001  _ BIRTH ( Sequence 555 )

Touch

Music produced & mixed by
Cristina Tasnic & P è n i n ș o l a r
Vocals by Tremmór
Visual by Rika Ryzhykova
vimeo.com/443423263

Purchase on Bandcamp

P è n i n ș o l a r Cristina Tasnic feat vocals by Tremmór - In Between Obfuscate Coordinates

Appears on the 2020 compilation Raw and Obscure nr 1 by Sellout Tapes and Recordings

Orkney Dub

IGNORANT

artist : Androvirus
album : Mabelle-Maboule
earS056 / 2012
https://archive.org/details/earsheltering056

Androvirus travaille l’improvisation sans faiblesse, ouvre de nouveaux chemins, comme une cérémonie à laquelle il nous convie. Nous ne devons pas nous contenter d’admettre sa création par économie, il y a beaucoup d’espérance, de choses à vivre, Androvirus tire un trait sur notre passé et nous offre ici une assise solide. Sa musique se place sous le signe de l’électro-choc, de la vibration en retour, de l’écho toujours qui nous revient.
C’est sur Earsheltering, en téléchargement libre comme toutes les bonnes choses en ce monde.

*/*/

We are delighted to welcome Androvirus on Earsheltering for an album where improvisation and pleasure get on well.
It’s available as a free download, let there be more sound.

JM Charcot

Mabelle-Maboulle

Mabelle-Maboule

Androvirus_-_Utopia

This is version 2 of 'Untrodden Lead New Pristine', a flow where words and sounds keep separate positions to give room for reflection. 

Music, mixing and production by https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Reading and sonopoetry by https://soundcloud.com/ilaria_boffa
Bandcamp https://peninsolar.bandcamp.com/album/p-e-n-i-n-s-o-l-a-r-ilaria-boffa-untrodden-lead-new-pristine
Vimeo https://vimeo.com/461581122

Excerpt from 'Im Westen Nichts Neues/All Quiet on the Western Front' (Chapter 12) by Erich Maria Remarque

‘Had we returned home in 1916, out of the suffering and the strength of our experiences we might have unleashed a storm. Now if we go back we will be weary, broken, burnt out, rootless, and without hope. We will not be able to find our way anymore.
And men will not understand us – for the generation that grew up before us, though it has passed these years with us already had a home and a calling; now it will return to its old occupations, and the war will be forgotten – and the generation that has grown up after us will be strange to us and push us aside. We will be superfluous even to ourselves, we will grow older, a few will adapt themselves, some others will merely submit, and most will be bewildered; – the years will pass by and in the end we shall fall into ruin.
But perhaps all this that I think is mere melancholy and dismay, which will fly away as the dust, when I stand once again beneath the poplars and listen to the rustling of their leaves. It cannot be that it has gone, the yearning that made our blood unquiet, the unknown, the perplexing, the oncoming things, the thousand faces of the future, the melodies from dreams and from books, the whispers and divinations of women; it cannot be that this has vanished in bombardment, in despair, in brothels.
Here the trees show gay and golden, the berries of the rowan stand red among the leaves, country roads run white out to the skyline, and the canteens hum like beehives with rumours of peace.
I stand up.
I am very quiet. Let the months and years come, they can take nothing from me, they can take nothing more. I am so alone, and so without hope that I can confront them without fear. The life that has borne me through these years is still in my hands and my eyes. Whether I have subdued it, I know not. But so long as it is there it will seek its own way out, heedless of the will that is within me.’

Sonopoem ‘Im Westen Nichts Neues’

All quiet. Niente di nuovo.
Where is the storm, the awe
that yelling at the top
of our lungs, the desperate flight?
Im Westen Nichts Neues, Europa.
Before and after, hidden and heedless.
Consciously superfluous to yourself.

We walk your geology Europa
And nothing is pristine.
What is missing, what thought
what sorrow?
It cannot be that we forgot our intents.
You keep withdrawing.
And I keep talking to myself.

P È N I N Ș O L A R IIaria Boffa Untrodden Lead To New Pristine (v2)

Original tracker written by Ughten, remixed by Boson Spin

The Tree Markings 2 - The Boson Spin Warp Remix

ghost town

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

Even if you don't agree with all his ideas, his observations are thought-provoking, challenging, and to many of us, liberating. 

photo by Bob Cato

more Cage: https://www.youtube.com/watch?v=pcHnL7aS64Y(noted The source is the French documentary "Écoute (Listen)" (1992).)

Sounds Don't Talk (w John Cage)

Poetry, Field recording and the More-Than-Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why More-Than-Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/