OH BABY * [Live[ Copyright SCRT Record CO. 2023

MAY from SPRING A Symphonic Poem

Music- Finn Eces  
Doina-All Violins
Finn Eces-Guitars, octave mandolin, tenor banjo and tin whistles
Mixed by Finn & Doina

For all my cancer & chemo comrades in Limerick University Hospital and for Pat.

I started this piece a few years ago, and Doina was kind enough to write some beautiful violin parts for what is quite a simple chord progression really. I didn’t have lyrics and life events overtook writing music. I picked it up recently wanting to mark that life event, and an upcoming crossroad. 

More fantastic work from Doina here https://on.soundcloud.com/nnwFWWwW9ofaPd3z6

Come Sunshine Come Rain

Cloud Break (Final Form mix)

Cast of Characters:
Cgmaness – https://open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production
Mistermark-- @user-432503709 -- Mark – organ
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version. 
  
We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a ferocious, but more riff oriented, and less chordy line throughout.
  
Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well. 
  
This is an example of an Eclectic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective (The Eclectic Collective with cgmaness)

The Girl From Ipanema composed by Carlos Jobim.
My performance of the song with co-reperation of Georg Boehme on saxophone
And Martin van Gulik on keys. 
Guitar and arrangement by Wilson1963. Soon a vocal will be added to this track by my wife Elisabeth. Furthermore the track is going to be mixed by Juan Aguirre in his studio in San Fernando Spain. Here is a preview. have fun.

Girl from Ipanema /Featuring Georg Boehme on sax and Martin van Gulik on Keys and double Bass

#guilt #songwriter #womansongwriter #indie #folkpop 

What can I say?
What can I say ?
About . . . 
Guilt. (Guilt) 
Guilt. 
can I say?
(Can I say?)

I knew a guy who had a license plate 
that read ‘No Guilt.’
He was guilty of many bad deeds
But clearly he didn’t notice, (he didn’t mind)
Not as I carry mine.
I’ve admitted to things I didn’t do 
just to stop the noise
Make everyone shut up. And just go away.
It’s almost easier to take the blame than listen to them whine
But….but…
You start to believe it…

What can I say?
What can I say ?
About . . . 
Guilt, like its birth, changes over time
Molds. Lingers. Solidifies
rips at my bones
Like a drunk gnawing ribs
In a bar after midnight
Guilt tears through my soul 
When all I did was try to love you
I tried to love you.

I woke up at 3 a.m. thinking about our talk
Words spun around my head
Guilty for being alive. Being a mistake. 
Guilt for breathing. For taking up space.
I did things
I did things…
Some I’m not proud of
But some I did to survive
When all I was trying to do was love you. 
Love you. Love you.

What can I say?
What can I say ?
About . . . 
Guilt runs though my blood like cream
Thick. light. whips up right
On berries, it is just divine 

Guilt, like the years, changes over time
Lingers. Molds. Solidifies.
Guilt tears through my soul 
As i drunk danced with you 
Twirling in my daze
Alone even in a crowd
You laughed ‘No Guilt! 
And danced away (away)

What can I say?
What can I say ?
About . . . 
guilt
Never enough (guilt)
I know
Never enough (guilt)
To satiate
The beast inside
Seeking reprieve 
Seeking remorse
Seeking vengeance 
Seeking just
To stay alive (guilt)
Alive alive 
Guilt
Guilt

what can i say…about guilt

at the green lake

With Grandma and Grandpa tight

YouTube link: https://youtu.be/tcBoy7syI20 

Anyone who commits a crime must reckon with the punishment, as breaking the law carries consequences – both legal and moral. The penalty not only serves as a form of retribution for the harm done, but also has a deterrent, educational, and corrective function – reminding us that an individual's freedom ends where the harm to another person begins.  ✌️  Każdy, kto popełnia przestępstwo, musi się liczyć z karą, ponieważ złamanie prawa pociąga za sobą konsekwencje – zarówno prawne, jak i moralne. Kara nie tylko stanowi formę odpłaty za wyrządzoną krzywdę, ale również pełni funkcję odstraszającą, wychowawczą i naprawczą – przypominając, że wolność jednostki kończy się tam, gdzie zaczyna się krzywda drugiego człowieka.  ✌️  Todo aquel que comete un delito debe contar con una pena, ya que romper la ley conlleva consecuencias, tanto legales como morales. La pena no solo es una forma de retribución por el daño causado, sino que también cumple una función disuasoria, educativa y reparadora, recordando que la libertad del individuo termina donde comienza el daño a otra persona.

Punishment

Genre-blending powerhouse that channels raw emotion into a sonic uprising. With a mix of alt-pop, orchestral build-ups, and a fiery rap verse, the track tells the story of someone breaking free from manipulation and reclaiming their voice. It’s theatrical, cathartic, and unapologetically bold—perfect for anyone who’s ever felt controlled and is ready to cut loose.

Ascension Reborn

Unbound

Love music as much as air. I am writing & creating  my own music with the help of Ai tools. Hope you will listen to some of them.

what can i say…about guilt

ilasky