For our first release of 2024 we welcome @undrwght, a prolific producer from Mexico who has long been cultivating a highly individual take on Latin club music. On his 𝙔𝙜𝙜𝙙𝙧𝙖𝙨𝙞𝙡 EP, his productions burst and blossom, rooted with grimey basslines while vibrating percussion shoots all the way up to the canopies.

In Norse mythology, the Yggdrasil tree connected the many realms of the universe, linking gods, giants, and mortals. Here, Undrwght connects his many musical influences to draw in listeners whatever their natural or supernatural status.

Enjoy the booming first single Bifröst.

From Undrwght:
𝘠𝘨𝘨𝘥𝘳𝘢𝘴𝘪𝘭𝘭 𝘪𝘴 𝘪𝘯𝘴𝘱𝘪𝘳𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘵𝘳𝘦𝘦 𝘰𝘧 𝘭𝘪𝘧𝘦 𝘧𝘳𝘰𝘮 𝘕𝘰𝘳𝘴𝘦 𝘮𝘺𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘢𝘴 𝘢 𝘳𝘦𝘪𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘴𝘰𝘮𝘦 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘴 𝘪𝘯 𝘪𝘵𝘴 𝘩𝘪𝘴𝘵𝘰𝘳𝘺 𝘴𝘶𝘤𝘩 𝘢𝘴 𝘵𝘩𝘦 𝘣𝘳𝘪𝘥𝘨𝘦𝘴 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘰𝘳𝘭𝘥𝘴, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥𝘴 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦𝘪𝘳 𝘳𝘰𝘰𝘵𝘴, 𝘵𝘢𝘬𝘪𝘯𝘨 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘴 𝘧𝘳𝘰𝘮 𝘣𝘢𝘴𝘴 𝘢𝘯𝘥 𝘓𝘢𝘵𝘪𝘯 𝘤𝘭𝘶𝘣 𝘴𝘶𝘤𝘩 𝘢𝘴 𝘳𝘩𝘺𝘵𝘩𝘮𝘴, 𝘭𝘰𝘸 𝘧𝘳𝘦𝘲𝘶𝘦𝘯𝘤𝘺 𝘴𝘺𝘯𝘵𝘩𝘴, 𝘢𝘯𝘥 𝘮𝘦𝘭𝘰𝘥𝘪𝘤 𝘴𝘺𝘯𝘵𝘩𝘴 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘴𝘰𝘯𝘪𝘤 𝘪𝘥𝘦𝘯𝘵𝘪𝘵𝘺.

𝘠𝘨𝘨𝘥𝘳𝘢𝘴𝘪𝘭𝘭 𝘦𝘴𝘵á 𝘪𝘯𝘴𝘱𝘪𝘳𝘢𝘥𝘰 𝘦𝘯 𝘦𝘭 á𝘳𝘣𝘰𝘭 𝘥𝘦 𝘭𝘢 𝘷𝘪𝘥𝘢 𝘥𝘦 𝘭𝘢 𝘮𝘪𝘵𝘰𝘭𝘰𝘨í𝘢 𝘯ó𝘳𝘥𝘪𝘤𝘢 𝘤𝘰𝘮𝘰 𝘶𝘯𝘢 𝘳𝘦𝘪𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘢𝘤𝘪ó𝘯 𝘥𝘦 𝘢𝘭𝘨𝘶𝘯𝘰𝘴 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘰𝘴 𝘦𝘯 𝘴𝘶 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘢 𝘤𝘰𝘮𝘰 𝘭𝘰𝘴 𝘱𝘶𝘦𝘯𝘵𝘦𝘴 𝘦𝘯𝘵𝘳𝘦 𝘮𝘶𝘯𝘥𝘰𝘴, 𝘭𝘰𝘴 𝘮𝘪𝘴𝘮𝘰𝘴 𝘮𝘶𝘯𝘥𝘰𝘴 𝘺 𝘭𝘢𝘴 𝘳𝘢í𝘤𝘦𝘴 𝘥𝘦 é𝘴𝘵𝘰𝘴, 𝘵𝘰𝘮𝘢𝘯𝘥𝘰 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘰𝘴 𝘥𝘦𝘭 𝘣𝘢𝘴𝘴 𝘺 𝘦𝘭 𝘭𝘢𝘵𝘪𝘯 𝘤𝘭𝘶𝘣 𝘤𝘰𝘮𝘰 𝘳𝘪𝘵𝘮𝘰𝘴, 𝘴𝘪𝘯𝘵𝘦𝘵𝘪𝘻𝘢𝘥𝘰𝘳𝘦𝘴 𝘥𝘦 𝘣𝘢𝘫𝘢𝘴 𝘧𝘳𝘦𝘤𝘶𝘦𝘯𝘤𝘪𝘢𝘴, 𝘺 𝘴𝘪𝘯𝘵𝘦𝘵𝘪𝘻𝘢𝘥𝘰𝘳𝘦𝘴 𝘮𝘦𝘭ó𝘥𝘪𝘤𝘰𝘴 𝘱𝘢𝘳𝘢 𝘥𝘢𝘳𝘭𝘦 𝘶𝘯𝘢 𝘪𝘥𝘦𝘯𝘵𝘪𝘥𝘢𝘥 𝘴ó𝘯𝘪𝘤𝘢.

releases March 6, 2024
Artwork by oference2.0 (IG: oference2.0)

Yggdrasil

Undrwght - Bifröst

PREMIERE of ''Joy Divided'' (ABADIR Remix) by Lyra Valenza, taken from Low Gear No Remix, available June 21st via Petrola 80.

BUY: https://petrola80.bandcamp.com/album/low-gear-no-remix

ABADIR 
@rami-abadir
Instagram: https://www.instagram.com/ramiabadir

LYRA VALENZA
@lyravalenza
Instagram: https://www.instagram.com/lyraval_insta

PETROLA 80
@petrola-80
Instagram: https://www.instagram.com/petrola_80

ANGELS GUN CLUB
@angelsgunclub
Instagram: www.instagram.com/angelsgunclub
Bandcamp: https://angelsgunclub.bandcamp.com
Spotify: https://tinyurl.com/angelspoti
YouTube: https://youtube.com/@angelsgunclub
Telegram: https://t.me/angelsgunclub

Lyra Valenza - Joy Divided (ABADIR Remix) [Petrola 80]

Osheyack - Back In Kind
Artwork by Abraham Adams
Mastered by Raphael Valensi

Angel Vector

The Shapeshift Spaceship universe is transfuturistic. Being at the boundary of states is not an anomaly in this universe, but a starting point.

Shapeshifting is a method of applied radical imagination that, in the manner of afro- and other emancipatory -futurisms, uses the spatiotemporal immensity of the future and intergalactic distances to declare a transfuturistic universe free from conventional gender and taxonomic reasoning.

The central motif of the Shapeshift Spaceship project – emancipation through the transformation of one's own shape – has an age-old parallel in music: it too uses the principle of constant ephemeral change, rhythmed by repetition, to create its own elusively passing beauty with the extraordinary capacity to transform human emotions along with its own change. The possible maximum of this intoxication with music is a state of ecstatic rapture, a transformation directly experienced through the moving body, accompanied with the awareness of the expanded nature of existence as an indivisible continuum of all its interconnected parts.

With the participation of following shapeshifters, queer, FLINTA, enby and LGBTQQIP2SAA artists: Anthr0morph & Oliver Torr, El Pelele, Evil M, Hihelga, Pope Sangreta, IDKLANG, Technopagan, HrrHrrHrrr, Dj Würm

The compilation is released as an editorial selection curated by Šimon Kadlčák in collaboration with MeetFactory and speedcoretrew.

The project was supported by the Prague City Hall, the Ministry of Culture of the Czech Republic, Prague 5 and the State Culture Fund.

Link of the whole project Shapeshift Spaceship meetfactory.cz/cs/program/detail/shapeshift-spaceship

released by MeetFactory and speedcoretrew in January 2025.

mastered by KōNcHi

track n. 6, El Pelele - NO QUERER PERDONAR
produced by El Pelele and Astrosuka
mixed and mastered by Astrosuka
previously released by TRRUENO (2019)

cover design by Veronika Žilinská

evil m - kiss refund

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

Sforzando

As our first chords rang, we swayed in unison.
Held by habit, fraying, when...

Our rhythm, worn thin, dissolving into silence.
Amidst the quiet, loss reverberates.

Through empty halls, where echoes fade,
my innate cadence resonates.

Emerging.

Mastering by Bruno Biomekanik
@biomekanik25
facebook.com/bruno.biomekanik

[Habitual] - [Sumikko]

DL/Support

[Sumikko]

This track is an edit from 2 very good track of @paul-marmota and @ziurziurziur 
:)
http://www.mediafire.com/file/s17btcoubjbpsfw/Keep_her_in_the_cage.wav/file

Keep her in the cage

Impasse ft Wasted Fates

An exploration in tribal drums in an attempt to conjure my guides from the great beyond.

ZUT ZUT X  TSVI

Color Plus presents 'Pure Energy' - a full length record jointly released by Towhead Recordings and Vanity Press Records. Connecticut bred and Brooklyn based, Color Plus burst onto the landscape in 2017 with two vinyl releases on Vanity Press and Cazeria Cazador. He then founded his own imprint Towhead Recordings and released his first album 'Regular Energy'. Providing production for Eartheater, Little Pain & frequent collaborator Ize along the way, 2019 saw the release of his mixtape 'Roadrunner.'
Expanding on the ideas of 'Regular Energy', 'Pure Energy' is 10 manic tracks that will bring a dying dancefloor back from the grave.

CD & Digital: https://towheadrecordings.bandcamp.com/album/pure-energy

Impasse ft Wasted Fates

Imaabs