The initiation begins. Already Too Late drags the listener into a fever dream where rhythm becomes addiction and every lyric hits like a chemical confession. It’s the first taste of The Devil’s Ledger—a blues-trap descent into temptation, consequence, and the high that never lets go.
Once you press play, there’s no way back.

Already Too Late

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

Write, play, sing, master...
Cover, original and jam.
lead or backup vocal.
genre slut... and inventor.
(I was pulling off Witch House before Witch House happened)

Infuriatingly humble social media lover. Proud travel buff. Devoted pop culture guru. Typical tv fanatic.

Virus B is the musical project of Virginie Borriazzi, a composer and a guitarist interested in manipulating the sound. She attempts to create an unlimited universe...

Many of the tracks here were produced using Reaper software. Vocals were recorded with a condenser microphone, and guitars were recorded directly into a sound card with amp emulations. All other sounds were created using virtual synthesizers or real-world sounds that were then processed.

For the past few months, no software has been used in the creative process. Everything is done with two samplers that have sequencers, a groovebox, a digital recorder and sometimes a drum machine. A computer is only used for the final step of production : mastering.

Sjonkel Rolfsen is a vinyl enthusiast and music collector from Trondheim in Norway. He has been welding records at local venues and events for two decades. Nowadays, he mostly enjoys to fiddle around with experimental and ambient in the comfort of his humble abode, but still get the odd epiphany to wonder out into the enchanting world of house and techno. When he is not fumbling about on the decks, he likes to travel. He tries to play with the possibility of combining electronica and leftfield soundscapes, in a mixcast friendly way, catering to your everyday soundtrack needs.

Aurora-born RUIN79 doesn’t make songs — he builds worlds.
A genre-shifting storyteller blending trap, blues, drill, noir jazz, steel-guitar drift, ambient smoke, and poetic grit into a signature process he calls Digital Verse Composition.

His work spans multiple realities:
• The Devil’s Ledger — a haunted blues-trap mythology
• Digital Verses — parallel-universe mutations of the ledger
• Honolulu Paul Sessions — a 40-week steel-drift ritual pairing jazz, Americana, and classic cocktails
• ILLA Workshop — the creative engine behind every realm

RUIN79’s music isn’t defined by sound — it’s defined by truth, intention, and world-building.
Every track is a portal.
Every project, a universe.
Every release, a chapter in the myth.

Already Too Late

RUIN79 - Illa Workshop