Inspiration(iam not alaone)

An idea I had about a possible villain theme for an eventual Mass Effect Andromeda 2 release, unlikely I know, but still

VST libraries used in this track:
EW BT Twisted Textures
EW Hollywood Brass
EW Solo Violin
EW Symphonic Orchestra Gold
EW Voice of the Empire
EW Stormdrum 2
EW Piano gold benchstein
EW Hollywood Choir

Exalted Emperor

I wanted to make a soundtrack that gave you a strange eerie feeling of something that was alien.


VST Libraries used in this track is as follows:
EW Stormdrum 2
EW Hollywood Brass
EW Symphonic Orchestra
8Dio Synthetic Shadows
Halion Sonic SE
EW BT Twisted Textures

Extraterrestial

Just a nice tune that came to me, one of my earliest tracks!

VST Libraries used in this track is as follows:
EW Symphonic Orchestra
EW Ra
EW Pianos Gold Benchstein
EW Voice of the Empire

Memorial

Essentia

This track uses only sounds from the upcoming library "Sonespheres - Limitless" from Soundiron. Do enjoy.

As usual all comments are appreciated.

Lost Souls

Gavin Luke: https://soundcloud.com/gavin-luke
João Pedro - https://soundcloud.com/jprecordsreposting

When Sun Meets Moon

Here's something that I made very recently and had to get it out.  I hope you enjoy!

Fading Echoes

A composition depicting perhaps the midst of snowy winter, where the encroaching cold is held at bay with a memory of a loved one. 
Harmonically I mostly stayed in D minor/major, with a brief excursion in G minor. I've attempeted to write a middle passage in F major, but the two themes I've managed to come up with simply didn't fit with the rest of the music, but hey, at least I have two new themes for next pieces. 
Completed in the March of 2025.

Intermezzo For Piano, D Minor

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Traveler https://soundcloud.com/travelerthemusic
João Pedro https://soundcloud.com/jprecordsreposting

Todo Meu Coração

all of my heart

This work was composed specifically for The Viola Commissioning Circle (VCC) Composer Prize based in London.

***
🎵 Title: Lingering Light in Winter’s Embrace
🎼 Composer: Michael Herter

🕒 Duration: 05:07
🐢 Tempo: Slow
🎻 Genre: Classical / Neoclassical / Soundtrack
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: https://youtu.be/2qpfngZPqsU

📝 Description
"Lingering Light in Winter’s Embrace" is a chamber composition for eight instruments, deeply rooted in the expressive tradition of the Russian musical school, profoundly inspired by the legacies of Pyotr Ilyich Tchaikovsky and Georgy Sviridov. The piece seeks to capture the ephemeral beauty of memory, weaving an atmosphere of tender melancholy and quiet contemplation, as if illuminated by the delicate glow of a winter landscape.

At its heart lies the theme of nostalgia — a longing for moments lost, expressed through a lyrical dialogue between the strings (first and second violins, viola, cello, and double bass) and the poignant timbre of the winds (flute, oboe, and clarinet). The strings evoke heartfelt emotions, whispering tales of cherished recollections, while the winds add a breath of airy lightness and a subtle shimmer of hope. The double bass provides a resonant foundation, grounding the composition in the timeless embrace of the natural world.

This work transcends a specific narrative, instead inviting listeners on an emotional journey — a meditation on the fleeting nature of time, the enduring power of the human spirit, and the universal search for harmony. "Lingering Light in Winter’s Embrace" is a sonic painting, a tapestry of sound designed to stir the soul and awaken the imagination. It’s a testament to the beauty found within stillness, and a celebration of the delicate balance between joy and sorrow.

🎼 Key: A-Dur | Time Signature: 3/4 | Tempo: Varies bpm

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🙏 Thank you for listening!

CLASSICAL and NEOCLASSICAL

Lingering Light in Winter’s Embrace

My new piece based on a theme that surfaced when I was writting my resigned and dark Intermezzo, which in contrast, turned out to be one of the brighest and joyfull of my creations, very lively and bursting with vitality, almost reminding me of a spring flower that ascended from a damp graveyard.
This piece was probably the one I've written in the shortest amount of time,  majority of it written in a mere several hours.

Moment Musicaux for Piano, F Major, No. 2

A tribute to a beloved girl. She is silent. This song isn't. 

Stendhal - Melodic Instrumental

Change begins with You

Raindrops

This electronic track, titled "Data Thugs," pulsates with a raw, criminal energy. A catchy yet sinister lead guitar melody weaves its way through the grimy atmosphere, while ominous dark synths, a relentless pulsing bassline, and pounding drums drive the track forward. It’s a tense and brooding sonic journey into the heart of a futuristic heist.

Data Thugs

The third of a four-part suite incorporating, re-orchestrating and expanding the themes originally written for my 2022 track "Year in a Day". This features a quote from Holst's "Jupiter".

Summer to Autumn

При участии гитариста Анатолия Куприянова / With the participation of guitarist Anatoly Kupriyanov

Оригинальная версия песни по ссылке / Original version of this song by link
https://soundcloud.com/alexander-shirokov/gorod-ustal-the-city-is-tired

The City Is Tired (instrumental)

Please listen to the scientists.
Thanks to asianews.it, for the use of their image.

Inspiration(iam not alaone)

Ilya Keeprush