Evil Gang (Feat. @elvin-brandhi-1), taken from WULFFLUW XCIV (@wulffluw94) new release Hyperemia, out May 13, 2021, via ПИР (@moapillar)

Read: https://bit.ly/33ghZt0
Pre-order: https://bit.ly/3nJ9cJJ

HYPEREMIA is a tribute to the contemporary club scene with a variety of experimentation and mixing of genres from around the world such as dancehall, reggaeton, baile funk, gabber, dnb, breakcore and various experimental beats.

Each soundtrack is a collection of signs, symbols, fantasies and ideas about the current club sound, filled with strong emotions and experiences that have accumulated over the past year in a limited space and partial loneliness.

This album is an attempt to return to the sound environment (both physically and mentally) and experience a strong shock and hard input from the fact that at last the long-awaited rough gigs have been delivered. Moreover, the entrance is so exciting that even organs or body cavities begin to fill with blood, bursting your soul and your mind, cracking your bones.
The desire to feel so strongly immersed in the sound environment has become a fetish, psychosis, a dream.

The only guest artist on this album is Elvin Brandhi. The track - Evil Gang was written by us in about one fleeting evening, in which I was lucky enough to meet her during our performances at the Nyege Nyege Festival 2019 in Kampala, Uganda.

Photo: Dasha Torokhova

Additional Graphics: Nikita Grunt

Released by ПИР

Premiere: WULFFLUW XCIV - Evil Gang (Feat Elvin Brandhi) [ПИР]

RONCE - AQUATICS
(DAWN013)
100 limited copies
12inch
@itsronce
Produced by Zoë Villerd
Mastered at Studio Martyrs
Photo by Ronce
Design by Hajj
Dawn 2021

Ronce - Sauvage (Feat Hajj)

101 ARQUEOLOGÍA DEL DESECHO SOUNDSCAPES / Paisaje sonoro para acompañar las piezas de Serviu dentro de la exposición "101 - Arqueología del Desecho"

-  Sounds provided by the artist x voices by Noela Covelo

101  SERVIU

Taken from the album 'The Horgenaith' out 15 July 2022 on Illegal Data

Bristol’s Sarahsson is a force to behold. A composer, producer, performance artist and DJ, her intricate work is a visceral expression of divine queerness and her experience with synaesthesia.

Originally hailing from Exeter, when she moved to London she discovered a queer community that hadn’t been present in her hometown and so began to explore the rejection of genres and the dissolution of gender. Drained by the male dominance in electronic music, Sarahsson’s first forays into more experimental sounds and parties helped direct her own personal journey—exploring the feminine, synaesthesia and blurring the lines between binaries.

Inspired as much by the natural world as she is by gore and harsh noise, Sarahsson fuses elements of classical music with metal, experimental electronics and hardcore. Her debut LP The Horgenaith explores themes which Sarahsson equates with queerness: “Transmutation, embodying contradicting parts of oneself,” she says. “Finding familiarity in difference is a lot of what queerness is about for me”. A multi-dimensional commentary on “femininity's cultural proximity throughout history to nature and rediscovering the body as a landscape, its constant state of flux and transience.”

Joining label alumni AYA, Kai Whiston, Emily Glass and more, Sarahsson’s signing to Illegal Data is a testament to her unique sonic offering and her visually arresting live performance, which involves classical and contemporary instrumentation and various audio interfaces.

With a grant from Saffron Records she also spent time at a woodwork studio building her own Daxophone, a wildly curious bowed instrument, and rejected pre-made samples, choosing to create her own instead. Field recordings of marsh reeds and whispers become percussion atop the blasting sound of crushing waste removal machines.

A truly special voice in the current climate of electronic music, Sarahsson brings together her unique ear for melody, rich textural harmony and dramatic narratives to achieve something genuinely awe inspiring and timeless on her debut LP. Creating a piece of work so honest and nurturing yet accessible and open, it raises open questions rather than dishing out rigid statements.

On her emotionally charged sound Sarahsson says: “I'm trying to reach a very specific feeling. One tiny point in the middle of a nuclear explosion where everything happens all at once, bittersweet and fierce, a moment when opposites collide into one. The nexus point.”

Having already performed in parts of the UK and Europe with the likes of Lyra Pramuk, Oklou, Swan Meat etc. and as part of a SOPHIE tribute show for Club Quarantine in 2021, Sarahsson now has her sights set on bringing her album to a live setting across Europe and the rest of the world.


Tracklist:
01. Ancient Dildo Intro
02. Tonsil Pearls
03. Lacing The Well
04. I Am The Earth
05. Perennium (Reprise)
06. Orchidectomy
07. A Selfish Tryst
08. Swallow
09. Cladonia Hymnal

Sarahsson - Perennium (Reprise)

Epilogue

Wizard Of - Void Folk

online threat 🍂 Reality is escaping but you're finding solace in your spiralling

@onlinethreat

But, You Are: Vol. 2

Gather

online threat 🍂 Reality is escaping but you're finding solace in your spiralling

Hunt - Voyage Of Color

The inability to feel pleasure.

Artwork, Written, Mixed & Mastered by Ioannis Nafpliotis.

Anhedonia

force me

CD / Digital

user-24012015 - force me

Mithril

more sweetness

crying for love

DuLDI (dJ CG ShARk BOnG JUiCeUP)

Legendary content brought 2 u by https://soundcloud.com/munsing + NE$$ <3

Ship Sket - England as a Succubus out 7th June 2024
https://illegaldata.bandcamp.com/album/england-as-a-succubus

MERCH etc: https://illegaldata.bandcamp.com/merch
ID001 -  Various Artists - Compilation #1
ID002 - TEEN - TEEN EP
ID003 - Various Artists - Compilation #2
ID004 - Zoee - Flaw Flower LP
ID005 - Sarahsson - The Horgenaith LP 
ID006 - Zoee - Moonflower EP
ID007 - Swan Meat - Blood Supernova Remixed EP
ID008 - Ship Sket - England as a Succubus EP

Sarahsson - Perennium (Reprise)

ILLEGAL DATA

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