# Audio Processing Rules

## Overview
This code processes 30 sound files from a specified folder and combines them into a single WAV file according to the following algorithmic composition rules.

## Processing Rules

### 1. Source Material
- **Input**: Up to 30 audio files from a designated folder
- **Supported formats**: WAV, MP3, M4A, FLAC, AAC, OGG
- Files are randomly selected if more than 30 are present in the folder

### 2. Fragment Extraction
- **Fragments per file**: 3-5 segments are extracted from each audio file
- **Fragment duration**: Random length, with a maximum of 5 seconds per fragment
- **Selection method**: Random start points are chosen within each source file
- **Minimum fragment length**: 0.5 seconds

### 3. Randomization Process
- **Shuffling**: All extracted fragments are randomly reordered
- **No preservation**: Original file sequence and internal fragment order are completely randomized

### 4. Silence Insertion
- **Probability**: 1/7 chance (approximately 14.3%) after each fragment
- **Duration**: Random silence between 0.5-2.0 seconds
- **Placement**: Silence is inserted between fragments, not at the beginning or end

### 5. Output Generation
- **Format**: Single WAV file
- **Combination method**: Linear concatenation of randomized fragments with occasional silence
- **Quality**: Maintains original audio quality of source materials

## Algorithmic Composition Characteristics

This process creates an **aleatoric** (chance-based) musical composition where:
- The final arrangement is determined by random algorithms rather than compositional intent
- Each execution produces a unique result due to randomization
- The work explores the relationship between **sound, silence, and time**
- Multiple source materials are democratically combined without hierarchical preference

## Technical Implementation
- Built using Python with `pydub` library for audio processing
- Designed for Jupyter Notebook environment
- Includes error handling for various audio file formats and edge cases

Fragments of Memory

neo neo Fuck'in Neoneoreaction Cave/脱領域化に暗黒啓蒙が降り注ぐ

Back to new developments (kill your illusion)

Places we have been - they guide us somehow. Sometimes even if we only have been dreaming of beeing there.

In the streets of Osaka there is a lot of melodic sounds in the air. From traffic lights, garbage collections, mobile traders selling ramen soup... 

In this track everything you hear is from field recordings made by @maguri - thank you Martin!

Osaka

Original Track by::::
https://soundcloud.com/yerofeyev/yeko_2-feat-ka
Photo by Ivons

Yerofeyev & Senglar - YEKO_33 (feat K.A.)

DCR - LUCY IN THE SKY WITH DIAMONDS - DCOMPOSED

protesting
27th July 2025 at 22.00 CEST , Tencarola (Padova, Italy)

g.   a.   z.   a.  is  s.   t.   a.   r.   v.   i.   n.   g.

Ivons & Senglar - Lobomental

contaminated forces - dont discriminate

Warum Willst Du Mich - Ufo361 | HARDTEKK [170bpm]

Senglar & Arçon de Nièze - BeauRings (Tombeau Aura Deranged Version)

Poetry, Field recording and the More-Than-Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why More-Than-Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/