EMERGENCE - Full Album

A 12-track journey through liquid drum & bass and breakbeat, exploring the space between organic and synthetic, darkness and light.

From the opening mechanical pulse of "Organic Machines" through the transcendent finale of "Helios," Emergence traces a path from introspection to revelation across 45 minutes of carefully crafted electronic music.
Featuring:
5 liquid D&B rollers (160-172 BPM)
7 breakbeat explorations (128-145 BPM)
Influences from LTJ Bukem, Bicep, and Bonobo
Mixed for both home listening and dancefloor moments

Sargam

Nole

wasabi

floating in the night sky

Inspired by my gratefulness for the home my wife and I have made together. And especially appreciating that during these trying times.

Our Halidom

Clever Dominion (Master)

the last beautiful farewell track to this album. it was fun while it lasted. i truthfully feel like iv done it all to wrap around the concept and sound im going for in this. iv used every kitchen tool i can think of for the percussion which to me, is the most important part of the album that makes it what it is.  i kept this one simple to give it a personality of its own on the album along with its predecessor "language exchange" the song.  Though its short, i still feel like it packs a pretty good punch for the last track. Track 5\




For The Record

Appears on the D'ark Tha Murky album "In A Parallel Universe"
https://silentloverecords.bandcamp.com/track/shes-in-the-past

photo by wonderful Elseh
https://www.flickr.com/photos/187686180@N02/with/50362125288/

"She’s In The Past" by D'ark Tha Murky

Au Doigt Mouillé / By Rule of Thumb

https://soundcloud.com/ilaria_boffa/ilaria-boffa-crazy-compass-geography-of-translations

In support of the "Translations" album by @Ilaria_Boffa:  https://soundcloud.com/ilaria_boffa/sets/translations
On @Meticulous-Midgets label: http://stopcran.ru/news/2020-11-20-272

A year ago, we recorded our first joint track with Ilaria (https://soundcloud.com/crazycompass/ilaria-boffa-foreign), and then we agreed that we would do another one later in which each of us will read own poem in native language. Everything coincided. "We translated our voices into exact references and wording. Now, hear." 

CRAZY COMPASS: Padua, Italy - Moscow, Russia (november 2020)
https://crazycompass.bandcamp.com/track/geography-of-translations-ilaria-boffa-crazy-compass

Poem in Italian: Ilaria Boffa @Ilaria_Boffa
Poem in Russian, field recording & photo (poplars & wind): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

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TRADUZIONI (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in
riferimenti e formulazioni. Ora, ascoltami.

TRANSLATIONS 

A clear geography of silver poplars
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations
on others’ listening modes.
We question affectivity, objects’ reverbs
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits.
It neuroshapes and impacts the plasticity
of things.
We translated our voices into exact
references and wording. Now, hear.

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ГЕОГРАФИЯ (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

GEOGRAPHY 

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I'm.

Our Halidom

iLLResolveSys