Disquiet Junto Project 0525: Magic Number (1 of 3)
The Assignment: Record the first third of a trio.

Step 1: This week’s Junto project is the first in a sequence intended to invite, encourage, and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice. Conceive it as something that leaves room for something else — other instruments, other people — to join in.

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. When done, if possible, pan the audio so that your piece is solely in the left side of the stereo spectrum.

Step 4: Also, and this is important, be sure, when done, to make your track downloadable, because it will be used by someone else in the next Disquiet Junto project.

Background: We do this trio projects once or twice a year. This marks the third time we’ve done it during the ongoing pandemic. You can read a bit about the relationship between the pandemic, the Junto, and this trio project in this post from just over a year ago:

https://disquiet.com/2021/01/14/disquiet-junto-project-0472-jam-time-1-of-3/

. . .

More on this 525th weekly Disquiet Junto project — Magic Number (1 of 3) (The Assignment: Record the first third of a trio) — at: https://disquiet.com/0525/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0525-magic-number-1-of-3/

Disquiet Junto Project 0525: Magic Number (1 of 3)

Disquiet Junto Submissions

Upright bass and delays. Recorded by DD on Thursday20th January 2022 between 17h30h and 18h .
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For this project:
"Disquiet Junto Project 0525: Magic Number (1 of 3)
The Assignment: Record the first third of a trio.
Step 1: This week’s Junto project is the first in a sequence intended to invite, encourage, and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen."
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I love this collaborative juntos, this time in order to leave as “unfinished” as possible I disciplined myself and decided not to spend more than 30 minutes on my rack.
I recorded a track of a single note (low E) bowed on my upright bass, then I overdubbed 3 tracks of dissonant glissandi here and there, I added two different delays and that’s it.
I didn’t polish it, I’ll finish this myself someday, I’ll add compressors and reverbs but so far what you hear is the charm of a 110 years-old instrument, the resonance of a 500 years old room, and the sound of a gorgeous Telefunken U47 tube mic. Nothing else.

Unfinished (disquiet0525)

A low drone in A minor, panned to the left channel. Five modular synth oscillators are modulated with unsynchronized LFOs and lightly processed with a granular module. Most of the modulation subtly slows down through the middle of the track, then picks up a bit during the final portion.

This is the first part of a three part Disquiet Junto collaboration. Other artists may use this track in subsequent recordings during the next few weeks.

More on this 525th weekly Disquiet Junto project — Magic Number (1 of 3) (The Assignment: Record the first third of a trio) — at: https://disquiet.com/0525/

A Minor Drone

A Minor Drone - Disquiet0525

More on this 525th weekly Disquiet Junto project — Magic Number (1 of 3) (The Assignment: Record the first third of a trio) — at: https://disquiet.com/0525/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0525-magic-number-1-of-3/

Magic Number (1 of 3) - disquiet0525

release date_ 21  _01_2022

More on this 525th weekly Disquiet Junto project – Magic Number (1 of 3) (The Assignment: Record the first third of a trio) – at: https://disquiet.com/0525/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0525-magic-number-1-of-3/

Intreccio(disquiet0525)

My submission for
Disquiet Junto Project 0525: Magic Number (1 of 3)
The Assignment: Record the first third of a trio.

More on this 525th weekly Disquiet Junto project — Magic Number (1 of 3) (The Assignment: Record the first third of a trio) — at: https://disquiet.com/0525/
More on the Disquiet Junto at: https://disquiet.com/junto/

Now Positive(disquiet0525)

This week's junto is to record th efirst part of a trio - which others can add to over the next two weeks.  

I love these ones :-)  The challenge is always in leaving space - I'm not very good at that generally!

For my part, I created a 15-note long sequence, that has it's start point changed every now and again to shorten it, and also has triggers that are changed occasionally, and random notes added in varying amounts at different times, to add interest and movement. This sequence is played on Rings with a plucked guitar-like tone, that has reverb and echoes added for more movement.

More on this 525th weekly Disquiet Junto project — Magic Number (1 of 3) (The Assignment: Record the first third of a trio) — at: https://disquiet.com/0525/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0525-magic-number-1-of-3/

Magic Number (1 Of 3) Disquiet0525

My first go at the Disquiet Junto challenge.   
The first thing I did was create a shifting 'cloudlike' top level. I did this using three detuned oscillators,  fed different sequences and put through a long cloud reverb in the Strymon BigSky.  For the 'firm bottom' I used the Dark Energy synth, feeding it a slower sequence of notes, but giving it more frequent rhythmic / percussive changes to filters and amplifier.  This had no reverb applied, just echo, to keep it firm and to avoid muddying the reverb cloud. As this is a piece for a possible dance performance, I included a rhythm pattern, which is purely white noise put through a filter that is rapidly opened and closed to varying degrees. This was put through a panner that sends it to different echos to make it more interesting than just a straight rhythmic pattern. This was a single live take, no overdubs. 

Disquiet Junto Project 0222: Bounded Foundation
The Assignment: Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom.”

This is the second project we’re doing with artist and engineer Paolo Salvagione for an extended piece of choreography he’s working on. The result of the project is intended for potential use as a sonic backdrop for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. (Audio produced for this Junto project will not be used by Salvagione without its composer’s permission.)

Step 1: You will be creating a short, roughly four-minute piece of music. First, take into consideration the setting. Visualize that the piece would be performed by a young solo female dancer. She is dancing in a large space. The sounds of this Junto are the only sounds accompanying her movement.

Step 2: Your piece should have two perceived “levels.” The “top” level should be soft and cloud-like. The “bottom” level should be firm but ever-shifting.

Step 3: Make a piece of sound/music roughly four minutes long that meets the criteria of Step 2.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

http://disquiet.com/2016/03/31/disquiet0222-boundedfoundation/

Bounded Foundation (disquiet0222-boundedfoundation)

My attempt at this week's Disquiet Junto - I stuck with a Steve Reich feel. First I came up with a five-beat phrase that I felt was interesting and was not too difficult to play steadily at a reasonable speed. I then created a basic sound on my modular, using ring two ring-modulated oscillators tuned an octave and a fifth apart.  I varied the settings with each take, adding a bit of modulated reverb on some and leaving others dry.  I then faded some of the takes in and out, leaving others to start / finish abruptly.  There are six layers here, any more was just getting muddy. The title is because the effect reminded me of my honeymoon in Salzburg, my wife and I were sat at a restaurant on Mönchsberg, overlooking the town, and the church bells starting ringing out from the various churches. There was an amazing phased sound as they drifted in and out of time with each other, it lasted a good few minutes.  

http://disquiet.com/2016/04/07/disquiet0223-layeredsameness/

Honeymoon Bells Surrounding Mönchsberg (disquietjunto0223-layeredsameness)

I played around a bit more with the Disquiet Junto 223 file - layering pitched-up and reversed copies over and over, and then bringing in and out the different pitched versions as the track plays. I also slowed it all down to half speed, and smothered it in reverbs to smooth out the ringing.

Layered Sameness 2 (disquietjunto0223-layeredsameness)

(A newer more 'radiophonic' version , with added 'Arctic' melody originally written by Delia Derbyshire and tons of reverb is here: https://soundcloud.com/ikjoyce/arctic-disquiet0224-coldembrace) 

This week's Disquiet Junto project is to make a track using a field recording of the fridge... http://disquiet.com/2016/04/14/disquiet0224-coldembrace/

I took two recordings - one from down the back of the fridge, and the other from inside the fridge.  I then layered multiple copies of both recordings in ACID pro, and changed the speeds of each so that the pitch of the  hums created nice harmonic textures. Finally, I added a little EQ to each to highlight certain tones, and then used volume curves to fade the notes in and out.  There is NO reverb on this  (in reference to this: http://disquiet.com/2016/03/11/rimbaud-scores-ryman/#comments) - I used only the dry recordings! EQ was the only effect, and that was used sparingly just to highlight specific tones.

To me it sounds a little like an impatient Eliane Radigue piece!
 

Cold Embrace (disquiet0224-coldembrace)

I played a melody called 'Arctic' written by Delia Derbyshire (found in the archives at the fabulous WikiDelia.net -  just a scrap of manuscript - http://wikidelia.net/images/a/a4/DD115523.jpg )  on the BassStation2 using a sound I made specifically for this melody, over the top of my Disquiet Junto 'Cold embrace' track which is made entirely from two recordings of my fridge. I then added an enormous amount of multiple reverbs to it.  I hope Delia would have enjoyed the use of a fridge to add a soundbed to her Arctic melody :-) 

The soundbed of fridge hum with no reverb is here: https://soundcloud.com/ikjoyce/cold-embrace-disquiet0224-coldembrace

Arctic (disquiet0224-coldembrace)

This will be my place for Naviar Haiku and Disquiet Junto entries.
-Experiments may appear on YouTube from time to time: 
https://www.youtube.com/user/ikjoyce
-Albums will be released on Bandcamp: 
https://ikjoyce.bandcamp.com/

New album "The Endless Solitude Of A Skylark's Song" now available:
https://ikjoyce.bandcamp.com/album/the-endless-solitude-of-a-skylarks-song

Album 'Selene' now available on Cassette / Download from Naviar Records: 
https://naviarrecords.bandcamp.com/album/selene 

**Albums now available on iTunes, Amazon, Deezer, Spotify, and Google Play**  

I make electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.