All submissions to Haiku 385:

https://www.naviarrecords.com/2021/05/19/naviarhaiku385-moonbeams/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #385: moonbeams / like fishes – / swim over the river

moonbeams
like fishes –
swim over the river

haiku by ChalkWalk & GPT-3 https://soundcloud.com/chalkwalk-naviar

https://openai.com/blog/gpt-3-apps/

picture by Andy Henderson https://unsplash.com/@andyhenderson

For more information visit http://www.naviarrecords.com/about/naviar-haiku

hob flame moan

halF moonbeaM [naviarhaiku385]

Made for the 385th Naviar Records Haiku Challenge. Details and other inspirations at https://www.naviarrecords.com/2021/05/19/naviarhaiku385-moonbeams/

Fishing for moonbeams [naviarhaiku385]

This track was created for the Naviar Haiku group.
385 week haiku
naviarlab.tumblr.com/

2021-05-21

moonbeams  (Naviarhaiku 385 )

moonbeams
like fishes - 
swim over the river

naviarhaiku385: moonbeams

22May21

My naviarhaiku385 submission;
https://www.naviarrecords.com/2021/05/19/naviarhaiku385-moonbeams/

moonbeams
like fishes –
swim over the river

:D

Boson Spin - Moonbeams swim over the river [naviarhaiku385]

moonbeams
like fishes –
swim over the river

It’s not the first time we experiment with haiku and AI, but it’s always fun. ChalkWalk, a member of Naviar’s community and regular contributor to the Haiku challenge, created some haiku with the support of GPT-3, an autoregressive language model that uses deep learning to produce human-like text. This language prediction model was developed by OpenAI, a San Francisco-based artificial intelligence research laboratory.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Moonbeams Like Fishes Swim Over The River (NaviarHaiku385)

naviarhaiku530

taking it easy
the mouse sleeps too...
spring rain

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku: http://haikuguy.com/issa/

Haiku by Kobayashi Issa
Picture by Nikhil kumar

Submission deadline: 6th March 2024

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page https://www.naviarrecords.com/haiku-music-challenge/

Spring Rain (naviarhaiku530)

As part of the "analog reflections" series, only analog modules/sound generators are used. There was no digital post-processing.

ar_08_benjolin_verb_co_nlc_genie

Naviar Haiku 532

Wordless
all day long
the shadow of a butterfly

Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Haiku by Hosai Ozaki

Picture by sumingliu youyo

Wordless Shadows Speak to Me

Wordless Shadows Speak to Me (NaviarHaiku532)

This track was created for the Naviar Haiku group.
534
https://www.naviarrecords.com/naviarhaiku534-pre-dawn-inertia/
train sound  https://freesound.org/people/bassboybg/sounds/218925/

224-03-28

Pre - Dawn Inertia (Naviarhaiku 534)

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

Szachty April 1 Market of Sounds

Reaktor Generative Ensembles.
Strings and percussiv Pianos.

Il Dilemma, quasi sempre, è una forma simulata (e ormai largamente dissimulabile e dissimulata) di falsa coscienza e ipocrisia piccolo borghese. La realtà è una costruzione sociale. Come tale implica precise domande e altrettanto precise risposte. Chi non vede, non capisce o si astiene, si delegittima e delegittima. Dal Pithecanthropus Erectus all`Homo Sapiens, inteso come nuova forma di progetto culturale e ideologico lontano dalle ipocrisie/false coscienze degli ultimi decenni.
Dal Piccolo Mondo Antico alla Rivoluzione Permanente.

Il Grande Dilemma (naviarhaiku534)

A track inspired by Naviar Records weekly assigned haiku poem.
Music by Nicola Fornasari and Pier Giorgio Storti.

Tall, wide-arching trees
Assume a cathedral shape
Until darkness falls

(John Hinks)

Until Darkness Falls (naviarhaiku536)

Created on iPad with AUM, ButterSynth, Nerd Synth, Kronecker, Space Craft, Fugue Machine, Weeping Wall, DLYM, Eos 2, Eventide Blackhole, Wider, mLFO, Kajita, Yukawa
Mixed and mastered in Cubase 13 and Ozone 10

Inspired by Naviar Haiku 536:
https://www.naviarrecords.com/naviarhaiku536-tall-wide-arching-trees/

Photo by zenbytes (2017, Palatine Forest, Germany)

Dedicated to John Hinks aka FlownBlue

until darkness falls - for John Hinks - Naviarhaiku 536

‘vincit qui patitur’
Track created for the Disquiet Junto Project. http://www.disquiet.com
0648 = Shadow Boxing. Employ shadow boxing as a musical metaphor.

The one trying to defend itself is a church organ, alone, without its titular organist. It fights by trying to express by itself, with the air it has left from the depths of its many windchests and pipes, from the depths of its entrails. The organ is alive, as are all instruments, of course... But now he's afraid, he attempts to call for help as fire threatens under the cathedral's vaults. He's afraid of dying.

It is April 15, 2019. The fire will spread, destroying the spire and the entire roof covering the nave, choir and transept. But the organ will be saved.

Completely dismantled, and cleaned of smoke dust, "the king of instruments" would play again 5 years later, this time with his organist friend. He witnessed the biggest disaster to hit the cathedral since it was built. He is the miraculous witness of Notre-Dame.

Inspired by the Disquiet Junto theme (and a preset I created with Kontakt).
Recorded live and mastered with Logic Pro X.

****

More on this 648th Disquiet Junto project ("Shadow Boxing. Employ shadow boxing as a musical metaphor") at:
https://disquiet.com/0648

More on the Disquiet Junto at:
https://disquiet.com/junto/

Project discussion takes place on https://llllllll.co/

Associated image : Petrus Major.

The Witness of Notre-Dame [disquiet 0648]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

This will be my place for Naviar Haiku and Disquiet Junto entries.
-Experiments may appear on YouTube from time to time: 
https://www.youtube.com/user/ikjoyce
-Albums will be released on Bandcamp: 
https://ikjoyce.bandcamp.com/

New album "The Endless Solitude Of A Skylark's Song" now available:
https://ikjoyce.bandcamp.com/album/the-endless-solitude-of-a-skylarks-song

Album 'Selene' now available on Cassette / Download from Naviar Records: 
https://naviarrecords.bandcamp.com/album/selene 

**Albums now available on iTunes, Amazon, Deezer, Spotify, and Google Play**  

I make electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

Moonbeams Like Fishes Swim Over The River (NaviarHaiku385)

ikjoyce

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