shakedown is helping define the next bold and soulful wave in instrumental music.

Not Another Drop

Ikebe Shakedown

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