Didn’t expect a bouncy tech house set. Kinda sick tho

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

Hessle Audio feat. Flower Storm & Pearson Sound

Almost 2 years on from her NTS debut, Introspekt delivers a brand new production mix consisting entirely of her own forthcoming productions, unreleased dubs and edits. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/introspekt/episodes/introspekt-25th-april-2025

Spaces In Between: Introspekt 100% Production Mix 250425

INVT is the multidisciplinary art project of Luca Medici and Delbert Perez. The duo specialize in electronic music and fashion design. Luca and Delbert have grown their audience through their high energy live sets as well as their DJ sets and various independent releases that are all produced, mixed, and mastered by the two. This mix was recorded at their new party series Calentón. Enjoy!

Watch the entire session: https://youtu.be/_gH9b3jsud4

ITPS116 INVT

Darwin operates in the realm of low-end frequencies, delivering a tripped-out, sub-rattling blend of styles firmly rooted in soundsystem culture.

Her sets move with swampy intensity and hypnotic flow, drawing dancers in while maintaining a quiet versatility. A seasoned crate digger across many genres, she’s as comfortable playing back-to-back with DJ Storm, Mala or Lena Willikens as she is closing out Bassiani or Berghain’s Klubnacht.

Born in Canada, Darwin found her way into dance music after moving to London—first working at fabric in the mid-2000s, then experiencing a bass eureka moment years later at a Swamp81 party. That defining night set the course for her next chapter in Berlin, where she founded her label SPE:C in 2015 to spotlight emerging global talents like Decka, Carré, Axle, Beatrice M., and Tano.
In 2016, she launched REEF at the now-defunct Griessmuehle, a club where she had started a monthly techno-focused DJ residency 2 years earlier that helped develop her signature stripped back, sci-fi-infused sound. The boundary-pushing party brought bass music’s alien energy into the heart of the techno capital, which now calls Berghain home. 

2024 marked a new chapter in Darwin’s evolution with the launch of ABYSS, a Sunday evening soundsystem series centered on the restorative power of low-end frequencies. Blending transcendental dance music with breathwork, meditation and healing practices, the event creates a space where sound connects body and mind. ABYSS has also teamed up with Wuppertal’s acclaimed Open Ground club for an extended weekend takeover, with plans to expand the concept to other cities in the future.

PURE Guest.083 Darwin

Live recording of Hodge and re:ni's set at Parameter 10, San Francisco.

Such a fun set from the loft on the second night of our anniversary weekender with Endzeit. Big thanks to Jake and Lauren for letting us release this one!

@hodgebristol
@renildn
instagram.com/hodgebristol
instagram.com/reni_ldn

Mastered by @mark-pistel

Hodge b2b re:ni at Parameter 10

Forward thinking underground music from across the musical spectrum. Techno and house alongside selections from more experimental styles and sounds.  

Pariah - 03 July 2025

Olgica grew up in Serbia and is now living in Austria. She throws events in both countries and beyond. Left field bass, dub, broken techno, experimental downtempo and dizziyng halftime tunes are attributes of Olgicas sets. Enjoy!

ITPS118 OLGICA

PARA CONTATOS: 
Instagram
@listengustav
@westarbdavi

EYES

Burn It Down

House Music Machine (Original)

Listen on Spotify

Munich based record label founded in 2007 and run by the Zenker Brothers. 
Artists: Andrea, Andrés Zacco, Atrice, Dario Zenker, Deetron presents Soulmate, Djrum, Dj Plant Texture, Etch, Fireground, Full Bloom, Jake Muir, Jichael Mackson, Kas / Galaxian, Katatonic Silentio, Kid Sundance, Konrad Wehrmeister, Laksa, Mia Koden, Marco Zenker, MPU101, Packed Rich, Pessimist, Prime Vertical, re:ni, Roger 23, ROLROLROL, Sciahri, Seba & Paradox, Simple, Skee Mask, Stenny, Surgeon, Sustrapperazzi, Thigpen, Walton, Zeki 808, Zenker Brothers

ITPS116 INVT

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